The sixth edition of Art Kaohsiung (高雄藝術博覽會) kicks off today at Pier-2 Art Center and City Suites Hotel. Organized by the Kaohsiung City Government Bureau of Cultural Affairs and Modern Art Association of Kaohsiung, the event positions itself as “an International art fair… attract[ing] collectors from around the world to reveal the potential of Southern Taiwan.” This year, over 60 local and international galleries are participating. They include newcomer Askeri Gallery from Moscow, which is featuring the work of Moscow native Pavel Polanski, whose paintings are characterized by gray canvases occasionally punctured by vibrant hues. Gallery Moryta from Fukuoka is returning with monochromatic prints by Kouki Tsuritani, a Japanese print-maker who combines the aesthetics of traditional Japanese ukiyo-e (woodblock art) with Western printmaking techniques. Strongholds of the local art scene will be showing at the fair, including Soka Art Center and Galerie Grand Siecle. The fair will also include three curated exhibitions focusing on southern Taiwanese art, photography, virtual reality and video art. For more information, visit: www.art-kaohsiung.com.
■ Pier-2 Art Center (駁二藝術特區), 1 Dayong Rd, Kaohsiung City (高雄市大勇路1號), tel: (02) 2772-5950. Open today and Saturday from 11am to 7pm and Sunday from 11am to 6pm
■ Until Dec. 2
Photo courtesy of Taipei Fine Art Museum
Inside X-site 2014–2018 (X-site創作解密) is a retrospective of the Taipei Fine Art Museum’s outdoor landscape installation program X-site. Launched in 2014, X-site is an annual commission of architectural projects for the museum’s outdoor plaza. Over the past five years, the program has received over 150 submissions by open call. This show features the winning projects across five years of the program, as well as 26 submissions handpicked by curators Huang Wei-jung (黃威融) and Wang Shi-fang (王士芳). The creative minds behind the submissions are invited to “share the moment of inspiration behind their projects in handwritten manuscripts.” Running concurrently is a program of talks and events published on the museum’s Web site: www.tfam.museum.
■ Taipei Fine Arts Museum (台北市立美術館), 181 Zhongshan N Rd Sec 3, Taipei City (台北市中山北路三段181號), tel: (02) 2595-7656. Open Tuesdays to Sundays from 9:30am to 5:30pm and until 8:30pm on Saturdays
■ Until March 31
Photo courtesy of Museum of Contemporary Art Taipei
The Museum of Contemporary Art is showing an exhibition of indigenous art titled Micawor — 2018 Pulima Art Festival (翻動Micawor — 2018 Pulima藝術節). Micawor is an Amis word for turning over fertile soil, taken here as a metaphor for “embod[ying] the indigenous cultural spirit and progress of contemporary art.” The show examines indigenous mythologies, histories and heritage through the lens of contemporary art — a medium that the curators imagine “help[s] to cultivate a new vision for the world.” Exhibition highlights include Paiwan artist Sakuliu’s Lighting the Tobacco, a sculpture and light installation that speaks to the artist’s childhood in the 1960s and 70s, during which electricity was introduced to his village. According to the Museum, the work expresses Sakuliu’s “reflections on the fundamental transformation of life and culture that followed those changes in his hometown.” Australian weaver Glenda Nicholls’ installation, A Woman’s Rite of Passage, speaks to her background as an Aboriginal descendant of the Waddi Waddi, Yorta Yorta and Ngarrindjeri. The work uses soft materials such as jute, emu feathers, possum skin and wool, embellished with coins, silver chains and beads. The festival also includes a program of performances, films, seminars, talks and workshops. Details are on the museum Web site: www.mocataipei.org.tw.
