On Oct. 31, the National Concert Hall and the National Theater will turn 15. At a press conference last Tuesday, Chiang Kai-shek Cultural Foundation director Ju Jung-ching
Ju, the director of Taiwan's most highly regarded percussion ensemble who took over management of the National Theater and Concert Hall last year, said that an important aim of the nation's premier performance venues was to bring down the entry barrier for the appreciation of the arts. "It is for this reason that we have brought in corporate sponsorship for some events," he said, pointing primarily to the Jose Cura and Kathleen Battle recitals in November, where premium seats will be available for only NT$2,500 and prices going as low as NT$400. The event is being sponsored by the Delta Foundation (
Saying that he did not want to upset proceedings, he gained vocal support from an audience that included many of Taiwan's top performers when he pointed out that the corporate support that the CKS Cultural Foundation was so loudly promoting was only going to high-profile classical music concerts, with absolutely nothing for drama. Although ticket sales for The Aurora Borealis (
PHOTO: IAN BARTHOLOMEW, TAIPEI TIMES
In line with lowering the entry barrier for people who might not generally be regular theater-goers, a number of big shows have been scheduled for outdoor spaces around the theater and concert hall. This will include a massive outdoor performance of ketsai opera by the Ming Hwa Yuan Taiwanese Opera Company (明華園). Chen Sheng-fu (陳勝福), the president of Ming Hwa Yuan, promised to draw 200,000 for a free outdoor concert scheduled for Oct. 31, in a display of bravado that is well backed up by the company's strong commercial record. Overall, for indoor performances, CKS public relations chief Liu Jia-yu (劉家渝) said that there were at total of 120,000 tickets to be sold for the three month season of 107 performances.
In addition to Jose Cura and Kathleen Battle, the other major imported acts include a visit by cello virtuoso Misoslav Rostropovich (Sept. 7), the first and third groups of the Nederlands Dans Theater (Oct. 11-13 and Oct. 25-27) and the Choir of Westminster Abbey (Oct. 27). High-profile local premiers include Smoke by the Cloud Gate Theater and in the minor league, the launch of the Zhu Lu-hao Traditional Chinese Theater Company (朱陸豪京劇團), in which famed comedian Sung Shao-ching (宋少卿) in what is being billed as "new Chinese comic opera" (Oct. 17-20) and She is Walking, She is Smiling, by Performance Workshop directed by Chin Shih-jie (金士傑). On the music front, the National Symphony Orchestra, under Chien Wen-bin, will perform the complete Beethoven symphonies and piano concerti in five concerts in September.
Tickets are already on sale, and for the major events are selling well. More information about events can be found on the Web at http://www.ntch.edu.tw.
Sept.16 to Sept. 22 The “anti-communist train” with then-president Chiang Kai-shek’s (蔣介石) face plastered on the engine puffed along the “sugar railway” (糖業鐵路) in May 1955, drawing enthusiastic crowds at 103 stops covering nearly 1,200km. An estimated 1.58 million spectators were treated to propaganda films, plays and received free sugar products. By this time, the state-run Taiwan Sugar Corporation (台糖, Taisugar) had managed to connect the previously separate east-west lines established by Japanese-era sugar factories, allowing the anti-communist train to travel easily from Taichung to Pingtung’s Donggang Township (東港). Last Sunday’s feature (Taiwan in Time: The sugar express) covered the inauguration of the
The corruption cases surrounding former Taipei Mayor and Taiwan People’s Party (TPP) head Ko Wen-je (柯文哲) are just one item in the endless cycle of noise and fuss obscuring Taiwan’s deep and urgent structural and social problems. Even the case itself, as James Baron observed in an excellent piece at the Diplomat last week, is only one manifestation of the greater problem of deep-rooted corruption in land development. Last week the government announced a program to permit 25,000 foreign university students, primarily from the Philippines, Indonesia and Malaysia, to work in Taiwan after graduation for 2-4 years. That number is a
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