There is a fairy tale that tells of two quarreling gods who settle a dispute between them by making works of art out of haystacks. Jenju community
(
Jenju (which means "pearl") in Tungshan Township (
PHOTO COURTESY OF JENJU COMMUNITY DEVELOPMENT ASSOCIATION
The Jenju story begins in the mists of time with disputes arising from competition between two rival local temples, the Chinshing Divine Palace (
"My idea was fairly simple at the time," said Huang, who is in his 30s. "Since the adherents of these two temples used to boycott each other's religious activities, I figured that if I put their worshiping gods side by side, the followers would have to come together and participate in the same event."
This artistic display seemed to defuse the ancient antagonism overnight and now these two painted haystack gods have become landmarks for Jenju. The hay art festival is held from July to September every year and features such crafts as hay painting, hay-pulp masks, hay dolls, hay knitting and more.
"You see, we specialize in hay art from the standpoint of seeking community harmony. Huang's bold move has given his fellow residents a great opportunity to explore something creative in art. This goes far beyond what any farmer could have imagined in the past," said Lee Hou-zine (
One example of how people have benefited practically is the pulp-mask business, where straw is ground into powder and made into masks with a machine. This small enterprise now brings in an income of NT$2 million a year through sales to tourists. Another popular craft is cutting the hay into small sections, which are dyed and then glued onto wood panels to create paintings.
The Jenju community was created in February 1994 in an area that was formally inhabited by one of the 36 Pingpu Kuvalan tribes (
The 2.5km2 community relies primarily on rice and vegetable cultivation and is helped in this respect by the 24km-long Tungshan River which flows through it. A census accounted for 250 people in the area in 1810 and there are now 1,851, with a population increase of 10 percent in recent years, due perhaps to the community's success in providing jobs for its residents.
The river is used for many large-scale international water sport events and one of the most popular cultural activities in Taiwan, the International Children's Folklore and Folkgame Festival (
The Ilan County Government plans to launch a water bus project a few years from now by using solar-powered ferryboats to link Jenju Community, Chingshuei Park and other popular visitor points along the river. Its overarching aim is to set up a national waterfront recreation area to boost local tourism even further.
The Jenju community, however, is just one example of the many independent villages which have adapted to changes in the farming ecomomy. Other examples include Ilan's White Rice Community (
Under the 10-year-old Integrated Community Development Project (
If you do have the chance to visit Jenju, do not miss a pumpkin meal or baked pumpkin pie. Local resident Lee Chi-sen (
Lee, who is in his 60s, is an art-crazy farmer as well. He enjoys making carvings, in the shape of a Chinese dragon or other animals, on the skin of his pumpkins that hang from canopies of leaves in the garden.
There are many untold stories in the country's village communities and the story of one man bringing peace to a village through hay art is just one of them.
What was the population of Taiwan when the first Negritos arrived? In 500BC? The 1st century? The 18th? These questions are important, because they can contextualize the number of babies born last month, 6,523, to all the people on Taiwan, indigenous and colonial alike. That figure represents a year on year drop of 3,884 babies, prefiguring total births under 90,000 for the year. It also represents the 26th straight month of deaths exceeding births. Why isn’t this a bigger crisis? Because we don’t experience it. Instead, what we experience is a growing and more diverse population. POPULATION What is Taiwan’s actual population?
For the past five years, Sammy Jou (周祥敏) has climbed Kinmen’s highest peak, Taiwu Mountain (太武山) at 6am before heading to work. In the winter, it’s dark when he sets out but even at this hour, other climbers are already coming down the mountain. All of this is a big change from Jou’s childhood during the Martial Law period, when the military requisitioned the mountain for strategic purposes and most of it was off-limits. Back then, only two mountain trails were open, and they were open only during special occasions, such as for prayers to one’s ancestors during Lunar New Year.
You would never believe Yancheng District (鹽埕) used to be a salt field. Today, it is a bustling, artsy, Kowloon-ish “old town” of Kaohsiung — full of neon lights, small shops, scooters and street food. Two hundred years ago, before Japanese occupiers developed a shipping powerhouse around it, Yancheng was a flat triangle where seawater was captured and dried to collect salt. This is what local art galleries are revealing during the first edition of the Yancheng Arts Festival. Shen Yu-rung (沈裕融), the main curator, says: “We chose the connection with salt as a theme. The ocean is still very near, just a
A key feature of Taiwan’s environmental impact assessments (EIA) is that they seldom stop projects, especially once the project has passed its second stage EIA review (the original Suhua Highway proposal, killed after passing the second stage review, seems to be the lone exception). Mingjian Township (名間鄉) in Nantou County has been the site of rising public anger over the proposed construction of a waste incinerator in an important agricultural area. The township is a key producer of tea (over 40 percent of the island’s production), ginger and turmeric. The incinerator project is currently in its second stage EIA. The incinerator