Taiwan's film industry should start all over again, Hong Kong producer and president of the Federation of Hong Kong Film Workers Ng See-yuen (
The three-day conference was packed with local and international film professionals, as well as enthusiastic film students and movie fans. Together, they discussed the all-too familiar topic of how to save the Taiwanese film industry.
This time around, the country's young generation of filmmakers seemed to agree with Ng.
"Taiwan has too many film directors. But we don't have enough scriptwriters," said filmmaker Su Choa-pin (
It took Su and his team two years to write the text for Double Vision, all the while sending the script back and forth to various Hollywood producers and writers. It was the first Taiwanese movie made under the Hollywood working model, co-produced with Columbia Asia. "It was hard work, but very rewarding for me," said Su.
"In the past we always wrote our own scripts and made director's movies. But maybe it's time for a change," said Cheng Wen-tang (
Both Su and Cheng said this was a different approach to movie-making, a path distinct from predecessors such as Hou Hsiao-hsien (
As further proof of this theory, there are no Taiwanese films selected for the recently announced line-up at this year's Cannes Film Festival. South Korea and Thailand, however, are well represented. Two Korean films Hong San-soo's Woman is the Future of Man and Park Chan-wook's Old Boy have been selected for the competition section. A Thai film, Apichatpong Weerasethaku's Tropical Malady has been selected for the first time.
Hou Hsiao-Hsien has finished his latest work Coffee Time (
Discarding the tradition of looking at the world with a humanistic perspective, younger generation filmmakers are now moving toward a more innocent and less intellectual way of making films, concentrating on pure entertainment and marketable movies.
Formula 17 (
Fortunately for Yeh, the gay romantic comedy became one of the few local movies that made a profit in the past five years. The budget of the movie was just NT$4 million but it grossed NT$5 million at the box office, a small sales figure, but enough to make it the No.1 movie in terms of ticket sales this year.
This was a boost not only for Three Dots Entertainment, set up by a group of 30-somethings, but also for 23 year-old first-time director Chen Ying-jung (
Using pretty TV actors is another trend for the younger
generation of filmmakers. Alice Wang (
"My idea was to bring Taiwanese actors to mainland China and Hong Kong. A star is not born by appearing in just one film. You have to keep making movies to make them remembered by a wider audience," she said.
Wang's Karate Girls (
The film, co-produced with Bona Films in Beijing, was made with the Chinese market in mind. Thus, Wang was able to quickly raise funds for her next film, West Town Girls (
"For a long time, Taiwanese filmmakers have forgotten the basic social function of going to movies: that is to go to movies with your date, your family and friends," said Wold Chen (陳鴻元), CEO of Mata Entertainment. "Now, we are happy to see a younger generation going in a different direction," he said at the conference.
June 2 to June 8 Taiwan’s woodcutters believe that if they see even one speck of red in their cooked rice, no matter how small, an accident is going to happen. Peng Chin-tian (彭錦田) swears that this has proven to be true at every stop during his decades-long career in the logging industry. Along with mining, timber harvesting was once considered the most dangerous profession in Taiwan. Not only were mishaps common during all stages of processing, it was difficult to transport the injured to get medical treatment. Many died during the arduous journey. Peng recounts some of his accidents in
What does the Taiwan People’s Party (TPP) in the Huang Kuo-chang (黃國昌) era stand for? What sets it apart from their allies, the Chinese Nationalist Party (KMT)? With some shifts in tone and emphasis, the KMT’s stances have not changed significantly since the late 2000s and the era of former president Ma Ying-jeou (馬英九). The Democratic Progressive Party’s (DPP) current platform formed in the mid-2010s under the guidance of Tsai Ing-wen (蔡英文), and current President William Lai (賴清德) campaigned on continuity. Though their ideological stances may be a bit stale, they have the advantage of being broadly understood by the voters.
Artifacts found at archeological sites in France and Spain along the Bay of Biscay shoreline show that humans have been crafting tools from whale bones since more than 20,000 years ago, illustrating anew the resourcefulness of prehistoric people. The tools, primarily hunting implements such as projectile points, were fashioned from the bones of at least five species of large whales, the researchers said. Bones from sperm whales were the most abundant, followed by fin whales, gray whales, right or bowhead whales — two species indistinguishable with the analytical method used in the study — and blue whales. With seafaring capabilities by humans
In a high-rise office building in Taipei’s government district, the primary agency for maintaining links to Thailand’s 108 Yunnan villages — which are home to a population of around 200,000 descendants of the Chinese Nationalist Party (KMT) armies stranded in Thailand following the Chinese Civil War — is the Overseas Community Affairs Council (OCAC). Established in China in 1926, the OCAC was born of a mandate to support Chinese education, culture and economic development in far flung Chinese diaspora communities, which, especially in southeast Asia, had underwritten the military insurgencies against the Qing Dynasty that led to the founding of
RSS