Of the books I’ve reviewed this year, the most somber, terrifying and menacing was The Shadow World: Inside the Global Arms Trade by Andrew Feinstein (Hamish Hamilton; reviewed in the Taipei Times Jan. 31). Not only does it give extensive information about private arms dealers — it also considers government involvement. It was reminiscent of the film The Lord of War, at the end of which the credits state that the planet’s biggest exporters of arms are the US, Russia, the UK, France and China — in other words, the five permanent members of the UN Security Council. It makes you think again about the kind of world we’re really living in.
Not necessarily an answer to the horror of the international arms trade, but nonetheless enormously fascinating as history, was the re-issue, finally in its complete form, of Victor Serge’s 1951 classic Memoirs of a Revolutionary (New York Review of Books; reviewed June 5). Serge joined the Bolsheviks for a time while remaining resolutely opposed to all terror tactics, not to mention being a life-long opponent of the death penalty. Later he was sentenced to internal exile, and was lucky to be released after protests from writers in the West, ending his life in Mexico. His wonderful autobiography makes for a substantial and very invigorating read.
Back in the modern world, but a long way from most people’s experience of it, was Colin Thubron’s To a Mountain in Tibet (Vintage; reviewed July 31). It describes his approach to, and circuit of, Mount Kailash, a mountain considered so sacred that no one has apparently ever been to its peak. Thubron is simultaneously skeptical and open to all impressions. The Tibetan way of death is everywhere evident, but Thubron, 73 at the time, soldiers on with one guide and one porter, and no doubt a very good pair of boots.
Taipei Times file photo
From Penguin came the paperback of Norman Davies’s Vanished Kingdoms: The History of Half-Forgotten Europe (reviewed Nov. 27). In it, this distinguished professor revisits 14 European nations that no longer exist, and relates their destinies with considerable gusto. This is a continent, you quickly come to realize, that has been ruled and fought over by diverse dynasties for thousands of years, with men being willing to lay down their lives for “king and country” when the country, let alone the king, proves to be very much a temporary phenomenon. It’s a lesson that should be learned by us all.
Lastly, a book that I haven’t been able to get out of my mind is Taipei-resident Eric Mader’s Heretic Days: Writings from the Margins of Christianity (CreateSpace, reviewed Feb. 28). It’s simultaneously learned, wide-ranging and bizarre, combining considerations of topics as various as Leonard Cohen, William Blake, St Thomas’s Gospel and the necessity of Judas’s betrayal of Jesus. It’s endlessly fascinating, but so far from my usual areas of interest that I can only put its lingering in my consciousness down to the stubborn persistence, in Mader at least, of human independence and resolution.
Taipei Times file photo
In Taiwan there are two economies: the shiny high tech export economy epitomized by Taiwan Semiconductor Manufacturing Co (TSMC, 台積電) and its outsized effect on global supply chains, and the domestic economy, driven by construction and powered by flows of gravel, sand and government contracts. The latter supports the former: we can have an economy without TSMC, but we can’t have one without construction. The labor shortage has heavily impacted public construction in Taiwan. For example, the first phase of the MRT Wanda Line in Taipei, originally slated for next year, has been pushed back to 2027. The government
July 22 to July 28 The Love River’s (愛河) four-decade run as the host of Kaohsiung’s annual dragon boat races came to an abrupt end in 1971 — the once pristine waterway had become too polluted. The 1970 event was infamous for the putrid stench permeating the air, exacerbated by contestants splashing water and sludge onto the shore and even the onlookers. The relocation of the festivities officially marked the “death” of the river, whose condition had rapidly deteriorated during the previous decade. The myriad factories upstream were only partly to blame; as Kaohsiung’s population boomed in the 1960s, all household
Allegations of corruption against three heavyweight politicians from the three major parties are big in the news now. On Wednesday, prosecutors indicted Hsinchu County Commissioner Yang Wen-ke (楊文科) of the Chinese Nationalist Party (KMT), a judgment is expected this week in the case involving Hsinchu Mayor Ann Kao (高虹安) of the Taiwan People’s Party (TPP) and former deputy premier and Taoyuan Mayor Cheng Wen-tsan (鄭文燦) of the Democratic Progressive Party (DPP) is being held incommunicado in prison. Unlike the other two cases, Cheng’s case has generated considerable speculation, rumors, suspicions and conspiracy theories from both the pan-blue and pan-green camps.
Stepping inside Waley Art (水谷藝術) in Taipei’s historic Wanhua District (萬華區) one leaves the motorcycle growl and air-conditioner purr of the street and enters a very different sonic realm. Speakers hiss, machines whir and objects chime from all five floors of the shophouse-turned- contemporary art gallery (including the basement). “It’s a bit of a metaphor, the stacking of gallery floors is like the layering of sounds,” observes Australian conceptual artist Samuel Beilby, whose audio installation HZ & Machinic Paragenesis occupies the ground floor of the gallery space. He’s not wrong. Put ‘em in a Box (我們把它都裝在一個盒子裡), which runs until Aug. 18, invites