The most anticipated local film this week will no doubt be Tsai Ming-liang's (
Like Tsai's previous films, the The Wayward Cloud is almost a silent film with fewer than 10 conversations between characters. The sounds of the movie are old songs and the moaning of sex.
The plot of Cloud vaguely continues the story of Tsai's 2001 feature What Time Is It There (你那邊幾點), in which watch vendor Hsiao-kang (Lee Kang-sheng, 李康生) encounters Hsiang-chyi (Chen Shiang-chyi, 陳湘琪) on the skywalk before she departs for France. Now Shiang-chyi returns to Taipei and Hsiao-kang finds a new job acting in pornos.
It is summertime and severe drought has hit Taiwan. The government urges people to use water sparingly. The only thing to quench thirst is watermelon. Watermelon here is not just a juicy fruit but is also a metaphor of desire. It appears in several dance sequences as well as a sex scene where Hsiao-kang licks a watermelon that is placed in between the thighs of Japanese adult video actress Sumomo Yozakura.
Shiang-chyi follows Hsiao-kang and secretly watches him having sex with an unconscious Yozakura. She gets excited and begins to long for him and eventually, she fellates him.
The musical sequences form another line in the film, representing fantasy and emotions in the mind.
Actress Yang Kui-mei (
The Wayward Cloud
Directed by: tsai ming-liang
Screening venues: on general release
Language: In Mandarin with Chinese subtitles
Taiwan Release: today
Chen Shiang-chyi sings a song with actress Lu Yi-ching (
These sequences look more campy than splendid and are more amusing than an emotionally touching way of describing the desire of the characters in the film.
The most problematic aspect of the film is the misogynistic portrayals rampant in the film. The way Hsiao-kang treats porn actress Yozakura could be seen as rape. And the fact that all women in the film are presented as wanting Hsiao-kang penis may disgust many female watchers.
Despite the controversies, Tsai remains a precise filmmaker and is very clear and sharp on what he wants to express. But is the film really about love and desire? or has it only presented banality and cruelty in regard sex? The audience can form its own judgment.
As for news in the local industry, Central Motion Pictures Corporation (
Documentary director and professor at Chang Jung Christian University's media technology department Wu Hong-hsiang (



