It may be just another 100-year-old building, but after an extensive facelift, the former residence of US ambassador on Chungshan North Road is sporting a new look and a new purpose in life. The building, re-christened SPOT -- Taipei Film House, will officially open on Nov. 10 as an art house cinema and cultural venue.
The building, completed in 1901, when Taiwan was ruled by the Japanese, was long a focus of important diplomatic events. Between 1950 to 1979 it was home to six US ambassadors, and therefore the venue for many gatherings of Taiwan's cultural elite at a time when Taiwan was strongly influenced by the US, both politically and culturally.
"In the past, we were at a disadvantage, receiving culture and avant-garde arts from an outside culture. Now, our own artists can create avant-garde culture in this place," said Lung Ying-tai (龍應台), director of Taipei City's Bureau of Cultural Affairs, at a press conference yesterday announcing the venue's Nov. 10 opening.
PHOTO: CHEN CHEN-CHANG, TAIPEI TIMES
The renovation of the house began two years ago under the auspices of the cultural bureau and with NT$60 million in sponsorship from Taiwan Semiconductor Manufacturing Company (TSMC). Bidding for the management of the renovated building was won by acclaimed filmmaker Hou Hsiao-hsien's (侯孝賢) Association of Taiwan Film Culture (台灣電影文化協會), which planned to turn it into Taipei's first art house cinema screening non-Hollywood, independent and award winning films on a regular basis.
"In the past, as a filmmaker I used to complain to government officials about our poor cultural and film environment. Now maybe it's time to take some social responsibility and actually do something about it," Hou said.
From the outside, SPOT looks like a manor house from the American south. Inside, the building has been decorated in modern chic. The living room, where champagne parties used to be held, is now a cafe with French windows and a small terrace. And the long dining room has now become a mini branch of the Eslite Bookstore specializing in film-related books.
The master bedrooms and the guestroom on the second floor are now a bar and a VIP lounge. The ceiling of the second floor is decorated with a giant poster of Hou Hsiao-hsien's costume drama Flower of Shanghai, providing a Chinese touch.
As for the 88 seated cinema, this was originally the garage.
As Taipei's first art house cinema, SPOT will screen six films each day between 11am and 2am, selected by the Association of Taiwan Film Culture. This will be a great help to local filmmakers who always find it hard to screen their films in Taiwan, even when they have won awards in international film festivals.
Screenings were originally scheduled to begin on Nov. 10, but construction delays have put the opening of the cinema back to Nov. 15.
The opening film will be Mirror Image (命帶追逐2000), a film by Hou's pupil Hsiao Ya-chuan (蕭雅全). An urban rhapsody about destiny and coincidence, it was one of the entries at the Cannes Film Festival in 2001. Also selected as an opening feature is Fast Runner (2001) from Canada, a film about an Inuit hero leading his community in a fight against evil spirits.
A program of warmup screenings will take place between Nov. 11 to Nov. 14. (These where originally scheduled to commence last Saturday.) These films were selected by asking 10 top film professionals (writers and directors) to choose their personal favorite movies from the past five years. And, surprisingly, Hou's favorite was Hollywood sci-fi thriller, The Matrix.
SPOT -- Taipei Film House is located at 18 Chungshan N. Rd., Sec. 2, Taipei (台北市中山北路二段18號).
The problem with Marx’s famous remark that history repeats itself, first as tragedy, the second time as farce, is that the first time is usually farce as well. This week Chinese Nationalist Party (KMT) Chair Cheng Li-wun (鄭麗文) made a pilgrimage to the People’s Republic of China (PRC) “to confer, converse and otherwise hob-nob” with Chinese Communist Party (CCP) officials. The visit was an instant international media hit, with major media reporting almost entirely shorn of context. “Taiwan’s main opposition leader landed in China Tuesday for a rare visit aimed at cross-strait ‘peace’”, crowed Agence-France Presse (AFP) from Shanghai. Rare!
What is the importance within the Chinese Nationalist Party (KMT) of the meeting between Xi Jinping (習近平), the leader Chinese Communist Party (CCP), and Cheng Li-wun (鄭麗文), the leader of the KMT? Local media is an excellent guide to determine how important — or unimportant — a news event is to the public. Taiwan has a vast online media ecosystem, and if a news item is gaining traction among readers, editors shift resources in near real time to boost coverage to meet the demand and drive up traffic. Cheng’s China trip is among the top headlines, but by no means
Sunflower movement superstar Lin Fei-fan (林飛帆) once quipped that the Democratic Progressive Party (DPP) could nominate a watermelon to run for Tainan mayor and win. Conversely, the DPP could run a living saint for mayor in Taipei and still lose. In 2022, the DPP ran with the closest thing to a living saint they could find: former Minister of Health and Welfare Chen Shih-chung (陳時中). During the pandemic, his polling was astronomically high, with the approval of his performance reaching as high as 91 percent in one TVBS poll. He was such a phenomenon that people printed out pop-up cartoon
A recent report from the Environmental Management Administration of the Ministry of Environment highlights a perennial problem: illegal dumping of construction waste. In Taoyuan’s Yangmei District (楊梅) and Hsinchu’s Longtan District (龍潭) criminals leased 10,000 square meters of farmland, saying they were going to engage in horticulture. They then accepted between 40,000 and 50,000 cubic meters of construction waste from sites in northern Taiwan, charging less than the going rate for disposal, and dumped the waste concrete, tile, metal and glass onto the leased land. Taoyuan District prosecutors charged 33 individuals from seven companies with numerous violations of the law. This