Music, dance, video and sound art will share a room at the Shih Leh Yuan (SLY) Art space for the next three weeks under the common theme of kinesthetic art. Six artists, representing five countries and covering a range of disciplines, are part of the second annual New Field Art Festival. While last year's festival highlighted the broad use of technology in art, this year's looks at the use of body movement and senses in various art projects, said Emily Chien (
Having spent time in either China or Taiwan, none of the featured artists are new to Asia. Australian native, Frances d'Ath choreographed a piece in 2002 for the Guangdong Modern Dance Company as part of his residency in Guangzhou.
In Taiwan he is working with two local dancers on a new piece to be presented sometime next month. At SLY, he is running a film projection of a major dance work he choreographed earlier this year in Australia.
D'Ath's Extermination is a dance based on his reading of Jean Baudrillard's Symbolic Exchange and Death. Projected onto the wall is a group of female dancers clad in medieval ball gowns that, through the course of the film, perform dance adaptations of Baudrillard's text. Through the use of violence, gore and heavy metal d'Ath contrasts the elegant movement normally associated with ballet to create a Gothic twist.
"It deals with the nature of performance -- where the performance starts and the meaning of being human changes, such as how bodies are currently being coded and decoded," he said. D'Ath will be giving a workshop on his choreography Dec. 18 from 1:30pm until 3pm.
Invited to exhibit in Taichung's Stock 20 two years ago, Welsh artist Paul Emmanuel has returned to Taiwan. But this time he's in Taipei and he's brought his own psychiatrist. Emmanuel's work Psychonavigation is the edited film version of a 45-minute real psychiatric session in which he answers a series of questions while his mouth is filled with paint. Performed live in Taipei yesterday, the video footage will be screened at SLY for the next few weeks. Although he uses the same consultant every time, the questions are not rehearsed and cover medical history, drug/alcohol abuse as well as delving into more personal issues such as sexual intimacy.
Rather than be disgusted by the image of Emmanuel's mouth dribbling paint and saliva, one's interest is piqued while listing to the series of questions and answers. As a painter, Emmanuel said he uses paint as a diagnostic tool in the psychological examination. On one level, scrutiny of his personal history and habits investigates the stereotype of what it is that makes an artist. On another level it looks at the psychiatric profession as a material entity. Using the ongoing project that has been performed and screened in Los Angeles, Swansea, the UK, and now Taipei, Emmanuel said he also wants to explore how the Western practice of psychiatry is viewed in different cultural environments.
Lacking any medical credentials, but blessed with the gift of massage, Taiwan artist Ting Li-ping experiments with the healing qualities of sound through her sound massage. As performed last year at IT Park, Ting uses her hands to make sounds near a person's body, without actually touching the person. According to one recipient it provides the same results as a traditional massage. Ting is offering free sound massages during the festival, but those interested are recommended to call and schedule an appointment. The massages will take place at SLY today from 6pm to 11pm and at the same time next Saturday and Sunday.
French sound artist Thierry Madiot will join his wife, Ting, to give a live musical performance on Dec. 19 at 2pm. The two are also exhibiting a joint project that uses a homemade stethoscope and box of objects to create sound. After putting the headset on, a participant should close his or her eyes while another person places different objects from the box into a small cup attached to the earphones. The different sounds are meant to trigger a variety of responses or emotions, depending on the person.
Taipei-based company A Moving Sound is also putting on its latest theatrical production at the festival. The group has gained well-deserved attention this year for its combination of Mia Hsieh's traditional dance and vocals with Scott Prairie's contemporary music.
Exhibition notes:
What: 2nd Annual SLY Art's New Field Art Festival
Where: Shin Leh Yuan (SLY) Art Space (
Telephone: (02) 2561 1548 When: 1pm to 8pm, Wednesdays to Sundays (closed Tuesdays and Mondays). Until Dec. 26.
May 6 to May 12 Those who follow the Chinese-language news may have noticed the usage of the term zhuge (豬哥, literally ‘pig brother,’ a male pig raised for breeding purposes) in reports concerning the ongoing #Metoo scandal in the entertainment industry. The term’s modern connotations can range from womanizer or lecher to sexual predator, but it once referred to an important rural trade. Until the 1970s, it was a common sight to see a breeder herding a single “zhuge” down a rustic path with a bamboo whip, often traveling large distances over rugged terrain to service local families. Not only
Ahead of incoming president William Lai’s (賴清德) inauguration on May 20 there appear to be signs that he is signaling to the Chinese Communist Party (CCP) and that the Chinese side is also signaling to the Taiwan side. This raises a lot of questions, including what is the CCP up to, who are they signaling to, what are they signaling, how with the various actors in Taiwan respond and where this could ultimately go. In the last column, published on May 2, we examined the curious case of Democratic Progressive Party (DPP) heavyweight Tseng Wen-tsan (鄭文燦) — currently vice premier
The last time Mrs Hsieh came to Cihu Park in Taoyuan was almost 50 years ago, on a school trip to the grave of Taiwan’s recently deceased dictator. Busloads of children were brought in to pay their respects to Chiang Kai-shek (蔣中正), known as Generalissimo, who had died at 87, after decades ruling Taiwan under brutal martial law. “There were a lot of buses, and there was a long queue,” Hsieh recalled. “It was a school rule. We had to bow, and then we went home.” Chiang’s body is still there, under guard in a mausoleum at the end of a path
Last week the Directorate-General of Budget, Accounting and Statistics (DGBAS) released a set of very strange numbers on Taiwan’s wealth distribution. Duly quoted in the Taipei Times, the report said that “The Gini coefficient for Taiwanese households… was 0.606 at the end of 2021, lower than Australia’s 0.611, the UK’s 0.620, Japan’s 0.678, France’s 0.676 and Germany’s 0.727, the agency said in a report.” The Gini coefficient is a measure of relative inequality, usually of wealth or income, though it can be used to evaluate other forms of inequality. However, for most nations it is a number from .25 to .50