Ang Lee (
Lee and frequent producing and screenwriting partner James Schamus were honored with a freedom of expression award on Tuesday at ShoWest, an annual convention of US theater owners, for their collaborations, which include last year's sexually charged thriller Lust, Caution.
NC-17 RATING
Though the US$4.6 million domestic haul for Lust, Caution was small compared with the US$83 million box-office return for Brokeback Mountain, Lee and Schamus' latest production went a long way to legitimizing the NC-17 rating.
Set in the World War II era, Lust, Caution centers on a young Chinese woman (Tang Wei,
"You see the most private performances. The most brave and private," said Lee, who won the best-director Academy Award for Brokeback Mountain. "I think those scenes are pivotal. They anchor the movie, so it would be a shame if we don't see it."
Only a handful of movies have gone out with the NC-17 rating, which replaced the old X rating in the early 1990s to offer a category that did not carry the connotation of smut for explicit movies.
`UNUSED MUSCLE'
The rating had been viewed as a kiss of death, with distributors usually preferring to release movies unrated rather than with the NC-17 tag. The expectation had been that theaters and audiences would shun anything with an NC-17 rating, but Schamus said that was not the case with Lust, Caution.
"It was one of those strange situations where the NC-17 was kind of an unused muscle. It was lying fallow, and everybody simply assumed the stigma was still there," said Schamus, who heads Focus Features, which released both Lust, Caution and Brokeback Mountain.
John Fithian, who heads the National Association of Theatre Owners, said he hoped that with filmmakers of Lee and Schamus' stature opening the door, other directors would not shy away from material that could get them an NC-17 rating.
"Lust, Caution showed people that an NC-17 movie is not pornography, which is kind of the legend we have been living with, that NC-17 was the same thing as X-rated," said Dan Glickman, head of the Motion Picture Association of America.
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