After a string of strong showings at international film festivals over the past several years, Taiwanese movies are some of the most anticipated entries at this year's Cannes festival.
Both Hou Hsiao-hsien (侯孝賢) and Tsai Ming-liang (蔡明亮) have new works in this year's competition list, as they both did in 1998. This year, the two are accompanied by a youngblood of Taiwanese filmmaking, Hsiao Ya-chuan (蕭雅全), whose film Mirror Image (命帶追逐) will run in the Director's Fortnight portion of the festival, a separate competition intended to honor and encourage young filmmakers and which issues an International Critics Award.
Tsai's film What Time Is It There? (你那邊幾點) will premiere May 15 and Hou's Millennium Mambo (千禧曼波) will run on May 19. Hsiao's film will be shown May 11.
The screenings of Tsai's and Hou's films during the final days of the festival bode well for their chances at winning an award, as the best contenders have traditionally had late slots at Cannes.
In the March 9 edition of the Taipei Times a piece by Ninon Godefroy ran with the headine “The quiet, gentle rhythm of Taiwan.” It started with the line “Taiwan is a small, humble place. There is no Eiffel Tower, no pyramids — no singular attraction that draws the world’s attention.” I laughed out loud at that. This was out of no disrespect for the author or the piece, which made some interesting analogies and good points about how both Din Tai Fung’s and Taiwan Semiconductor Manufacturing Co’s (TSMC, 台積電) meticulous attention to detail and quality are not quite up to
April 21 to April 27 Hsieh Er’s (謝娥) political fortunes were rising fast after she got out of jail and joined the Chinese Nationalist Party (KMT) in December 1945. Not only did she hold key positions in various committees, she was elected the only woman on the Taipei City Council and headed to Nanjing in 1946 as the sole Taiwanese female representative to the National Constituent Assembly. With the support of first lady Soong May-ling (宋美齡), she started the Taipei Women’s Association and Taiwan Provincial Women’s Association, where she
Chinese Nationalist Party (KMT) Chairman Eric Chu (朱立倫) hatched a bold plan to charge forward and seize the initiative when he held a protest in front of the Taipei City Prosecutors’ Office. Though risky, because illegal, its success would help tackle at least six problems facing both himself and the KMT. What he did not see coming was Taipei Mayor Chiang Wan-an (將萬安) tripping him up out of the gate. In spite of Chu being the most consequential and successful KMT chairman since the early 2010s — arguably saving the party from financial ruin and restoring its electoral viability —
It is one of the more remarkable facts of Taiwan history that it was never occupied or claimed by any of the numerous kingdoms of southern China — Han or otherwise — that lay just across the water from it. None of their brilliant ministers ever discovered that Taiwan was a “core interest” of the state whose annexation was “inevitable.” As Paul Kua notes in an excellent monograph laying out how the Portuguese gave Taiwan the name “Formosa,” the first Europeans to express an interest in occupying Taiwan were the Spanish. Tonio Andrade in his seminal work, How Taiwan Became Chinese,
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