Sun, Jun 23, 2019 page3

• Photos of Cultural Revolution act as warning: author

  • By Jonathan Chin / Staff writer, with CNA
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  The historical record of the horrors of the Cultural Revolution must be remembered as a warning to future generations, said Chinese photographer Li Zhensheng (李振盛), who chronicled events of the time.

  “I jokingly call myself the evangelist of the Cultural Revolution, because all human-caused disasters should be kept as part of humanity’s collective heritage,” Li told a lecture organized by the Lung Yingtai Cultural Foundation in Taipei on Thursday.

  In the 1960s, he worked as a photojournalist for the Heilongjiang Daily as the fervor of the Cultural Revolution was “sweeping across China like wildfire,” he said.

  

  Chinese photographer Li Zhensheng speaks about his experiences during the Cultural Revolution at a forum organized by the Lung Yingtai Cultural Foundation in Taipei on Thursday.

  Photo: CNA

  He took nearly 100,000 photographs during that time, he said.

  The Chinese Communist Party (CCP)-run newspaper selected only “positive” images for publication, with about 20,000 of Li’s images deemed “negative” and left unused, he said.

  Later, sensing that the political winds were turning against him, he hid the unwanted photos — which he dubbed “the useless pictures” — under floorboards in his apartment and told a trusted friend that he was to preserve them should anything happen to him, Li said.

  The friend honored his promise and the images later formed the basis of his critically acclaimed body of work, including the book Red-Color News Soldier published in 2003 in the US, the UK, France, Germany and Japan, among other countries.

  Many of the photos were taken at struggle sessions and became a record for the madness and folly of the Cultural Revolution, Li said.

  Some of the events he captured included the humiliation of then-Heilongjiang provincial governor Li Fanwu (李范五), whose crime was imitating Mao Zedong’s (毛澤東) hairstyle and whose punishment was the humiliation of being shaven half-bald in public.

  Another image Li Zhensheng showed was that of an engineer accused of being a Soviet revisionist, because posters he created used the words “to the North.”

  He was executed, Li Zhensheng said.

  An absurd episode he witnessed revolved around a couple who hung a portrait of Mao over their bed, leading to accusations that they had disrespected him, Li said.

  At their struggle session, the couple claimed that they had sex in the dark, but then they were accused of having something to hide from Mao, so the couple changed their story to say they always keep a light on, he said.

  The roles of prosecutor and defendant could change hands swiftly and every person alive at that time had been both, he said, adding: “There was no such thing as a good person during the Cultural Revolution.”

  “I led struggle sessions against my own colleagues at the paper; a year after that I traded places and became the struggle sessions’ subject,” he said.

  About 30 years after hiding the photos, he received a prize for the no-longer-secret collection.

  Afterward, a former colleague told him that those who had wholeheartedly followed the CCP only documented half of the history.

  The former colleague “said that my heart was less than one-third full of the party, so I got the full picture,” Li said.

  “There is light and dark to every period of history, and it was the useless pictures that reconstructed the reality of the Cultural Revolution,” Li said.

  “I record the misery to prevent it from happening again,” he said. “Tragedies are remembered in history so that we do not repeat them.”
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