The huge blue-and-yellow mural covering the side of a Paris apartment block is a reminder, says Paris-based artist C215, of the human cost of the war in Ukraine. But it is also testament to the talents of a man whose graffiti skills helped him overcome a traumatic youth to become one of France’s leading street artists — a one-time Banksy collaborator who has tagged walls all over the world.
Real name Christian Guemy, the 49-year-old unveiled the huge new portrait of the Ukrainian girl last week in the 13th arrondissement of Paris. It carries a quote from Ukrainian President Volodymyr Zelensky, who said to his staff when he was elected in 2019: “I really don’t want my photos in your offices, because I am neither a god nor an icon, but rather a servant of the nation. Instead, hang pictures of your children and look at them whenever you want to make a decision.”
“It’s a universal message of support,” Guemy said at his studio. “It challenges us to think about the ongoing humanitarian drama in Ukraine and the responsibility of politicians to do something. I can’t ignore the incursions of big politics into people’s daily lives.”
Photo: AFP
HEROES
Guemy’s pictures are often of regular people, such as the child victims of conflicts from Syria to Kosovo to Rwanda. He also depicts historical figures — heroes of French republicanism such as resistance fighters or the Charlie Hebdo journalists murdered in 2015.
In his studio, stencils of Nelson Mandela and Jean-Michel Basquiat are propped up against the walls. “Perhaps some are too simplistic for the elites, but they are clear enough to reach a very large audience, including in working class areas,” he said. “I want my works to be more important than me, to unite people in a society where everything is divisive.”
Born in 1973 in Bondy, a tough suburb on the outskirts of Paris, Guemy was amused by drawing from a young age without expecting anything more from it.
“It was a place totally disconnected from culture,” he said. “I grew up in the world of the night: violence, drugs, alcohol.”
His mother had him when she was 13 and his grandparents raised him as if they were his parents and she was his sister. Five years later, his mother killed herself — a tragedy he says he has now “overcome.”
‘TOO TRAGIC’
Bright and multi-lingual, he landed a job in luxury furniture exports, but after a painful break-up, gave up his job to start doing graffiti in the streets, with no inkling of the success it would bring.
“I started stenciling my daughter’s portrait around her house to signal my presence and channel my depression,” he said.
He developed a simple method — cutting out faces in card without any prior drawing then spray-painting them. That led to portraits of other people — “generally people who have done a little more than life expected of them.”
Soon after he began, he was spotted by members of Banksy’s team and ended up collaborating with the British artist and appearing in his 2008 documentary Exit Through the Gift Shop. He felt “too French, too tragic” to continue their partnership, but it had opened doors and he found himself traveling the world, putting together exhibitions, publishing books and helping to design video games.
The thing that he is actually proud of, however, is his work in prisons (24 and counting).
“That’s the work that I want people to remember. The older I get, the more I realize that caring for the weakest, the most fragile, is what we should constantly be focused on.”
April 28 to May 4 During the Japanese colonial era, a city’s “first” high school typically served Japanese students, while Taiwanese attended the “second” high school. Only in Taichung was this reversed. That’s because when Taichung First High School opened its doors on May 1, 1915 to serve Taiwanese students who were previously barred from secondary education, it was the only high school in town. Former principal Hideo Azukisawa threatened to quit when the government in 1922 attempted to transfer the “first” designation to a new local high school for Japanese students, leading to this unusual situation. Prior to the Taichung First
When the South Vietnamese capital of Saigon fell to the North Vietnamese forces 50 years ago this week, it prompted a mass exodus of some 2 million people — hundreds of thousands fleeing perilously on small boats across open water to escape the communist regime. Many ultimately settled in Southern California’s Orange County in an area now known as “Little Saigon,” not far from Marine Corps Base Camp Pendleton, where the first refugees were airlifted upon reaching the US. The diaspora now also has significant populations in Virginia, Texas and Washington state, as well as in countries including France and Australia.
On April 17, Chinese Nationalist Party (KMT) Chairman Eric Chu (朱立倫) launched a bold campaign to revive and revitalize the KMT base by calling for an impromptu rally at the Taipei prosecutor’s offices to protest recent arrests of KMT recall campaigners over allegations of forgery and fraud involving signatures of dead voters. The protest had no time to apply for permits and was illegal, but that played into the sense of opposition grievance at alleged weaponization of the judiciary by the Democratic Progressive Party (DPP) to “annihilate” the opposition parties. Blamed for faltering recall campaigns and faced with a KMT chair
Article 2 of the Additional Articles of the Constitution of the Republic of China (中華民國憲法增修條文) stipulates that upon a vote of no confidence in the premier, the president can dissolve the legislature within 10 days. If the legislature is dissolved, a new legislative election must be held within 60 days, and the legislators’ terms will then be reckoned from that election. Two weeks ago Taipei Mayor Chiang Wan-an (蔣萬安) of the Chinese Nationalist Party (KMT) proposed that the legislature hold a vote of no confidence in the premier and dare the president to dissolve the legislature. The legislature is currently controlled