Considering a majority of the productions in the 2004 International Theatre Festival have blurred the division between theater and performance art, it seems fitting that the final piece is one that features no live on-stage acting.
Challenging the traditional definition of theater with its projected video images in place of actors, the Canadian based Theatre Ubu delivers Maurice Maeterlinck's The Blind in an Asian premiere at the Experimental Theatre this weekend. Ubu director Denis Marleau's rendition of the 19th century Belgian play has received international recognition and performed sold out shows at both the Edinburgh International Festival and Festival d'Avignon.
The Blind is a static play with no action. It's about waiting, talking, and just existing. Using actors on stage is one way to present the text, using video is Marleau's, said Stephanie Jasmin Artistic, co-director of Theatre Ubu.
PHOTO COURTESY OF CKS CULTURAL CENTER
His version of the text, according to Jasmin, is the director's experiment with the playwright's theory of staging a play without actors. Maeterlinck discussed the idea of generating a presence without the physical presence of a person, she said.
The Blind examines the dilemma of 12 sightless men and women lost in a forest after their guide, a priest, has disappeared. As a symbolist, applying suggestion rather than direct statement to convey meaning in his work, Maeterlinck uses his blind and abandoned characters to embody humanity's dependence on the physical senses (in this case sight) in a world with no leader (political or spiritual).
On the director's instructions, only 56 spectators are permitted in the theater during each performance. The close environment is intended to establish an intimate relationship between the images and the audience. It will also limit the number of people colliding as they find their seats in complete darkness, creating a sense of blindness among the viewers.
Unfortunately capping the number of seats also limits the number of tickets, and as of Monday, tickets were all sold out.
The 45-minute show begins when faces projected onto masks move across the stage. Apart from their entrance at the start of the play, no other movement takes place. While Marleau's interpretation of the thought-provoking play quashes the potential for theatrical movement, the lack of action on stage is substituted for with captivating facial expressions and dialogue. The parts of the 12 characters are performed by the pre-recorded images and voices of two actors.
Marleau's disembodied heads will leave the audience to contemplate the themes of physical and emotional suffering in addition to thinking about what exactly it is that defines "live theater."
Performance notes:
Where: Experimental Theatre, National Theatre and Concert Hall, 21-1 Zhongshan S Rd, Taipei (
When: Tonight and tomorrow at 7 and 8:30pm with a late performance at 10pm tonight. Saturday and Sunday matinee performances at 2:30 and 4pm
Cost: NT$600. As of press time, all tickets were sold out. However there is always the possibility of no-shows for those willing to go early and wait.
May 18 to May 24 Pastor Yang Hsu’s (楊煦) congregation was shocked upon seeing the land he chose to build his orphanage. It was surrounded by mountains on three sides, and the only way to access it was to cross a river by foot. The soil was poor due to runoff, and large rocks strewn across the plot prevented much from growing. In addition, there was no running water or electricity. But it was all Yang could afford. He and his Indigenous Atayal wife Lin Feng-ying (林鳳英) had already been caring for 24 orphans in their home, and they were in
On May 2, Chinese Nationalist Party (KMT) Chairman Eric Chu (朱立倫), at a meeting in support of Taipei city councilors at party headquarters, compared President William Lai (賴清德) to Hitler. Chu claimed that unlike any other democracy worldwide in history, no other leader was rooting out opposing parties like Lai and the Democratic Progressive Party (DPP). That his statements are wildly inaccurate was not the point. It was a rallying cry, not a history lesson. This was intentional to provoke the international diplomatic community into a response, which was promptly provided. Both the German and Israeli offices issued statements on Facebook
Even by the standards of Ukraine’s International Legion, which comprises volunteers from over 55 countries, Han has an unusual backstory. Born in Taichung, he grew up in Costa Rica — then one of Taiwan’s diplomatic allies — where a relative worked for the embassy. After attending an American international high school in San Jose, Costa Rica’s capital, Han — who prefers to use only his given name for OPSEC (operations security) reasons — moved to the US in his teens. He attended Penn State University before returning to Taiwan to work in the semiconductor industry in Kaohsiung, where he
Australia’s ABC last week published a piece on the recall campaign. The article emphasized the divisions in Taiwanese society and blamed the recall for worsening them. It quotes a supporter of the Taiwan People’s Party (TPP) as saying “I’m 43 years old, born and raised here, and I’ve never seen the country this divided in my entire life.” Apparently, as an adult, she slept through the post-election violence in 2000 and 2004 by the Chinese Nationalist Party (KMT), the veiled coup threats by the military when Chen Shui-bian (陳水扁) became president, the 2006 Red Shirt protests against him ginned up by
RSS