Starting with the title and extending everywhere else, Peaceful Warrior is blatantly ludicrous. A didactic enlightenment parable couched as a heroic sports flick, the film stars Scott Mechlowicz as Millman, an arrogant gymnast in Berkeley, California, who is learning New Age life lessons from a pseudo-Buddhist gas station guru played by Nick Nolte. Mindlessly espousing principles of "no mind" and evidently capable of teleportation, this gravel-voiced fortune cookie suggests the missing link between Grizzly Adams and Yoda.
Based on a best-selling book by Dan Millman, this rich slice of spiritualist cheese has been served up on screen by the director Victor Salva, best known to audiences for his Jeepers Creepers horror movies, and perhaps best known to authorities in California as a man who served time in prison in the 1980s for molesting a 12-year-old boy who had appeared in his movies.
Whether or not one thinks of this while observing the intense eroticism of the film and its gawking display of sweating, half-nude teenagers, knowing about it insinuates a queasy frisson to the themes of mentorship and initiation, with their appeal for trust and relinquishing control.
PHOTO: COURTESY OF LIONSGATE
But there I go letting ego cloud my mind, when the seminal fact of Peaceful Warrior is that for all its manifest corniness, this is an achingly sincere and supremely unembarrassed effort to transform an audience for the good. Its heart is very much in the right place - a place that movies all but ignore - but its mind is a mush.
In 2020, a labor attache from the Philippines in Taipei sent a letter to the Ministry of Foreign Affairs demanding that a Filipina worker accused of “cyber-libel” against then-president Rodrigo Duterte be deported. A press release from the Philippines office from the attache accused the woman of “using several social media accounts” to “discredit and malign the President and destabilize the government.” The attache also claimed that the woman had broken Taiwan’s laws. The government responded that she had broken no laws, and that all foreign workers were treated the same as Taiwan citizens and that “their rights are protected,
A white horse stark against a black beach. A family pushes a car through floodwaters in Chiayi County. People play on a beach in Pingtung County, as a nuclear power plant looms in the background. These are just some of the powerful images on display as part of Shen Chao-liang’s (沈昭良) Drifting (Overture) exhibition, currently on display at AKI Gallery in Taipei. For the first time in Shen’s decorated career, his photography seeks to speak to broader, multi-layered issues within the fabric of Taiwanese society. The photographs look towards history, national identity, ecological changes and more to create a collection of images
March 16 to March 22 In just a year, Liu Ching-hsiang (劉清香) went from Taiwanese opera performer to arguably Taiwan’s first pop superstar, pumping out hits that captivated the Japanese colony under the moniker Chun-chun (純純). Last week’s Taiwan in Time explored how the Hoklo (commonly known as Taiwanese) theme song for the Chinese silent movie The Peach Girl (桃花泣血記) unexpectedly became the first smash hit after the film’s Taipei premiere in March 1932, in part due to aggressive promotion on the streets. Seeing an opportunity, Columbia Records’ (affiliated with the US entity) Taiwan director Shojiro Kashino asked Liu, who had
The recent decline in average room rates is undoubtedly bad news for Taiwan’s hoteliers and homestay operators, but this downturn shouldn’t come as a surprise to anyone. According to statistics published by the Tourism Administration (TA) on March 3, the average cost of a one-night stay in a hotel last year was NT$2,960, down 1.17 percent compared to 2023. (At more than three quarters of Taiwan’s hotels, the average room rate is even lower, because high-end properties charging NT$10,000-plus skew the data.) Homestay guests paid an average of NT$2,405, a 4.15-percent drop year on year. The countrywide hotel occupancy rate fell from
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