At the closing ceremony of the Taipei Film Festival (TFF) last night, winners in the competition categories of the festival were announced and awarded their prizes. The main categories included local commercial releases, local independent releases, the Citizen Film and Video Competition and the Golden Lion International Student Film Festival.
The main event of the evening was the award of substantial cash prizes for the best achievements in independent film making -- films made without studio assistance and without commercial release. The Grand Prize of NT$1 million went to Birdland (
On receiving the prize, Huang told Taipei Times he would use the prize money to help repay debts accrued in the making of the NT$1.7 million feature about an illegal immigrant from China who first finds himself mistaken for another man and then finds an old lover while wandering about in Taipei.
Winners in other categories were awarded a cash prize of NT$200,000. Among the winners were Chen Hsin-yi (
And she wasn't (
In the commercial release category, the Best Film award went to Mirror Image (
The other winner of Most Promising Director this year was Chen Yi-hsiung (陳義雄) for his debut Sunny Doll (晴天娃), a film about high school life. Chen's most recent achievement was the script for Chang Chih-yung's (張志勇) Lament of Sand River (沙河悲歌), which was one of the dark horses to emerge from the Golden Horse this year.
The Citizen Film and Video Competition (
The Golden Lion Award for international student films went to Photographer by Alexander Kott, from Russia. The silver and bronze lion awards went to Night Course by Bui Thac Chuyen from Vietnam and The Magic Bell by Auriel Klimt from the Chech Republic, respectively.
In late October of 1873 the government of Japan decided against sending a military expedition to Korea to force that nation to open trade relations. Across the government supporters of the expedition resigned immediately. The spectacle of revolt by disaffected samurai began to loom over Japanese politics. In January of 1874 disaffected samurai attacked a senior minister in Tokyo. A month later, a group of pro-Korea expedition and anti-foreign elements from Saga prefecture in Kyushu revolted, driven in part by high food prices stemming from poor harvests. Their leader, according to Edward Drea’s classic Japan’s Imperial Army, was a samurai
The following three paragraphs are just some of what the local Chinese-language press is reporting on breathlessly and following every twist and turn with the eagerness of a soap opera fan. For many English-language readers, it probably comes across as incomprehensibly opaque, so bear with me briefly dear reader: To the surprise of many, former pop singer and Democratic Progressive Party (DPP) ex-lawmaker Yu Tien (余天) of the Taiwan Normal Country Promotion Association (TNCPA) at the last minute dropped out of the running for committee chair of the DPP’s New Taipei City chapter, paving the way for DPP legislator Su
It’s hard to know where to begin with Mark Tovell’s Taiwan: Roads Above the Clouds. Having published a travelogue myself, as well as having contributed to several guidebooks, at first glance Tovell’s book appears to inhabit a middle ground — the kind of hard-to-sell nowheresville publishers detest. Leaf through the pages and you’ll find them suffuse with the purple prose best associated with travel literature: “When the sun is low on a warm, clear morning, and with the heat already rising, we stand at the riverside bike path leading south from Sanxia’s old cobble streets.” Hardly the stuff of your
Located down a sideroad in old Wanhua District (萬華區), Waley Art (水谷藝術) has an established reputation for curating some of the more provocative indie art exhibitions in Taipei. And this month is no exception. Beyond the innocuous facade of a shophouse, the full three stories of the gallery space (including the basement) have been taken over by photographs, installation videos and abstract images courtesy of two creatives who hail from the opposite ends of the earth, Taiwan’s Hsu Yi-ting (許懿婷) and Germany’s Benjamin Janzen. “In 2019, I had an art residency in Europe,” Hsu says. “I met Benjamin in the lobby