■ Museum of Contemporary Art (台北當代藝術館), 39 Changan W Rd, Taipei City (台北市長安西路39號), tel: (02) 2559-6615. Open Tuesdays to Sundays from 10am to 6pm
■ Until Jan. 13
Photo courtesy of Powen Gallery
Structure and Variation (結構與變奏：日本當代雕塑展) is a group exhibition of Japanese contemporary sculpture. The show includes six artists that work with a wide spectrum of materials, including wood, paper, metal and bronze. Kishio Suga is a well-known sculptor and installation artist who is a key member of the Mono-ha, an art movement that flourished in the 1960s and 70s with experiments combining industrial and natural materials. Differentiation and Gathering is a minimalist assemblage of wood parts that beautifully resonates with its title. Sakuma Asuka works with layers of newspaper to create large, organic forms with flowing contours. Perceiving his art as a natural result of his labor, he writes: “I believe that what finally takes shape from the accumulation of things I use in my everyday life is living proof to my existence.” Tsukiyama Yuki is a Kobe-based artist whose works accentuate the essence of materials. The Village of Promise is a wooden sculptural installation that suggests the potential warmth and utility embodied in cut wood.
■ Donna Art & Consulting (多納藝術), 7F, 112 Keelung Rd Sec 2, Taipei City (台北市基隆路二段112號7樓), tel: (02) 7746-7463. Open Mondays to Saturdays from 11am to 7pm
■ Until Dec. 29
Photo courtesy of a.m. space
Lee Li-Chung (李立中) is an award-winning, Tainan-based artist known particularly for his photographic installation La Mer, which according to Powen Gallery, reconstructs “the emotion and sensibility of life” through the metaphor of the sea. The gallery and artist, who first collaborated in 2016, teamed up again this year for a solo exhibition, Look Homeward, Angel (天使望鄉). The show draws from the autobiography of American novelist Thomas Wolfe, who describes a young man that thinks dearly of his distant hometown every sleepless night. The Dark #01 is a photograph that depicts a dimly lit bedroom with an unmade bed, evoking a sense of absence. Look Homeward, Angel — Asia’s First Water and Land Amusement Park is a photograph that seems to be taken from a vehicle speeding down a highway, capturing a moment of reflection by an urban dweller.
■ Powen Gallery (紅野畫廊), 11, Ln 164, Songjiang Rd, Taipei (臺北市松江路164巷11號), tel: (02) 2523-6009. Open Tuesdays to Sundays from 10am to 7pm
■ Until Dec. 16
Photo courtesy of Donna Art & Consulting
Sept. 21 to Sept. 27 If word got out that you were planning a wedding during the Martial Law era, the “Committee for the improvement of Folk Customs” (改善民俗實踐會) might knock on your door. Each borough in Taipei had at least one “agent” who kept a pulse on community happenings. They would visit the family planning the wedding with a letter from the mayor, touting the benefits of being frugal and not wasting money on lavish ceremonies, even encouraging the families to donate money for scholarships. The authorities also discouraged them from hiring musicians and dancers, who were often loud and
Community-supported agriculture (CSA) is a way urban households can obtain healthy produce, while helping to build a more sustainable farming sector in Taiwan. King Hsin-i’s (金欣儀) transformation from advertising copywriter to social entrepreneur began in 2008, when she visited a rice farmer who practiced pesticide-free agriculture. “He explained that we have to leave space for other species. At the same time, I realized that while big companies have budgets to spread their messages, farmers have few chances to tell the public about their beautiful concepts,” she recalls. Inspired, she quit her job and traveled throughout rural Taiwan for a year. King went
Every day before she starts her shift at a government hospital in Singapore, Farah removes her hijab — the Islamic veil she has worn since a teenager. Although minority Muslim women can freely wear the hijab in most settings in Singapore, some professions bar the headscarf — and a recent case has triggered fresh debate on diversity and discrimination in the workplace. Now Farah has joined a growing number of Muslims — who account for about 15 percent of Singapore’s 4 million resident population — calling for the ban to end, with an online petition gathering more than 50,000 signatures. “They told me
If ever there was a reason to be inside on Mid-Autumn Festival, even for just an hour or so, while still celebrating the natural world, Cheng Tsung-lung (鄭宗龍) has provided one with his first full-length work for Cloud Gate Dance Theatre (雲門舞集) as artistic director, Sounding Light (定光). Judging by the excerpt performed for the press last week, Cheng shows he can be just as minimalistic as his mentor, troupe founder Lin Hwai-min (林懷民), while still forging his own unique path. Just as he did with last year’s Lunar Halo (毛月亮), his final work as director of Cloud Gate 2 (雲門2), Cheng