In William Shakespeare's As You Like It, Jacques says, "All the world's a stage, and all the men and women merely players. They have their exits and their entrances, and one man in his time plays many parts, his acts being seven ages." For the philosopher, life is an extended play and everyone is just playing a part.
It is a view shared by Taiwanese artist Wang Wan-chun (王
PHOTO COURTESY OF TAIPEI MOMA GALLERY N
"Theater gives us a different perspective on reality. When you identify with a character, in a way you apply that story to your own life," Wang said. "When people look at my paintings, I hope it will start them to think about their own lives.
PHOTO COURTESY OF TAIPEI MOMA GALLERY
Born in 1956 in Ilan county, Wang moved to Taipei to study sculpture at the Taiwan Arts School. After graduating he realized his real passion was for oil painting and since then he has produced a large collection of surrealist canvasses.
His style is similar to that of other surrealist artists from the early to mid 1900s with the work of his favorite painter, Rene Magritte (1898 to 1967) having the most obvious influence. Like Magritte, Wang uses a uniform background of one solid color on which he paints objects and people. Both artists utilize recurring symbols in their work -- for Wang these are birds, chairs and beds, at least one of which appears in every painting.
Wang's work is not merely painted in the image of Magritte's. He has defined his own style, unique from the Belgian painter's. In his paintings, Wang often plays with depth to produce multi-dimensional objects, in contrast to Magritte, who painted mostly one-dimensional and larger objects.
Wang said his works are often criticized for being "empty," in the sense of having no meaning. After previewing the exhibition, however, it feels as though that criticism is more abstract than the art. And, like the work of Magritte, the abstract surrealist images won't appeal to everyone.
In Chess with the God, for example, half of the canvas is blank except for two small men, one focused on a small white square and the other, resembling a Jesuit monk, concentrating on a book. A chair, bed and physically deformed man fill the left half of the painting.
One interpretation is to see the rooms as different states of being. The right is how we perceive our everyday lives, work, play, and ideologies. The left creates more of a dreamlike state, which distorts our sense of reality (the deformed man). The bed and chair are repeated motifs in Wang's work. The former symbolizes death, and the latter signifies the positions people hold in life, he said.
Applying the analogy of a stage, it is as though Wang creates different scenes in each corner of his 21 paintings. As a viewer, you can spend a considerable amount of time staring at just one, taking in all the characters and props.
Shakespeare's Jaques said life is a play with roles already determined by a divine being. For Wang, his paintings are more of an open script, which, depending on the viewer, will have different connotations.
Exhibition notes:
What: Wang Wan-chun's solo Exhibition
Where: Taipei MOMA Gallery (
Telephone: (02) 8771 3372
When: Until Nov. 30.
Sept.16 to Sept. 22 The “anti-communist train” with then-president Chiang Kai-shek’s (蔣介石) face plastered on the engine puffed along the “sugar railway” (糖業鐵路) in May 1955, drawing enthusiastic crowds at 103 stops covering nearly 1,200km. An estimated 1.58 million spectators were treated to propaganda films, plays and received free sugar products. By this time, the state-run Taiwan Sugar Corporation (台糖, Taisugar) had managed to connect the previously separate east-west lines established by Japanese-era sugar factories, allowing the anti-communist train to travel easily from Taichung to Pingtung’s Donggang Township (東港). Last Sunday’s feature (Taiwan in Time: The sugar express) covered the inauguration of the
The corruption cases surrounding former Taipei Mayor and Taiwan People’s Party (TPP) head Ko Wen-je (柯文哲) are just one item in the endless cycle of noise and fuss obscuring Taiwan’s deep and urgent structural and social problems. Even the case itself, as James Baron observed in an excellent piece at the Diplomat last week, is only one manifestation of the greater problem of deep-rooted corruption in land development. Last week the government announced a program to permit 25,000 foreign university students, primarily from the Philippines, Indonesia and Malaysia, to work in Taiwan after graduation for 2-4 years. That number is a
In a stark demonstration of how award-winning breakthroughs can come from the most unlikely directions, researchers have won an Ig Nobel prize for discovering that mammals can breathe through their anuses. After a series of tests on mice, rats and pigs, Japanese scientists found the animals absorb oxygen delivered through the rectum, work that underpins a clinical trial to see whether the procedure can treat respiratory failure. The team is among 10 recognized in this year’s Ig Nobel awards (see below for more), the irreverent accolades given for achievements that “first make people laugh, and then make them think.” They are not
This Qing Dynasty trail takes hikers from renowned hot springs in the East Rift Valley, up to the top of the Coastal Mountain Range, and down to the Pacific Short vacations to eastern Taiwan often require choosing between the Rift Valley with its pineapple fields, rice paddies and broader range of amenities, or the less populated coastal route for its ocean scenery. For those who can’t decide, why not try both? The Antong Traversing Trail (安通越嶺道) provides just such an opportunity. Built 149 years ago, the trail linked up these two formerly isolated parts of the island by crossing over the Coastal Mountain Range. After decades of serving as a convenient path for local Amis, Han settlers, missionaries and smugglers, the trail fell into disuse once modern roadways were built