Queers, sinners and Charlie Chaplin are among the characters featured in the International Queer Film Festival (台灣國際酷兒影展) and the Kaohsiung Film Festival (高雄電影節), both of which open today in Taipei and Kaohsiung.
Though only in its second year, the Queer Film Festival has ambitiously formed a pan-Asian platform to connect filmmakers, curators and other professionals throughout Asia. Family, aging, relationships, religion and HIV/AIDS are among the topics the festival explores through film.
The Kaohsiung Film Festival celebrates its 15th anniversary with the spotlight on comedy, particularly the comedies of Chaplin, who humorously tackles class consciousness and oppression.
Photo courtesy of Taiwan International Kaohsiung Film Festival
QUEER FILM FEST HIGHLIGHTS
Now in its second year, the festival, which has a lineup of close to 100 films, begins in Taipei and will then travel throughout the nation.
In I am Michael, the issue of gay rights issues is dealt with through the story of an outspoken gay rights activist, commendably played by James Franco, who denounces his homosexuality as a sin and becomes a Christian pastor.
Photo courtesy of Taiwan International Kaohsiung Film Festival
Though some say the film casts gay people in a negative light, director Lin says it presents an evenhanded portrait of a conflicted man struggling to reconcile his religion and sexuality.
Filmmaker Parvez Sharma courageously makes himself the subject of his documentary, Sinner in Mecca, to examine what it means to be gay in the Islamic world. Sharma documents his pilgrimage to Islam’s holiest site and seeks greater truth from his faith amid the politics, violence and patriarchy of Saudia Arabia, where being gay is punishable by death.
Older gay audiences may find emotional resonance in Boulevard, which stars Robin Williams as a married man whose family life unravels after he meets a young male prostitute.
Photo courtesy of Taiwan International Queer Film Festival
MAKING CONNECTIONS
This year, organizers established the Asian-Pacific Queer Film Festival Alliance. Thirteen organizations from 10 countries have joined, and festival directors from nine cities, including Seoul, Tokyo, Beijing, Yangon, Jakarta and Manila, will come to Taipei during the festival to celebrate the launch of the alliance and set up a framework for future collaboration.
Festival chairperson and co-director Jay Lin (林志杰) says the alliance allows members to pool their resources, necessary because LGBT events in Asian countries are often in need of support and funding.
Photo courtesy of Taiwan International Queer Film Festival
“Most [LGBT] movies come from the West. We would like to see more Asian stories told on the big screen,” Lin says.
Through collaboration, participating festivals can support each other with programming and international co-productions.
Lin cites the gay-themed, coming-of-age drama How to Win at Checkers, as an example.
The project began as a 10-minute documentary set in Bangkok, but later Korean-American director Josh Kim raised enough international funding to expand it to a feature-length film with an all-Thai cast.
The film has been chosen as Thailand’s submission to next year’s Academy Awards for best foreign-language film.
Lin says the aim for next year is to enable more LGBT movies to be made by Taiwanese filmmakers, a goal he hopes to achieve through workshops led by filmmakers such as Stanley Kwan (關錦鵬), Nelson Yeh (葉天倫) and Arvin Chen (陳駿霖).
“We can also use the alliance as a platform to launch all these made-in-Taiwan content to other festivals in Asia,” Lin adds.
SHORT FILMS AND IN THE CLOUD
Some of the films at the Kaohsiung festival will be available through KFF Cloud Cinema for NT$180 (雄影雲端戲院) on Google Play and the App Store, enabling users to gain access to more than 100 short films during the festival period.
Selected films include rarely seen shorts by David Lynch, German filmmaker Veit Helmer and James Cunningham from New Zealand, as well as the 66 nominated works at this year’s international short film competition.
For those who prefer the brick-and-mortar event, organizers put together a rich lineup of over 200 feature, documentary, animated and short films to be screened at three venues in the harbor city.
