Tue, Jul 07, 2015 page12

• A most dangerous game

  Welcome to calcio storico, a centuries-old competition in Florence with very few rules and the sort of human wreckage generally associated with the gladiators

  • By Sam Borden / NY Times news service, Florence, ITALY
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  Last Tuesday, about 24 hours before he jammed his fingers into another man’s nose, dropped his elbow across another man’s neck and put another man’s feet where one’s ears are supposed to be, Rodrigue Nana considered, just for a moment, the basic notion of fear.

  “Do you want to know what I am afraid of?” he said, his fingers tracing the meaty scar above his left eyebrow. Nana, a Cameroon-born transplant to Italy, leaned forward, as if to share a secret. “I am afraid of showering.”

  He did not laugh. Neither did any of his teammates sitting nearby. This was not a time for joking; Nana and the rest of his team were about to begin their last training session before last Wednesday’s final match of calcio storico, a centuries-old competition that features very few rules and the sort of human wreckage generally associated with the days of the gladiators.

  

  In this file photo, players take part in a game of the calcio storico or traditional soccer played in costume, held at the Piazza Santa Croce in Florence, Italy, last June.

  Photo: EPA/Maurizio Degl’ Innocenti

  BRUTAL SPORT

  Nana and his friends have endless stories. There was the player whose ankle shattered at the bottom of a dog pile. The one who went into a coma after being punched in the back of the head. The guy whose ear was bitten off in the middle of a scrum. In one game, Nana had his shaved scalp cut open the way a letter opener slices an envelope.

  “The thing is,” Nana continued, “when you’re playing, you don’t feel any of it.

  

  Players take part in a game of the Calcio Storico Fiorentino or traditional soccer played in costume, held at the Piazza Santa Croce in Florence, Italy, last month.

  Photo: EPA/Maurizio Degl’ Innocenti

  “But then you calm down and take a shower. And that is when everything starts to burn.”

  A few of the other men, who ranged in age from their late teenage years to their mid-40s, nodded. None of them could say why, exactly, they were sitting on dilapidated benches beside a raggedy field, could not put into words what, exactly, made them spend four months preparing to play, at most, two games that almost always required some form of medical attention afterward.

  They just knew that they felt they had no choice. For many, it was simply hard-wired history. This grand city has four historical quarters, each with a church at its center, and calcio storico, which is believed to date to the 15th century, is played by one team from each neighborhood. To play for your neighborhood team — to wear the Verdi (green) of San Giovanni or the Azzurri (blue) of Santa Croce or the Bianchi (white) of Santo Spirito or the Rossi (red) of Santa Maria Novella — is, as Niccolo Innocenti of the Verdi put it, “deeply Florentine.”

  “When I played for the first time, the sensation I had was one of truly being a man,” he said.

  For others, though, the attraction is more primitive. With two teams of 27 players placed in a sand pit and told, essentially, to do whatever is necessary to get a ball into the other team’s end zone, the sport is a strange mix of US football, rugby and street fighting. Watching it live, the more direct comparison might be to the children’s game Red Rover, but with punching and tattoos.

  Brutality is everywhere. No player has ever died during the calcio storico, but Luciano Artusi, a former director of the body that oversees the games, conceded that “we have had a spleen removed.” Filippo Allegri, one of the on-field medical attendants, said that his group generally expects that seven or eight players from each team will not finish any given game and recalled, without prompting, that 10 players, or about 20 percent of the total participants, required hospitalization after a particularly brutal final in 2013. There are no substitutions, so exhaustion is common. So, too, are dehydration and concussions.

  All of this might make more sense to the average outsider if there were millions of dollars (or at least enduring fame) on the line. But players are not paid in calcio storico, and there is no significant prize. The winning team used to receive a calf from Tuscany — butchered, not live — but now the champions simply have the cost of their postgame dinner picked up by the federation. There is not even a medal ceremony.

  “It is like a war — no one does it for the money,” said Nana, who plays for the Bianchi. “You do it because you feel an obligation to fight.” He shrugged. “So you fight. And if you come back alive, you get drunk and talk about it.”

  THE GAME BEGINS

  The game began slowly, cautiously. The sand on the field is nearly 16 inches deep, so players prowl more than patter. Despite calcio storico’s relative simplicity — a team scores a point if it gets the ball anywhere in the area behind the end zone’s wall and can receive half a point for a variety of other, less common, plays — there is some legitimate strategy involved.

