Over the past few months, there has been much buzz around town about a possible new art fair in Taipei. Yesterday, the rumors were laid to rest by veteran art fair director Magnus Renfrew at a press conference held at Humble House in downtown Taipei. In partnership with the financial services company UBS Group AG, Renfrew and his team jointly announced the unveiling of Taipei Dangdai (台北當代), an art fair that will debut in January of next year at the Nangang Exhibition Center.
Renfrew, the fair’s director, is a seasoned player in the Asian art market and former director of Hong Kong’s first international art fair, Art HK, which was acquired by Art Basel in 2011, and continued his directorship of the fair until 2014.
The veteran art director sees great potential in Taiwan’s art market.
Photo Courtesy of Taipei Dangdai
“Taipei has ... a long established gallery scene, a extensive community of collectors, a vibrant cultural scene and the pure fact that Taipei is great place to visit,” Renfrew says.
While Art Basel Hong Kong has established itself as the international art fair in the Asian region, Dangdai will be defined differently by garnering its strength from a more regional market niche.
“There is a big gap between Art Basel Hong Kong and other fairs in the region, in terms of quality and how they are progressing. It’s necessary to have other fairs that have real quality and don’t necessarily aspire to be the global fair for the region,” Renfrew told Artnews.
The first edition of Taipei Dangdai will bring together 80 galleries from Taiwan, Asia and the rest of the world. The show will present a range of established and young galleries in four exhibition sectors, including a main gallery sector for leading galleries; a young arts sector for galleries of 8 years or less; a solo sector for single artist presentations; and a affordable art section for artworks valued at US$8,000 or less.
A series of talks will take place during the fair to build greater connection between art and other fields of knowledge including archaeology, urban planning, science and technology. Further details will be released this autumn.
Renfrew envisions Taipei Dangdai as a quality regional art fair that “adheres to global standards of practice in terms of selectivity.”
To ensure an objective selection process and avoid domestic politics, the fair has put together a selection committee of non-Taiwanese art professionals who have extensive knowledge of the Asian art market. The committee will be in charge of selecting participating galleries for the fair.
“We wanted to find gallerists with a strong understanding of Asia, and the ability to put the work of Asia in a global context,” Renfrew says.
Dennis Chen (陳允懋), head of UBS Taiwan, says Taipei Dangdai should elevate Taipei’s already burgeoning art market.
“Taipei Dangdai ... has immense potential for the development of the local art market and Taipei’s cultural ecology. The growth in the number of art collectors in Taiwan over the past 10 years has been matched by the quality of local connoisseurship,” Chen says.
In addition to financial sponsorship, UBS will be contributing to the fair program with a series of engaging activities for their clients, employees and the public. They are also planning educational events catered to a younger audience.
June 9 to June 15 A photo of two men riding trendy high-wheel Penny-Farthing bicycles past a Qing Dynasty gate aptly captures the essence of Taipei in 1897 — a newly colonized city on the cusp of great change. The Japanese began making significant modifications to the cityscape in 1899, tearing down Qing-era structures, widening boulevards and installing Western-style infrastructure and buildings. The photographer, Minosuke Imamura, only spent a year in Taiwan as a cartographer for the governor-general’s office, but he left behind a treasure trove of 130 images showing life at the onset of Japanese rule, spanning July 1897 to
One of the most important gripes that Taiwanese have about the Democratic Progressive Party (DPP) is that it has failed to deliver concretely on higher wages, housing prices and other bread-and-butter issues. The parallel complaint is that the DPP cares only about glamor issues, such as removing markers of Chinese Nationalist Party (KMT) colonialism by renaming them, or what the KMT codes as “de-Sinification.” Once again, as a critical election looms, the DPP is presenting evidence for that charge. The KMT was quick to jump on the recent proposal of the Ministry of the Interior (MOI) to rename roads that symbolize
On the evening of June 1, Control Yuan Secretary-General Lee Chun-yi (李俊俋) apologized and resigned in disgrace. His crime was instructing his driver to use a Control Yuan vehicle to transport his dog to a pet grooming salon. The Control Yuan is the government branch that investigates, audits and impeaches government officials for, among other things, misuse of government funds, so his misuse of a government vehicle was highly inappropriate. If this story were told to anyone living in the golden era of swaggering gangsters, flashy nouveau riche businessmen, and corrupt “black gold” politics of the 1980s and 1990s, they would have laughed.
In an interview posted online by United Daily News (UDN) on May 26, current Chinese Nationalist Party (KMT) Chairman Eric Chu (朱立倫) was asked about Taichung Mayor Lu Shiow-yen (盧秀燕) replacing him as party chair. Though not yet officially running, by the customs of Taiwan politics, Lu has been signalling she is both running for party chair and to be the party’s 2028 presidential candidate. She told an international media outlet that she was considering a run. She also gave a speech in Keelung on national priorities and foreign affairs. For details, see the May 23 edition of this column,