Keelung shone in the limelight yesterday as the brightest stars in Chinese-language cinema gathered to attend the 42nd Golden Horse Awards (金馬獎).
But the biggest star on the night was Stephen Chow, whose film Kung Fu Hustle (功夫) took the Best Feature Film and also gave Chow (周星馳) his first Best Director Award. Kung Fu Hustle swept five award categories -- including Best Director, Best Feature Film, Best Supporting Actress, Best Make up and Costume Design and Best Visual.
The Wayward Cloud (天邊一朵雲) director Tsai Ming-liang (
PHOTOS: TAIPEITIMES AND AGENCIES
Aaron Kwok (郭富城) picked up the Best Leading Actor award for Divergence (三岔口), beating out fellow contender Tony Leung (梁家輝). In his 14 years of acting it was Kwok's first time to get nominated -- and he won. Apparently stunned by the sudden honor, the actor thanked everybody who had supported him over the years and said he was glad that he never gave up acting.
A tight contest among the leading actresses resulted in a flood of tears, from Best Leading Actress, Shu Qi (舒淇), who then read out a long thank-you list on stage.
The Best Taiwan Film Professional of the Year and the Best Taiwan Film of the Year went to Hou Hsiao-hsien (侯孝賢) and his film Three Times (最好的時光). It was more like a gesture of consolation for the film's failure to take home neither the Best Director nor the Best Feature Film award.
The pop star Jay Chou (周杰倫) earned his spurs as an actor by picking up the Best New Performer award for his role in Initial D.
"It really came as a surprise. I'm really happy and the award really means a lot to me. For a moment, I felt like my soul got separated from my body. And it was my spirit that went on stage to receive the award while my body was still in the seat," a modest Chou said after accepting his award.
A frequent winner at the Golden Horse, Anthony Wong (黃秋生), ignited a big round of applause when the presenters announced he was the winner in the Best Supporting Actor category for Initial D (頭文字D).
Having previously won the same award twice for his roles in Infernal Affairs (無間道) and Princess D (想飛), Wong said he was chuffed at winning again this year because "the competition in the category was truly fierce this year." Wong also expressed gratitude to his assistant who "dutifully supplies me with liquor so that I can stay in character."
Hong Kong veteran actress Yuen Qiu (元秋) beat out local talents Liu Yi-jing (
Supporting Actress for her role in Kung Fu Hustle. Though she is a first-time Golden Horse winner, Yuen appeared composed when receiving her award.
"I want to thank Stephen Chow. I learned a lot from him during the shooting of the film," she said. When asked how she would prepare for the sequel, the actress replied, "I have lost some weight so I'll just have to put another 20 pounds (9kg)."
Taiwanese movies scored well in this year's musical categories. First time nominee Lee Cin-cin (李欣芸) was taken by surprise when he was honored with the Best Original Film Score award for Blue Cha-Cha (深海). Another dark horse who did well was James Ho (何俊明), who took home the Best Original Film Song trophy for documentary Jump! Boys (翻滾吧!男孩). The film was also honored with the Best Documentary award, as expected.
The Lifetime Achievement award this year went to 88-year-old Ke Hsiang-ting (葛香亭), who was given the best leading actor accolade twice at the Golden Horse for his portrayal of down-to-earth father figures in Old Tradition New Technologies (養鴨人家, 1965) and Kao Shan Ching (高山青, 1970). Ke began performing in films in the 1940s and has made over 176 movies, in addition to many TV dramas and theatrical plays.
A big surprise last night was the success of the local production How's Life? (生命狂想曲) in the Best Short Film award category; while The Fire Ball (火焰山) took Best Animation. The award represents long overdue recognition for the lea-ding Taiwanese animation company Wang Films (宏廣動畫), which has been doing sterling work for the past 27 years.
The constellation of stars gathered in Keelung included Taiwan's Ang Lee (李安) -- who took a break from his schedule promoting Brokeback Mountain (斷背山). Also treading the red carpet were Hong Kong director Tsui Hark (徐克), French star Romain Duris and Barrie Osborne, producer of The Lord of the Rings and The Matrix and Face/Off.
May 6 to May 12 Those who follow the Chinese-language news may have noticed the usage of the term zhuge (豬哥, literally ‘pig brother,’ a male pig raised for breeding purposes) in reports concerning the ongoing #Metoo scandal in the entertainment industry. The term’s modern connotations can range from womanizer or lecher to sexual predator, but it once referred to an important rural trade. Until the 1970s, it was a common sight to see a breeder herding a single “zhuge” down a rustic path with a bamboo whip, often traveling large distances over rugged terrain to service local families. Not only
Ahead of incoming president William Lai’s (賴清德) inauguration on May 20 there appear to be signs that he is signaling to the Chinese Communist Party (CCP) and that the Chinese side is also signaling to the Taiwan side. This raises a lot of questions, including what is the CCP up to, who are they signaling to, what are they signaling, how with the various actors in Taiwan respond and where this could ultimately go. In the last column, published on May 2, we examined the curious case of Democratic Progressive Party (DPP) heavyweight Tseng Wen-tsan (鄭文燦) — currently vice premier
The last time Mrs Hsieh came to Cihu Park in Taoyuan was almost 50 years ago, on a school trip to the grave of Taiwan’s recently deceased dictator. Busloads of children were brought in to pay their respects to Chiang Kai-shek (蔣中正), known as Generalissimo, who had died at 87, after decades ruling Taiwan under brutal martial law. “There were a lot of buses, and there was a long queue,” Hsieh recalled. “It was a school rule. We had to bow, and then we went home.” Chiang’s body is still there, under guard in a mausoleum at the end of a path
Last week the Directorate-General of Budget, Accounting and Statistics (DGBAS) released a set of very strange numbers on Taiwan’s wealth distribution. Duly quoted in the Taipei Times, the report said that “The Gini coefficient for Taiwanese households… was 0.606 at the end of 2021, lower than Australia’s 0.611, the UK’s 0.620, Japan’s 0.678, France’s 0.676 and Germany’s 0.727, the agency said in a report.” The Gini coefficient is a measure of relative inequality, usually of wealth or income, though it can be used to evaluate other forms of inequality. However, for most nations it is a number from .25 to .50