  Forwards from the Bianchi sporadically made weaving runs into the Verdi’s defensive area, drawing attention from defenders and opening space. The Verdi, on the other hand, played more deliberately, trying to clear routes through the Bianchi’s defense with brute strength.

  It was not apparent if most of the spectators understood much of this maneuvering (or, frankly, if they cared). They wanted blood, and it came quickly: An eight-player melee after 2 minutes of play resulted in at least one possibly broken nose and the ejection of a player from each team. The perpetrators’ crimes? It was not immediately evident, but there are a few token rules designed to avoid complete chaos — no blindside punching, no hitting a player on the ground, no foreign objects — and the referee, who also wears a period costume and carries a sword, apparently had noticed a violation.

  “Trying to knock other players out of the game is a very basic strategy,” said Fabrizio Valleri, a forward for the white team. “If we knock one out, of course, it gives us a man advantage. That can mean everything.”

  Valleri did not mean he hoped to literally render someone unconscious — though that does happen. He meant teams often try to injure an opponent to the point where he cannot continue. And as the game progressed, it seemed more and more likely that that would occur.

  Scuffles broke out in every corner. Men coated in sand swung wildly. Medics rushed from the sideline to wrap bandages and swab abrasions. One player doubled over after taking a cracking shot to the ribs. Another player’s stitches, which were supposed to be holding together a wound sustained in the semifinals, burst open, allowing blood to stream down his face. At one point, a forward for the Bianchi gallivanted into the Verdi’s defensive area and was met with a punishing tackle, chest to chest. The colliding bodies made the sound of a cowboy cracking a whip across his horse’s back.

  Every game in calcio storico lasts 50 minutes but feels like 500. Before Wednesday’s game was even halfway completed, the players were languishing, the fans were frothing and the field was covered in shredded shirts and crushed plastic water bottles and bits of tape that had been ripped from the players’ pants or wrists. (Players are no longer allowed to wrap their hands because, several years ago, one team had its players wrap their knuckles in dry plaster, complete the prematch inspection, then dip their hands in water just before the match began so the plaster would harden. The resulting carnage, one player recalled, “was tragic.”)

  The Verdi, led by a calcio storico legend, Gianluca Lapi, led early on when it scored a half-point for throwing the ball into the end zone but having it deflected on the way. The Bianchi’s fans moaned, but by the half-hour mark their mood had brightened on the strength of two caccias, or goals.

  In a sport slowed by constant clutching and grabbing, this constituted serious momentum. Infused with bravado, the white team’s fans chanted, “Bianchi! Bianchi!” They then suggested a particularly obscene activity for the Verdi’s fans to consider attempting.

  BIANCHI! BIANCHI!

  The rest of the game went similarly. By the final few minutes, the Bianchi led, 4 1/2 to 1/2, and the ejected players from the Verdi were anxiously smoking cigarettes behind the fencing. At the final whistle, the Bianchi fans poured on to the field. At least one of the Verdi players sank to the sand and wept.

  The moment lingered. All around the piazza, Verdi players moped while white T-shirts mingled, the shrieking and shouting interrupted only when an official called out the names of players who had been selected for drug testing. (Anti-doping is taken seriously, several players said, though no one could forget the unlucky player, years ago, who received a phone call after submitting his sample informing him that he — or, more likely, the woman who had surreptitiously provided it — was pregnant.)

  Finally, even the dope testing was over and everyone slid out the side of the arena into the streets. Allegri, the medic, and his crew looked happy enough — this was the first time in recent memory that a stretcher was not required during a game — but the Bianchi, despite several of their members limping noticeably, were jubilant. Lorenzo Taddeucci, who scored one of the caccias, bounced back and forth from curb to curb, clapping teammates on the shoulders and holding his fingers in the air.

  “I don’t know how to describe this,” he said. “It just feels right.”

  Taddeucci shrugged. The players did not care that they had made no money, did not care that they had won no giant trophy. They cared only that they would remember this Wednesday. They cared only that they had survived.

  Eventually, the mass of white moved down Via de’ Benci, away from the basilica and off into the night. As the players crossed the Ponte alle Grazie, headed toward Santo Spirito and the neighborhood where only white flags flap in the breeze, they threw their arms around one another.

  “Bianchi! Bianchi!” they shouted. Then they stood on the bridge and sang.
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