Tsai Ming-liang (
Prior to the film's departure for Venice, Homegreen Films, Tsai's own production company, has decided to open a one-week screening in Taipei from today until next Thursday, with screening each day at 7pm at Galaxy Cinema. The film will be officially released in Taiwan at the end of the year.
Goodbye, Dragon Inn makes use of many of Tsai's favorite actors such as Lee Kang-sheng (
PHOTO COURTESY OF HOMEGREEN FILMS
The story of Goodbye, Dragon Inn take place in an old movie theater, a few hours before it is destined to close for good. On this very last day the theater plays a martial arts classic, King Hu's (
Two old men appear at the theater, shocking the Japanese man, for they are Miao Tien and Shih Chun (
Tsai, with his dark sense of humor, pays tribute to the old movie theaters that were part of his childhood days. "When I heard that the Fuho Theater [in Taipei] was to close, I had an impulse to shoot a film about it. Now I look back, it was actually the theater calling to me, saying `come and film me!'" Tsai said. The theater makes an appearance in Tsai's What Time is It There?
London-based film critic and scholar Tony Ryans describes the film as "what may be Tsai's most brilliant metaphor yet." "A lament for the death of feelings framed as a valediction to an entire era of Chinese cinema and an obituary to film-going in general.
Goodbye, Dragon Inn will be Tsai's second entry in the Venice Film Festival. The last time Tsai joined the event was with his second film Vive L'Amour (
In recent weeks the Trump Administration has been demanding that Taiwan transfer half of its chip manufacturing to the US. In an interview with NewsNation, US Secretary of Commerce Howard Lutnick said that the US would need 50 percent of domestic chip production to protect Taiwan. He stated, discussing Taiwan’s chip production: “My argument to them was, well, if you have 95 percent, how am I gonna get it to protect you? You’re going to put it on a plane? You’re going to put it on a boat?” The stench of the Trump Administration’s mafia-style notions of “protection” was strong
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