Music aficionados rejoice! The Pat Metheny Group will unleash its creative brilliance in Taipei this weekend. The Group is in town for two nights -- Sunday and Monday -- as part of a world tour through Europe, Asia and finally North America.
They are currently tantalizing audiences on the tour with the group's eleventh album, Speaking of Now.
PHOTO COURTESY OF THE PAT METHENY GROUP
This new studio album has taken the group to a new level of musical artistry, a joyous new stride in their journey of discovery. With three exciting new faces in the band, Metheny and his long-time pianist/collaborator, Lyle Mays, join bassist and co-producer Steve Rodby (now in his 20th year with the band) to once again challenge the basic premise of what a modern-day jazz group can be, delivering a collection of music that delights and resonates with its unique musical perspective that speaks to listeners everywhere.
Featuring many of the tracks from Speaking of Now, the group will perform nearly three-hours of uninterrupted soulful interchange led by the man with the Einstein hairdo.
With over 20 years under his belt as a recording artist, guitarist Pat Metheny has generated dozens of albums, each one brilliantly documenting another aspect of his unique and nearly uncategorizable musical journey.
Metheny's versatility is almost without peer on any instrument. Over the years, he has performed with artists as diverse as Milton Nascimento to Charlie Haden, from Herbie Hancock to David Bowie. In addition, he has been part of a writing team with keyboardist Mays for more than 20 years -- an association that has been compared to the Lennon/McCartney partnership.
It is one thing to attain popularity as a musician, but it is another to receive the kind of acclaim Metheny has garnered from critics and peers. Over the years, Metheny has won countless polls as "Best Jazz Guitarist" and awards, including three gold records for Talking (Still Life), Letter from Home, and Secret Story. He has also won 14 Grammy Awards spread out over a variety of different categories including Best Rock Instrumental, Best Contemporary Jazz Recording, Best Jazz Instrumental Solo and Best Instrumental Composition. The road is nothing new to Metheny. He has spent most of his life on tour, averaging between 120 to 240 shows a year since 1974 and is well known for exhibiting an insatiable creative energy -- both in the studio and on stage -- that appears bent on blurring the stylistic boundaries at every opportunity.
Metheny first burst onto the international jazz scene in 1974. Over the course of his three-year stint with vibraphone great Gary Burton, the young Missouri native already displayed his soon-to-become trademarked playing style, which blended the loose and flexible articulation customarily reserved for horn players with an advanced rhythmic and harmonic sensibility -- a way of playing and improvising that was modern in conception but grounded deeply in the jazz tradition of melody, swing and the blues. With the release of his first album, Bright Size Life (1975), he reinvented the traditional jazz guitar sound for a new generation of players.
Throughout his career, Metheny has continued to re-define the genre by utilizing new technology and constantly working to evolve the improvisational and sonic potential of his instrument. With the 2002 tour, Metheny and cohorts have chosen to feature much of the new album within a framework that allows for individual highlights.
Metheny obviously recognizes the need for the group dynamic to elevate sterile studio recordings to the larger, more raucous stage before an audience. His choices also allow him the freedom to feature songs in certain formats: solo, duo, trio, and group dynamics.
The members of the group are, in their own right, highly accomplished artists themselves. Lyle Mays' sense of melody, crystal clear virtuosity and almost cinematic scope of orchestration has clearly distinguished the group's sound. Music has always been a large part of Mays' life. Born in 1953 into a musical family in Wausaukee, Wisconsin, he was always encouraged to explore new forms of expression. He then studied composition and arrangement at North Texas State University before touring with Woody Herman's Thundering Herd. While appearing at the 1975 Wichita Jazz Festival, Mays met 20-year-old guitarist, Pat Metheny. Mays moved to Boston in 1977, and the two formed a musical alliance that has proven to be among the most artistically successful of the past two decades. In addition to winning nine Grammy Awards with the Pat Metheny Group, Mays has been nominated four times for his own work.
Acoustic and electric bassist Steve Rodby was born in December 1954 in Joliet, Illinois. A graduate of Northwestern University with a degree in classical bass performance, Rodby studied with Warren Benfield (of the Chicago Symphony Orchestra) and the renowned jazz bassist, Rufus Reid. In addition to performing with the Pat Metheny Group for the past 22 years, Rodby has conducted orchestras, recorded with many other artists, and lately has spent much of his time producing.
