A dance company that doesn't want to be thought of as a dance company, a company that reinvents itself for each new work and thrives on making its audience feel uncomfortable, individual dancers who challenge the very definition of what it means to dance. It's hard to still be a rebel when you're almost 20 years old, but the UK-based DV8 Physical Theatre -- and its director Lloyd Newson? -- remain determined to try.
The Australian-born Newson and a group of dancers who were disillusioned with the dance world and where modern dance appeared to be going, formed DV8 in 1986. The aim was to do and be something different. By mixing dance and video -- and addressing social issues of the day -- the company aimed not just to shake up society, but hopefully change it as well.
Nowadays, groups that mix dance and other media have become commonplace. The Brussels-based dance troupe Ultima Vez and the Nederlands Dance Theater have both brought productions to Taipei that cleverly integrated video and film with choreography and had dancers who talked directly to the audience. Yet DV8 continues to set new standards and to force audiences to rethink what dance is, even if Newson himself has been quoted as saying that he is reluctant to use the term "physical theater" these days.
PHOTOS COUTESY OF DV8 PHYSICAL THEATRE
The company doesn't have a repertoire or corp of dancers. The company averages around eight dancers per piece, although it expanded more than 20 for its last project Can We Afford This (also known as The High Cost of Living. The dancers are hired specifically for each project.
Newson is also interested in redefining what audiences expect a dancer to be, and he certainly did with his last production, which featured a dancer without legs and a 70-year old woman.
In previous productions such as Can We Afford This, Achilles, Bound to Please and Dead Dreams of Monochrome Men, DV8 has tackled the battle for perfectionism, masculinity, AIDS, drugs, sexuality, abuse and other controversial topics.
The aim to take risks, push the boundaries, break down the barriers that separate performers from their audience and to shock people out of their complacency, and year after year, DV8 has delivered. This is, after all the company whose list of press reviews includes the line from The Scotsman: "You could have heard a pin drop were it not for the sound of air being sucked through clenched teeth."
So what can Taipei audiences expect?
In the 75-minute long Just for Show, the seven members of the company explore the importance of appearance and image in today's world through a blending of three-dimensional and two-dimensional video projections, choreography and text.
"With the three-dimensional, dancers can dance with it, be behind it, walk through it," Newson said at a press conference yesterday.
"The most important thing is that the visuals are only an element of the show. We didn't want the technology to overwhelm the show," he said.
"The theme of the show is about illusion -- what is real, what is not, what are lies, what are truths," he said.
What does it means, the company asks, to live in a world where looking good has superseded being good and where faking it has become synonymous with making it? What happens to those who don't fit in?
Newson said the issue of exclusion has been a key theme of his work.
The mix of psychological probing and choreography goes back decades with Newson. He became interested in dance while working on a degree in psychology, though he eventually ended up doing a degree in social work, with a focus on therapy. He said he turned to dance classes to keep his life in balance. He landed a scholarship to London Contemporary Dance School and he later became a dancer and choreographer with Extemporary Dance Theatre, performing with them for five years.
"I deal with the little things that confront my life," Newson said. "I'm also interested in the issues of tolerance and intolerance." Those issues have hit a chord with audiences around the world, judging from the rave reviews that DV8 has received for many years.
Just for Show comes with the caveats that the performance includes nudity, strong language and scenes that some may find offensive.
For your information :
What: DV8 -- Just for Show
Where: CKS Cultural Center, National Theatre (
When: Tonight and tomorrow at 7:30pm, Sunday at 2:30pm and 7:30pm. The Sunday evening show was added to accommodate people who had bought tickets for the initial three shows but their seats were on the sides with what would be obstructed views.
Additional info: The show runs 75 minutes without and intermission and the theater says there will be no admittance for latecomers.
Jason Han says that the e-arrival card spat between South Korea and Taiwan shows that Seoul is signaling adherence to its “one-China” policy, while Taiwan’s response reflects a reciprocal approach. “Attempts to alter the diplomatic status quo often lead to tit-for-tat responses,” the analyst on international affairs tells the Taipei Times, adding that Taiwan may become more cautious in its dealings with South Korea going forward. Taipei has called on Seoul to correct its electronic entry system, which currently lists Taiwan as “China (Taiwan),” warning that reciprocal measures may follow if the wording is not changed before March 31. As of yesterday,
The Portuguese never established a presence on Taiwan, but they must have traded with the indigenous people because later traders reported that the locals referred to parts of deer using Portuguese words. What goods might the Portuguese have offered their indigenous trade partners? Among them must have been slaves, for the Portuguese dealt slaves across Asia. Though we often speak of “Portuguese” ships, imagining them as picturesque vessels manned by pointy-bearded Iberians, in Asia Portuguese shipping between local destinations was crewed by Asian seamen, with a handful of white or Eurasian officers. “Even the great carracks of 1,000-2,000 tons which plied
It’s only half the size of its more famous counterpart in Taipei, but the Botanical Garden of the National Museum of Nature Science (NMNS, 國立自然科學博物館植物園) is surely one of urban Taiwan’s most inviting green spaces. Covering 4.5 hectares immediately northeast of the government-run museum in Taichung’s North District (北區), the garden features more than 700 plant species, many of which are labeled in Chinese but not in English. Since its establishment in 1999, the site’s managers have done their best to replicate a number of native ecosystems, dividing the site into eight areas. The name of the Coral Atoll Zone might
Nuclear power is getting a second look in Southeast Asia as countries prepare to meet surging energy demand as they vie for artificial intelligence-focused data centers. Several Southeast Asian nations are reviving mothballed nuclear plans and setting ambitious targets and nearly half of the region could, if they pursue those goals, have nuclear energy in the 2030s. Even countries without current plans have signaled their interest. Southeast Asia has never produced a single watt of nuclear energy, despite long-held atomic ambitions. But that may soon change as pressure mounts to reduce emissions that contribute to climate change, while meeting growing power needs. The