The clock is turned back to 1933. It is a time of big bands, ragtime jazz and ballroom dancing. The phonograph is all the rage. Even as China was caught in the grip of civil unrest, a new middle-class lifestyle was emerging in Taiwan. Fashionable people would sit along the boulevards drinking coffee, dancing the waltz and the fox trot and singing the new hit songs of a period.
Today, Grandma Ai-ai (
"It was a new world for us. Young people began to enjoy the freedom to meet and dance [instead of being confined by the family]," she said. "Men and women dubbed themselves `black cats' and `black dogs,' the equivalent of the `la-mei' [hot chicks] and `shuai-ke' [cool guys] who frequent Taipei's chic bars and restaurants today."
The life of these youngsters, so similar yet so different from youth culture today, is the subject of a new PTS documentary, A Dance Era (
"We wanted to present a Taiwan music history, complete with the atmosphere of that time, so that young people could come to grips with that period," said Lee Kun-cheng (
Seven years ago, Lee was working at the now-defunct Taipei Radio Station (
A Dance Era is basically the result of Lee's seven years collecting old records. In total, he has gathered more than 20,000 vinyl records dating back to the early 1900s, more than 100 antique phonographs.
"I was almost a mad man running around 200 towns in Taiwan, searching for old records. If an old house was to be demolished, I would rush down, driving through the night, to see what I could find there. I have developed a network of more than 200 informants, people in moving companies, interior design firms and antique buyers," said Lee.
In addition to collecting, Lee also learned how to wash, dry and preserve the records. He also learned from different experts how to fix the antique phonographs.
"I've become a traveler of Taiwan's past. A wanderer through its old memories," he said.
What he has called A Dance Era, is the period in which Taiwan's popular music flourished during the tail-end of the Japanese occupation period. It is the time between 1929 and 1940 when Taiwan had its own flourishing popular music industry.
A Dance Era was shot in 16mm film, directed by Jian Wei-si (簡偉斯) and Kuo Jen-ti (郭珍弟), edited by Chen Po-wen (陳博文) and with sound editing by Tu Duu-chih (杜篤之). The narration, in Taiwanese, which drips with nostalgia, is done by Chen Li-kuei (陳麗貴).
The turn of the century was a time of rapid modernization in which Taiwan began to enjoy the advantages of railways, electricity and running water. Men cut their queues and women stopped binding their feet. Cities like Taipei were eager for new types of entertainment. It was against this background that Japan's Columbia Records was established in Taiwan. From 1929, the company began to hire local songwriters and to publish local singers.
The song, A Dance Era, was written by Chen Chun-yu (
The program not only contains an abundance of old music. There is also Grandma Ai-ai, a former singer for Columbia records, recounting her experiences and the many stories of romantic affairs between the singers and the song writers, many of them young Taipei college students.
"It is these songs that established the basis of Taiwan's music industry. It also goes to prove that we had a local music industry long before the five major music labels set up here in the 1980s," Lee said.
The Dance Era came to an end with the war in the Pacific, but Lee believes that even from this period, there is still plenty more to collect. He is intending to publish more work about Taiwan's early music and also said that a number of record company's have since expressed interest in republishing these Taiwanese songs.
"If all goes well, people will be able to dance to this music again by September," said Lee excitedly.
For your information:
Episode 1 of A Dance Era will be screened on Public Television Service (PTS) tonight at 10pm. The second episode of the two-part series goes to air May 1 at 10pm. The program will be replayed Apr. 25 and May 2 at 10pm for Episodes 1 and 2 respectively.
Sept.16 to Sept. 22 The “anti-communist train” with then-president Chiang Kai-shek’s (蔣介石) face plastered on the engine puffed along the “sugar railway” (糖業鐵路) in May 1955, drawing enthusiastic crowds at 103 stops covering nearly 1,200km. An estimated 1.58 million spectators were treated to propaganda films, plays and received free sugar products. By this time, the state-run Taiwan Sugar Corporation (台糖, Taisugar) had managed to connect the previously separate east-west lines established by Japanese-era sugar factories, allowing the anti-communist train to travel easily from Taichung to Pingtung’s Donggang Township (東港). Last Sunday’s feature (Taiwan in Time: The sugar express) covered the inauguration of the
The corruption cases surrounding former Taipei Mayor and Taiwan People’s Party (TPP) head Ko Wen-je (柯文哲) are just one item in the endless cycle of noise and fuss obscuring Taiwan’s deep and urgent structural and social problems. Even the case itself, as James Baron observed in an excellent piece at the Diplomat last week, is only one manifestation of the greater problem of deep-rooted corruption in land development. Last week the government announced a program to permit 25,000 foreign university students, primarily from the Philippines, Indonesia and Malaysia, to work in Taiwan after graduation for 2-4 years. That number is a
This year’s Michelin Gourmand Bib sported 16 new entries in the 126-strong Taiwan directory. The fight for the best braised pork rice and the crispiest scallion pancake painstakingly continued, but what stood out in the lineup this year? Pang Taqueria (胖塔可利亞); Taiwan’s first Michelin-recommended Mexican restaurant. Chef Charles Chen (陳治宇) is a self-confessed Americophile, earning his chef whites at a fine-dining Latin-American fusion restaurant. But what makes this Xinyi (信義) spot stand head and shoulders above Taipei’s existing Mexican offerings? The authenticity. The produce. The care. AUTHENTIC EATS In my time on the island, I have caved too many times to
In the aftermath of the 2020 general elections the Chinese Nationalist Party (KMT) was demoralized. The Democratic Progressive Party (DPP) had crushed them in a second landslide in a row, with their presidential candidate Tsai Ing-wen (蔡英文) winning more votes than any in Taiwan’s history. The KMT did pick up three legislative seats, but the DPP retained an outright majority. To take responsibility for that catastrophic loss, as is customary, party chairman Wu Den-yih (吳敦義) resigned. This would mark the end of an era of how the party operated and the beginning of a new effort at reform, first under