Temples were the meeting grounds for folk arts in ancient Chinese society. Painters, woodcarvers, calligraphers and embroiderers all contributed to furnishings of the buildings, while opera singers, puppeteers and dragon-dancers strived to present their best performances in front of the temple gods.
While modern temples have altered or simplified their architectural styles and Taiwanese have many other recreations besides temple festivals, the National Center for Traditional Arts (國立傳統藝術中心) decided that the best way to preserve these temple-related arts is to have a temple built for the purpose. When the new Wen Chang Temple (文昌祠) was opened yesterday, it became the first government-built temple since the Chinese Nationalist Party came to Taiwan.
The birthday of Wen Chang Di Chun (文昌帝君), the main god at Wen Chang Temple, falls today on the lunar calendar, the second day of the temple's opening ceremony. Priests will carry out religious rituals while some of northern Taiwan's best-known traditional performance groups present their shows.
PHOTO: VICE LEE, TAIPEI TIMES
The center complex of the temple, which opened in 2001, promotes traditional arts and the 13 gods worshipped in the temple are all patron saints of mandarins and artists, except the Land God (
"Many traditional craft forms originated from temple buildings while the performances at temple functions provided communal recreation for rural society in the past. Therefore, to make the Center for Traditional Arts complex more comprehensive, it's necessary to have a temple here," said Chen Mei-ling (
Many visitors to the complex look on the temple as a nice background for snapshot portraits, or as a complement to the complex's small old-town atmosphere.
PHOTO: VICO LEE, TAIPEI TIMES
The traditional arts-and-crafts streets leading to the temple are a red-brick recreation of an ancient northern Taiwan rural township. Thirty-three shops, selling anything from glass vases, to clay pipes, from paper-cuttings to glove puppets are busy with tourists.
As no ancient towns in Taiwan could have survived without their local center of worship, Chen said, Wen Chang Temple makes the recreation of old-time Taiwan as realistic as possible.
The most prominent feature of the building is the use of wood in its structure, instead of the increasingly prevalent mortar and concrete.
PHOTO: VICO LEE, TAIPEI TIMES
"Most of the temples in Taiwan have unintentionally adopted northern Chinese architectural designs. Here we remained truthful to the southern Chinese styles, both in color schemes and painting patterns," said Lee Chian-lang (
The paintings of door-gods on the three temple gates also follow tradition. They have larger heads and rounder bodies compared with the modern-day door-god paintings that have the gods take on the physical proportions of human beings, which, Chen said, may be due to the influence of Western movie posters.
The idols in the temple include the "industry-gods" rarely enshrined in temples. Tian Du Yuan Shuai (
All these gods are mostly worshipped by performance troupes in their homes and by artisans in their studios. There are only a handful of temples
dedicated to them across Taiwan. Wu Wen Chang (
Wen Chang Di Chun, at the center of the temple, is the most popular god among students and their parents. Some 20 temples have Wen Chang Di Chun as their main god, while many major temples also house the god. In the weeks leading to major school exams, alters are covered with photocopies of exam registration papers at temples worshipping the god.
Even students who are not particularly pious kneel in front of the god asking for divination on the outcome of their exams. Some even pay to have small lamps bearing their names lit next to the alters to bless them.
Students eager to win the favor of Wen Chang Di Chun may have to turn elsewhere, however, because despite all the trappings of a temple, Wen Chang Temple is intended to be a showcase temple for traditional crafts rather than a religious center, said Tsai Chi-ren (
Visitors are encouraged to worship the gods by just putting their hands together. There will be no candles, no burning of paper money, no lamps to light in the temple, no talismans to buy, not to mention divinations with bamboo blocks or drawing-lots.
Although the opening ceremony of the temple follows all the traditional procedure and the schedules were arranged in consultation with the lunar calendar, the Center for Traditional Arts is cautious about walking the thin line between academic thought and "superstition."
"The opening ceremony procedures are more academic than superstitious. All the steps have definite and explainable meanings in folk religion. We don't want people to think of them as superstitious rituals," Chen said.
The same attitude applies to the management of the temple, which shuns supernatural practices, such as providing talismans and divinations. Even providing free incense sticks -- which all temples do in Taiwan -- smacks of encouraging the occult.
"As a government agency, we can't provide incense to visitors. We can't represent local people either. However, we believe you can be pious without the external rituals," Chen said.
Asked whether a temple without incense is a religious or a cultural establishment, Chen hesitated before saying that it was too difficult to say. "As part of the government we are not in a position to lead religious rituals," Chen said.
Hsieh Tzong-rong (謝宗榮), folk customs scholar and director of the opening ceremony -- which is the first time a cultural government agency has teamed up with priests and academics -- said that he understands the center's stance.
"This is the first government-built temple since the Min Guo era. During the KMT reign, only Confucian temples were encouraged, not folk deities' temples.
All the presidents before Chen Shui-bian (陳水扁) were Christians. It has become a government habit to avoid folk religion practices. Education has therefore taught people to see the many folk religious practices as superstitions, when folk religions are just an integral part of the society. In ancient times, emperors even led worship to heavenly gods as the first thing after their inauguration," Hsieh said.
Last week, Viola Zhou published a marvelous deep dive into the culture clash between Taiwanese boss mentality and American labor practices at the Taiwan Semiconductor (TSMC) plant in Arizona in Rest of World. “The American engineers complained of rigid, counterproductive hierarchies at the company,” while the Taiwanese said American workers aren’t dedicated. The article is a delight, but what it is depicting is the clash between a work culture that offers employee autonomy and at least nods at work-life balance, and one that runs on hierarchical discipline enforced by chickenshit. And it runs on chickenshit because chickenshit is a cultural
By far the most jarring of the new appointments for the incoming administration is that of Tseng Wen-tsan (鄭文燦) to head the Straits Exchange Foundation (SEF). That is a huge demotion for one of the most powerful figures in the Democratic Progressive Party (DPP). Tseng has one of the most impressive resumes in the party. He was very active during the Wild Lily Movement and his generation is now the one taking power. He has served in many of the requisite government, party and elected positions to build out a solid political profile. Elected as mayor of Taoyuan as part of the
Moritz Mieg, 22, lay face down in the rubble, the ground shaking violently beneath him. Boulders crashed down around him, some stones hitting his back. “I just hoped that it would be one big hit and over, because I did not want to be hit nearly to death and then have to slowly die,” the student from Germany tells Taipei Times. MORNING WALK Early on April 3, Mieg set out on a scenic hike through Taroko Gorge in Hualien County (花蓮). It was a fine day for it. Little did he know that the complex intersection of tectonic plates Taiwan sits
When picturing Tainan, what typically comes to mind is charming alleyways, Japanese architecture and world-class cuisine. But look beyond the fray, through stained glass windows and sliding bookcases, and there exists a thriving speakeasy subculture, where innovative mixologists ply their trade, serving exquisite concoctions and unique flavor profiles to rival any city in Taiwan. Speakeasies hail from the prohibition era of 1920s America. When alcohol was outlawed, people took their business to hidden establishments; requiring patrons to use hushed tones — speak easy — to conceal their illegal activities. Nowadays legal, speakeasy bars are simply hidden bars, often found behind bookcases