This is the kind of weekend that gives dance lovers nightmares about empty wallets. Too much choice, too little time. However, with careful budgeting of schedules and money, it is possible to see all three terrific groups that are performing in Taipei today and tomorrow.
First up is one of the US’ — and the world’s — top contemporary troupes, the Mark Morris Dance Group, which will be making its Taiwan premiere.
The promoter, the Management of New Arts, has brought the troupe and its music ensemble to Taiwan for performances in Taipei as well as at the Tainan Arts Festival in Greater Tainan. It is quite a coup, because the company is one of the best modern troupes in the world and Morris himself has helped redefine both ballet and contemporary dance as few of his contemporaries have. It is hard to understand why it has taken this long to get the company here.
Photo: Mandy Cheng, AFP
It is hard to believe the Brooklyn, New York-based troupe is now 34 years old and its founder is 58; it seems just yesterday that one could not read about Morris without seeing the words “enfant terrible of dance” somewhere close by.
Morris, who performed with companies as diverse as Lars Lubovitch and Eliot Feld before branching off on his own, has blossomed into a renaissance man in recent decades. In addition to creating ballets for companies worldwide and working for many years with Mikhail Baryshnikov on the White Oak Project, he has added conducting to his list of achievements as well as directing and choreographing operas.
The company has brought two separate programs, A and B, each featuring three works, that give a broad overview of Morris’ style and technique. Program A (Eleven, Double and Grand Duo) was performed on Thursday and Friday in Taipei and will be seen again in Greater Tainan on Thursday night.
Photo courtesy of Liu Ren-haur / Scarecrow Contemporary Dance Company
Tonight and tomorrow sees program B at the National Theater, to be repeated on Friday in Greater Tainan: All Fours, Crosswalk and Festival Dance.
All Fours, from 2003, is set to Bela Bartok’s String Quartet No. 4 in C Major, Op. 91. The almost brand-new group piece Crosswalk, which premiered last year with all its clashes and interminglings, is set to Carl Maria von Weber’s Grand Duo Concertant, for Clarinet and Piano, Op. 48, while Festival Dance, from 2011, set to Johann Nepomuk Hummel’s Piano Trio No. 5 in E Major, Op. 83.
There are still tickets left in several price categories for tonight and tomorrow’s show in Taipei and the two in Greater Tainan. They are pricey — but well worth it.
Photo courtesy of Jade & Artists Dance Troupe
Meanwhile, upstairs in the National Theater complex, the Greater Tainan-based Scarecrow Contemporary Dance Company (稻草人現代舞蹈團) is performing its latest production, Singular (單‧身) in the Experimental Theater.
The company, which is marking its 25th anniversary this year, is going strong under the leadership of choreographer Luo Wen-jinn (羅文瑾), who became artistic director in 1998.
Scarecrow is known for producing thought-provoking works — by Luo and others — that continue to raise questions in the audience’s minds long after they have left the theater.
Luo’s own works are based on astute observations of modern society and life in Taiwan, often centered on the conflicts between individuals and family, solitude and urban life, the impact mental stress can have on the physical.
The company says the latest work was inspired by Paul Auster's book, The Invention of Solitude, as well as the tenuous space that exists between reality and nonentity and the eternal question of existence. Set on eight dancers, Singular is an exploration of eight stages of life as seen by a lonely woman, an outsider, an abandoned love child, a forlorn mother.
Across town at the Metropolitan Hall, the Shilin-based Jade & Artists Dance Troupe is performing the third chapter of its “Catch of the Glimpses” program, Action Without Action (捕風捉影Ⅲ─無為).
This is the third installment of series that began with Catch of the Glimpses in 2004, an exploration of martial art as well as traditional Chinese and contemporary dance movements.
For Action Without Action, the group’s artistic director and choreographer, Jade Hsu (華碧玉), invited Lin Hui-kuan (林慧寬), a pipa (琵琶) player from Chai Found Music Workshop (采風樂坊) and drummers from Mobius Strip Theatre (莫比斯圓環創作公社) to perform with her troupe.
