Seventeen years after making San Francisco her home, Taiwanese painter Moo Tsung-wei (牟宗瑋) has not forgone her desire to speak for female immigrants in the US.
Moo’s drive to document life after emigration can be seen in the seven portraits of women from Taiwan, Canada, China, Haiti, India, Japan, Mexico and South Korea produced for an exhibition hosted by the San Francisco Public Library.
The subjects in Mothers and Daughters — Generations of Female Immigrants, which runs through March 30, are personally known to Moo, and include herself, as well as her mother and grandmother.
Photo courtesy of Moo Tsung-wei
Pointing to a portrait of her mother and grandmother in traditional garb, Moo said that the exhibition honors and acknowledges the contributions of female immigrants from different parts of the world to the US.
Since childhood, she has been deeply inspired by her mother and grandmother, both immigrants, Moo said, adding that their influence has led her art to frequently center on women.
“My grandma [came from such a poor family that she] wasn’t given a name. After World War II broke out, she fled Shandong Province in China to North Korea. She then escaped on foot to South Korea, where she gave birth to my mother,” Moo said.
Moo said that her mother, who moved to Taiwan as part of an arranged marriage, was the one who had encouraged her to pursue art in the US.
Moo, a former Taipei-based advertising art director, dedicated herself to creative pursuits, emigrating to San Francisco in 2005 and enrolling in fine art and ceramics courses in the city.
Moo’s artwork has been honored by a string of organizations, including the San Francisco Municipal Transportation Agency.
The seven portraits on display at the library are part of the San Francisco Arts Commission’s programs to support local artists.
“We believe it’s very important to bring all kinds of different stories to the library,” San Francisco Public Library director of communications Kate Patterson said.
“This particular body of work, which speaks so intimately of the immigrants’ experience and the generational experience of people who immigrated from other countries, is so important because so many people in San Francisco were not born in San Francisco, and came from other places and made this their home,” she said.
Moo said she spent the past three years working on paintings that aim to share the stories of immigrant women, and relay their courage and strength to the world, particularly amid a rise in hate crime against Asian-American women during the COVID-19 pandemic.
“Sometimes when I’m walking down the streets, people would yell at me for being Asian. During the COVID-19 pandemic, I would wear masks and sunglasses and cover my hair and even fingers when I go out,” Moo said.
“But then I would think to myself: Why do I need to live like this? Being an immigrant is a choice, not a mistake. And we make great contributions to society,” she said.
Talking about the future, Moo said she would continue to create, and make the voice of social justice and parity be heard across the globe.
A group of Taiwanese-American and Tibetan-American students at Harvard University on Saturday disrupted Chinese Ambassador to the US Xie Feng’s (謝鋒) speech at the school, accusing him of being responsible for numerous human rights violations. Four students — two Taiwanese Americans and two from Tibet — held up banners inside a conference hall where Xie was delivering a speech at the opening ceremony of the Harvard Kennedy School China Conference 2024. In a video clip provided by the Coalition of Students Resisting the CCP (Chinese Communist Party), Taiwanese-American Cosette Wu (吳亭樺) and Tibetan-American Tsering Yangchen are seen holding banners that together read:
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