Tue, Feb 15, 2022 page7

• ‘Ghostbusters’ producer Ivan Reitman dies at 75

  • AP
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  Ivan Reitman, the influential filmmaker and producer behind many of the most beloved comedies of the late 20th century, from Animal House to Ghostbusters, has died. He was 75.

  Reitman died peacefully in his sleep on Saturday night at his home in Montecito, California, his family said.

  “Our family is grieving the unexpected loss of a husband, father and grandfather who taught us to always seek the magic in life,” children Jason Reitman, Catherine Reitman and Caroline Reitman said in a joint statement. “We take comfort that his work as a filmmaker brought laughter and happiness to countless others around the world. While we mourn privately, we hope those who knew him through his films will remember him always.”

  

  Producer and director Ivan Reitman, second right, is honored with a star on the Hollywood Walk of Fame in Los Angeles on May 5, 1997. Actors Natasha Kinski, left, Billy Crystal, second left, and Robin Williams, right, participate in the event.

  Photo: AP

  Known for bawdy comedies that caught the spirit of their time, Reitman’s big break came with the raucous, college fraternity sendup National Lampoon’s Animal House, which he produced.

  He directed Bill Murray in his first starring role in the summer camp flick Meatballs, and then again in 1981’s Stripes, but his most significant success came with 1984’s Ghostbusters.

  Not only did the irreverent supernatural comedy starring Murray, Dan Aykroyd, Harold Ramis, Ernie Hudson, Sigourney Weaver and Rick Moranis gross nearly US$300 million worldwide, it earned two Oscar nominations, spawned a veritable franchise, including spinoffs, television shows and a new movie, Ghostbusters: Afterlife, that opened last year.

  His son, filmmaker Jason Reitman, directed.

  Paul Feig, who directed the 2016 reboot of Ghostbusters tweeted that he was in shock.

  “I had the honor of working so closely with Ivan and it was always such a learning experience,” Feig wrote. “He directed some of my favorite comedies of all time. All of us in comedy owe him so very much.”

  “A legend,” comedian and actor Kumail Nanjiani said on Twitter. “The number of great movies he made is absurd.”

  Among other notable films he directed are Twins, Kindergarten Cop, Dave, Junior and 1998’s Six Days, Seven Nights. He also produced Beethoven, Old School and EuroTrip, and many others.

  He was born in Komarno, Czechoslovakia, in 1946 where his father owned the country’s biggest vinegar factory. His mother had survived Auschwitz and his father was in the resistance.

  When the communists began imprisoning capitalists after the war, the Reitmans decided to escape, when Ivan Reitman was only 4. They traveled in the nailed-down hold of a barge headed for Vienna.

  “I remember flashes of scenes,” Reitman told the Associated Press in 1979. “Later they told me about how they gave me a couple of sleeping pills so I wouldn’t make any noise. I was so knocked out that I slept with my eyes open. My parents were afraid I was dead.”

  The Reitmans joined a relative in Toronto, where Ivan displayed his show biz inclinations: starting a puppet theater, entertaining at summer camps, playing coffee houses with a folk music group. He studied music and drama at McMaster University in Hamilton, Ontario, and began making movie shorts.

  When asked why Ghostbusters continued to fascinate, Ivan Reitman said it was hard to define.

  “I always had a sort of sincere approach to the comedy,” he said. “I took it seriously even though it was a horror movie and a comedy, I felt you had to sort of deal with it in a kind of realistic and honest way.”

  He always took comedy and the power of laughter seriously.

  “The great cliche is about how damn tough comedy is. But of course, nobody really gives that any respect,” he told the Los Angeles Times in 2000.

  “It’s such a visceral thing, laughing. So getting to the point where you can get an audience of 600 people laughing is really precise and intricate work... My sense is we’re laughing at the same things we’ve always laughed at, but the language of the filmmaker and the performer shifts,” he said.
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