Hsu turned to the central tenets of Taoism for inspiration for her latest work, the idea of doing without trying to do. The dance is a dialogue between tradition and modernity, using the tension and repose of modern dance and martial arts to interpret Laozi (老子), the founder of Taoism, philosophy.
The show runs 90 minutes, including a 15-minute intermission.
This story has been corrected since it was first published.
Dance Notes
WHAT: Mark Morris Dance Group
WHEN: Tonight at 7:30pm, tomorrow at 3:30pm
WHERE: National Theater (國家戲劇院), 21-1 Zhongshan S Rd, Taipei City (台北市中山南路21-1號)
ADMISSION: NT$1,200 TO NT$3,600; available at ERA ticketing booths, online at www.ticketing.com.tw and at 7-Eleven ibon kiosks and other convenience store ticket kiosks
ADDITIONAL PERFORMANCES: As part of the Tainan Arts Festival, the company will be performing Program A on Thursday, June 19, and Program B on Friday, June 20, at the Tainan Municipal Cultural Center (臺南文化中心演藝廳), 332, Chunghua East Rd Sec 3, Greater Tainan (臺南市中華東路3段332號); tickets priced and available as above.
WHAT: Action Without Action
WHEN: Today at 7:30pm, tomorrow at 2:30pm
WHERE: Metropolitan Hall (城市舞台), 25, Bade Rd Sec 3, Taipei City (台北市八德路三段 25號)
ADMISSION: NT$400 to NT$2,500; available at door, NTCH box offices, online at www.artsticket.com.tw and at 7-Eleven ibon and other convenience store kiosks
WHAT: Singular
WHEN: Today at 2:30pm and 7:30pm, tomorrow at 2:30pm
WHERE: Experimental Theater (國家實驗劇場), 21-1 Zhongshan S Rd, Taipei City (台北市中山南路21-1號)
ADMISSION: Tickets are NT$500, available at NTCH box office, online at www.artsticket.com and at 7-Eleven ibon and other convenience store kiosks
Last week, the huge news broke that the Chinese Nationalist Party (KMT) would not host an open primary for its presidential nominee, but instead pick a candidate through a committee process. KMT Chairman Eric Chu (朱立倫) sent forth a few polite meaningless words about party unity in making the announcement. There’s great commentary on this momentous move, so I will say only that for those of you who think the KMT will “never be that dumb,” I have three words for you: Hung Hsiu-chu (洪秀柱), the unelectable candidate the party chose for the 2016 presidential race. Criticism of the Democratic Progressive
Anyone who has been stung by a black-tailed tiger hornet (Vespa basalis) would understand my immediate trepidation at stumbling on them while hiking Kaohsiung’s Weiliao Mountain (尾寮山). I’ve been stung a few times by these flying hypodermic needles, and the shock of pain lives up to their “murder hornet” moniker. Should I try to navigate around them, or get the hell off the mountain? NO 47 OF THE SMALL 100 PEAKS Weiliao Mountain (1,427m) is No 49 of the xiaobaibue (小百岳, “small 100 peaks”). I’d come here late last year to achieve a two-pronged ascent of the peak, breaching the trail on
The opportunity that brought Ming Turner (陳明惠) back to Taiwan a decade ago had an environmental theme, but since then, she admits, paying attention to environmental issues “hasn’t really been my thing.” Turner, who attended graduate school in the UK, initially returned to curate an event in Kaohsiung’s Cijin District (旗津), not far from where she grew up. Some years after she and her husband decided they’d stay in Taiwan, they moved to Tainan’s Annan District (安南) with their two young children. Turner is now an associate professor in the Institute of Creative Industries Design and director of visual and performance
Among the many atrocities committed by the Japanese during World War II, the Sook Ching massacre was notable for the involvement of Taiwanese. Having captured Singapore in February 1942, the Japanese army and its accomplices killed at least 25,000 Chinese. Prominent among the invaders’ henchmen was Wee Twee Kim (Huang Duijin, 黃堆金), an interpreter-turned-enforcer who — as this riveting new book reveals — was one of many Taiwanese participants in abuses against overseas Chinese, Allied POWS and local civilians. As an employee of the Japanese Southern Asian Company, Wee had been posted to Singapore in 1917. He started out managing Chinese
RSS