Vocalist, multi-instrumentalist and composer Richard Bona, the newest addition to the Pat Metheny Group, has lived a life of adventure, ingenuity and accomplishment.
Born in 1967 in the village of Minta in East Cameroon, Richard grew up in a home filled with music. At age 22, he moved to Paris, enrolling in a music school to refine his writing skills and immersed himself in the work of such artists as Miles Davis, Chet Baker and Ben Webster.
In 1995 Bona moved to New York to subsequently become Harry Belafonte's bandleader and musical director for a year and a half. He has toured extensively with Sadao Watanabe as well as producing his latest album. He has also performed or recorded with the likes of Michael Brecker, Steve Gadd, Branford Marsalis and Bob James.
Considered to be one of the most distinctive stylists on New York's Downtown music scene, Cuong Vu has been garnering rave reviews as one of the leaders of a new generation of innovative musicians. Most recently he was mentioned as one of the top 50 young jazz artists in an article called The New Masters, from the British magazine, Classic CD. Cuong began playing the trumpet at the age of 11, five years after emigrating to Seattle, Washington from Vietnam. His intense dedication and love for music led him to a full scholarship at the New England Conservatory of Music where he received his Bachelor of Music in Jazz studies with a distinction in performance.
Since his arrival in New York, Cuong has toured internationally and in the states as well as performing and/or recorded with David Bowie, Laurie Anderson, Mitchell Froom and Cibo Matto.
Antonio Sanchez was born in Mexico City Nov. 1, 1971. At age five, he discovered an irresistible attraction towards the drumset. It wasn't long before he started studying privately with some of the best teachers that Mexico had to offer. After a few years he started performing in a wide variety of musical situations ranging from rock to jazz and latin to fusion with several bands in the city's music scene.
At age seventeen he enrolled in the National Conservatory of Music in Mexico City where he pursued a degree in classical piano and composition. In 1993, after four and a half years, he earned a scholarship to pursue Jazz Studies at Berklee College of Music in Boston, where he had the chance to study jazz arranging, improvisation, jazz composition, ear training and harmony among other music related courses. It was in Europe where Metheny started taking notice of Antonio's drumming and he was later offered the drum chair in The Pat Metheny Group.
The US war on Iran has illuminated the deep interdependence of Asia on flows of oil and related items as raw materials that become the basis of modern human civilization. Australians and New Zealanders had a wake up call. The crisis also emphasizes how the Philippines is a swatch of islands linked by jet fuel. These revelations have deep implications for an invasion of Taiwan. Much of the commentary on the Taiwan scenario has looked at the disruptions to world trade, which will be in the trillions. However, the Iran war offers additional specific lessons for a Taiwan scenario. An insightful
The problem with Marx’s famous remark that history repeats itself, first as tragedy, the second time as farce, is that the first time is usually farce as well. This week Chinese Nationalist Party (KMT) Chair Cheng Li-wun (鄭麗文) made a pilgrimage to the People’s Republic of China (PRC) “to confer, converse and otherwise hob-nob” with Chinese Communist Party (CCP) officials. The visit was an instant international media hit, with major media reporting almost entirely shorn of context. “Taiwan’s main opposition leader landed in China Tuesday for a rare visit aimed at cross-strait ‘peace’”, crowed Agence-France Presse (AFP) from Shanghai. Rare!
Polling data often confirms what we expect, but sometimes it throws up surprises. When examined over time, some patterns appear that speak to something bigger going on. In this column, whenever possible, Formosa’s polls are used. Despite the sometimes cringeworthy antics of Formosa’s Chairman, Wu Tzu-Chia (吳子嘉), the data produced includes detailed breakdowns crucial for analysis. It has also been conducted monthly 11-12 times a year for many years with many of the same questions, allowing for analysis over time. When big shifts do occur between one month and the next it is usually in response to some event in
April 6 to April 13 Few expected a Japanese manga adaptation featuring four tall, long-haired heartthrobs and a plucky heroine to transform Taiwan’s television industry. But Meteor Garden (流星花園) took the nation by storm after premiering on April 12, 2001, single-handedly creating the “idol drama” (偶像劇) craze that captivated young viewers across Asia. The show was so successful that Japan produced its own remake in 2005, followed by South Korea, China and Thailand. Other channels quickly followed suit, with more than 50 such shows appearing over the following two years. Departing from the melodramatic
RSS