At the closing ceremony of the Taipei Film Festival (TFF) last night, winners in the competition categories of the festival were announced and awarded their prizes. The main categories included local commercial releases, local independent releases, the Citizen Film and Video Competition and the Golden Lion International Student Film Festival.
The main event of the evening was the award of substantial cash prizes for the best achievements in independent film making -- films made without studio assistance and without commercial release. The Grand Prize of NT$1 million went to Birdland (
On receiving the prize, Huang told Taipei Times he would use the prize money to help repay debts accrued in the making of the NT$1.7 million feature about an illegal immigrant from China who first finds himself mistaken for another man and then finds an old lover while wandering about in Taipei.
Winners in other categories were awarded a cash prize of NT$200,000. Among the winners were Chen Hsin-yi (
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In the commercial release category, the Best Film award went to Mirror Image (
The other winner of Most Promising Director this year was Chen Yi-hsiung (陳義雄) for his debut Sunny Doll (晴天娃), a film about high school life. Chen's most recent achievement was the script for Chang Chih-yung's (張志勇) Lament of Sand River (沙河悲歌), which was one of the dark horses to emerge from the Golden Horse this year.
The Citizen Film and Video Competition (
The Golden Lion Award for international student films went to Photographer by Alexander Kott, from Russia. The silver and bronze lion awards went to Night Course by Bui Thac Chuyen from Vietnam and The Magic Bell by Auriel Klimt from the Chech Republic, respectively.
If one asks Taiwanese why house prices are so high or why the nation is so built up or why certain policies cannot be carried out, one common answer is that “Taiwan is too small.” This is actually true, though not in the way people think. The National Property Administration (NPA), responsible for tracking and managing the government’s real estate assets, maintains statistics on how much land the government owns. As of the end of last year, land for official use constituted 293,655 hectares, for public use 1,732,513 hectares, for non-public use 216,972 hectares and for state enterprises 34 hectares, yielding
The small platform at Duoliang Train Station in Taitung County’s Taimali Township (太麻里) served villagers from 1992 to 2006, but was eventually shut down due to lack of use. Just 10 years later, the abandoned train station had become widely known as the most beautiful station in Taiwan, and visitors were so frequent that the village had to start restricting traffic. Nowadays, Duoliang Village (多良) is known as a bit of a tourist trap, with a mandatory, albeit modest, admission fee of NT$10 giving access to a crowded lane of vendors with a mediocre view of the ocean and the trains
Traditionally, indigenous people in Taiwan’s mountains practice swidden cultivation, or “slash and burn” agriculture, a practice common in human history. According to a 2016 research article in the International Journal of Environmental Sustainability, among the Atayal people, this began with a search for suitable forested slopeland. The trees are burnt for fertilizer and the land cleared of stones. The stones and wood are then piled up to make fences, while both dead and standing trees are retained on the plot. The fences are used to grow climbing crops like squash and beans. The plot itself supports farming for three years.
President William Lai (賴清德) on Nov. 25 last year announced in a Washington Post op-ed that “my government will introduce a historic US$40 billion supplementary defense budget, an investment that underscores our commitment to defending Taiwan’s democracy.” Lai promised “significant new arms acquisitions from the United States” and to “invest in cutting-edge technologies and expand Taiwan’s defense industrial base,” to “bolster deterrence by inserting greater costs and uncertainties into Beijing’s decision-making on the use of force.” Announcing it in the Washington Post was a strategic gamble, both geopolitically and domestically, with Taiwan’s international credibility at stake. But Lai’s message was exactly
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