If you aren't the proud parent of a preschooler, then chances are you'll never have heard of The Wiggles, let alone Taiwan's very own Wiggle clones, Anni, Carlos, Danny and Arthur. If you are, then tunes such as The Wiggle Groove are, like it or not, probably deeply ingrained somewhere in your sub-conscious.
Now a phenomena with an almost cult-like following, the original Wiggles act was formed in Sydney, Australia, by three students of early childhood education and a member of Aussie rhythm and blues combo, The Cockroaches, in 1991. The preschooler act caused a splash that same year with its self-titled debut album. Since then the group has become one of the most successful acts to come out of Australia since Kylie Minogue.
PHOTO: GAVIN PHIPPS, TAIPEI TIMES
The group's catchy child-like tunes wax lyrical about items and actions such as food, animals and, of course, wiggling. The group has sold upwards of 10 million home videos, VCDs and DVDs worldwide as well as undertaking sellout tours of The UK, New Zealand and the US.
Plans for a Wiggles global conquest first got underway in 2001, when the group signed a licensing agreement with Walt Disney International. And last June, Walt Disney Taiwan held auditions for the world's first Wiggle.
Although Taiwan Wiggles is currently the only legally licensed version of The Wiggles, other international Wiggles are set to invade homes across Asia in the coming year. Auditions for a Japanese version will take place this month and plans for South Korean, Thai and Chinese Wiggle spin-offs are already underway.
Debuting on the Disney Channel Taiwan on March 31, the Taiwan Wiggles have already begun mimicking the huge success of Australia's favorite colorful export, albeit in Mandarin. Recent TV ratings show that a staggering 3.2 percent of the population tune into the evening Wiggles show on a daily basis. Ratings for the show's morning and afternoon slots are somewhat lower, and presently stand at 0.69 and 1.04 percent of the population respectively.
In keeping with Wiggle tradition each of the four Taiwanese members has his own behavioral trait and sports a signature colored jersey in the same vein as their antipodean kin. Their sidekicks also remain the same and include Captain Feathersword, Dorothy the Dinosaur, Henry the Octopus and Wags the dog.
The Taiwan foursome is everything their Aussie cousins are and more, however. As Taiwan's Wiggles boast the first ever female Wiggle to waggle her stuff.
"The addition of a female Wiggle gives Taiwanese children something homely and motherly to relate to," said the magical and Red Wiggle, Anni. "Traditionally it is the mother, or female relative at any rate, who spends more time with the child in Taiwan."
Along with introducing the world to the first female Wiggle, several, but not all, of the group's songs have been specially adapted to suit Taiwanese audiences. The original tunes remain the same, but the lyrics have been localized.
"We obviously couldn't sing about hot potatoes, as children here wouldn't understand," continued the Red Wiggle. "Western food has been replaced by noodles and glutinous rice balls."
In order that the mannerisms of Taiwan's Wiggles remain as close to the original group as possible, Carlos, Anni, Danny, Arthur and stand-in, Kurt -- all five of whom are contractually bound by Disney Taiwan not to reveal their true identities -- were packed off to Sydney. There the group underwent six weeks of grueling basic training at Wiggle boot camp.
"It was hard work. We spent the entire time learning how to be like the Wiggles. We had to learn to dance, sing and act just like the original group," recalled the sporty and Yellow Wiggle, Carlos.
Since late February, the group has performed at over 60 kindergartens as well as appearing at shopping malls and department stores throughout Taipei City and County. Disney Taiwan's plans to take the group on a nationwide tour were sadly curtailed because of the recent SARS epidemic.
While there are currently no fixed dates for appearances in the nation's other large metropolises, according to Taiwan Wiggle's manager, Jesse Tsao (曹昌傑), plans are in the pipeline for both a national tour and a large-scale gig at one of the capital's leading venues.
Like the TV show, the Taiwanese Wiggles' debut DVD and CD boxed set, 大家來Wiggle! (Everybody Come and Wiggle), which was released by Forward Music (豐華) in late April, has also proven hugely successful. Taiwanese preschool audiences, or rather their parents have already purchased over 40 percent of the initial 20,000 copies to hit record and book stores nationwide.
In the coming months, the boxed set could also be available in Hong Kong and Singapore. Both Disney Taiwan and Forward Music have received numerous calls from stores in the Mandarin speaking ex-British colonies inquiring about the possibilities of selling the product. Regardless of their export potential, the group's members are already household faces at home. Even without their trademark colored jerseys, Carlos, Anni, Danny and Arthur regularly cause the heads of many a preschooler to turn.
"So many children know us now that even if I wear sunglasses I still get kids looking at me and yelling my catch phrase, `Wake up Danny' in stores, walking down the street and so on," said the sleepy and Purple Wiggle, Danny.
And it looks like Taiwan's Wiggles will be causing heads to turn for some time to come, as none has any intention to retire just yet, if at all. "Once a Wiggle always a Wiggle," laughed the hungry and Blue Wiggle, Arthur.
As for how Taiwan's Wiggles compare to their down-under brethren, five year-old Wiggles fan, Hanna Foreman, who became obsessed with the group two years ago and once watched nothing but her Wiggly, Wiggly Christmas video for two weeks, gave some expert Wiggle analysis.
Used to watching the Australian version, she was a little thrown off when she saw the blue, red, purple and yellow Wiggles uniforms filled with Taiwanese bodies. Her brow wrinkled up and she looked a bit perplexed for a few seconds, but all was well.
"I like the Taiwan Wiggles. They're more fun. They dance better," said Foreman. "They're so funny!"
The small platform at Duoliang Train Station in Taitung County’s Taimali Township (太麻里) served villagers from 1992 to 2006, but was eventually shut down due to lack of use. Just 10 years later, the abandoned train station had become widely known as the most beautiful station in Taiwan, and visitors were so frequent that the village had to start restricting traffic. Nowadays, Duoliang Village (多良) is known as a bit of a tourist trap, with a mandatory, albeit modest, admission fee of NT$10 giving access to a crowded lane of vendors with a mediocre view of the ocean and the trains
For many people, Bilingual Nation 2030 begins and ends in the classroom. Since the policy was launched in 2018, the debate has centered on students, teachers and the pressure placed on schools. Yet the policy was never solely about English education. The government’s official plan also calls for bilingualization in Taiwan’s government services, laws and regulations, and living environment. The goal is to make Taiwan more inclusive and accessible to international enterprises and talent and better prepared for global economic and trade conditions. After eight years, that grand vision is due for a pulse check. RULES THAT CAN BE READ For Harper Chen (陳虹宇), an adviser
Traditionally, indigenous people in Taiwan’s mountains practice swidden cultivation, or “slash and burn” agriculture, a practice common in human history. According to a 2016 research article in the International Journal of Environmental Sustainability, among the Atayal people, this began with a search for suitable forested slopeland. The trees are burnt for fertilizer and the land cleared of stones. The stones and wood are then piled up to make fences, while both dead and standing trees are retained on the plot. The fences are used to grow climbing crops like squash and beans. The plot itself supports farming for three years.
President William Lai (賴清德) on Nov. 25 last year announced in a Washington Post op-ed that “my government will introduce a historic US$40 billion supplementary defense budget, an investment that underscores our commitment to defending Taiwan’s democracy.” Lai promised “significant new arms acquisitions from the United States” and to “invest in cutting-edge technologies and expand Taiwan’s defense industrial base,” to “bolster deterrence by inserting greater costs and uncertainties into Beijing’s decision-making on the use of force.” Announcing it in the Washington Post was a strategic gamble, both geopolitically and domestically, with Taiwan’s international credibility at stake. But Lai’s message was exactly