In addition to the four digitally restored classics by Chaplin, audiences will have a change to see past comedy gems, including Monty Python and the Holy Grail (1975), Back to the Future (1985) and The Fisher King (1991).
On the side of wacky genre flicks and B movies that the festival is known for, Japanese cult director Takashi Miike’s latest offering, Yakuza Apocalypse, combines Japanese gangster and vampire genres. Green Room is a gory thriller about a young punk rock band pitting against a gang of neo-Nazis led by a white supremacist played by Patrick Stewart.
From the documentary realm, The Wolfpack proves that truth is stranger than fiction as filmmaker Crystal Moselle reportedly spent four years following the lives of a clan of seven children, now fully grown, who were locked away by their controlling father for their entire childhood in a New York City apartment. Their only access to the outside world was through watching the 5,000 movies collected by their film-buff dad.
For this year’s music concert, which has become a highly anticipated fixture of the festival, the Kaohsiung Symphony Orchestra (高雄市交響樂團) has been invited to perform during the screenings of Chaplin’s City Lights at Da-Dong Cultural Center on Oct. 31 and Nov. 1. For more information, go to the event’s bilingual site at www.kff.tw.
FESTIVAL NOTES
WHAT: Taiwan International Queer Film Festival (台灣國際酷兒影展)
WHEN AND WHERE: Today to Nov. 1 at Taipei Shin Kong Cinemas (台北新光影城), 4F, 36, Xining S Rd, Taipei City (台北市西寧南路36號4樓), Nov. 2 to Nov. 7 at Wonderful Cinemas (萬代福影城), 38 Gongyuan Rd, Taichung City (台中市公園路38號), Nov. 13 to Nov. 22 at Oscar Digital Theatre (奧斯卡數位影城), 287 Renjhih St, Kaohsiung City (高雄市仁智街287號) and MLD Cinema (高雄MLD影城), 8 Jhongcin St, Kaohsiung City (高雄市忠勤路8號)
ADMISSION: Weekday matinee screenings (before 6pm) cost NT$160 and weeknight and weekend screenings are NT$180, NT$90 for senior citizens aged 65 and up and people with disabilities. Tickets are available through FamilyMart (全家) FamiPort kiosk and at www.famiticket.com.tw
ON THE NET: www.tiqff.com
FESTIVAL NOTES
WHAT: Kaohsiung Film Festival (高雄電影節)
WHEN: Today through Nov. 8
WHERE: Kaohsiung Film Archive (高雄市電影館), 10 Hesi Rd, Kaohsiung City (高雄市河西路10號), Da-Dong Cultural Center (大東文化藝術中心), 161 Guangyuan Rd, Kaohsiung City (高雄市光遠路161號), and Kaohsiung Main Public Library (高雄市立圖書館總館), 61 Singuang Rd, Kaohsiung City (高雄市新光路61號)
ADMISSION: Tickets are NT$180 per screening, NT$500 and NT$700 for the music concerts, available through www.ipasskhcc.tw
ON THE NET: www.kff.tw
In late October of 1873 the government of Japan decided against sending a military expedition to Korea to force that nation to open trade relations. Across the government supporters of the expedition resigned immediately. The spectacle of revolt by disaffected samurai began to loom over Japanese politics. In January of 1874 disaffected samurai attacked a senior minister in Tokyo. A month later, a group of pro-Korea expedition and anti-foreign elements from Saga prefecture in Kyushu revolted, driven in part by high food prices stemming from poor harvests. Their leader, according to Edward Drea’s classic Japan’s Imperial Army, was a samurai
The following three paragraphs are just some of what the local Chinese-language press is reporting on breathlessly and following every twist and turn with the eagerness of a soap opera fan. For many English-language readers, it probably comes across as incomprehensibly opaque, so bear with me briefly dear reader: To the surprise of many, former pop singer and Democratic Progressive Party (DPP) ex-lawmaker Yu Tien (余天) of the Taiwan Normal Country Promotion Association (TNCPA) at the last minute dropped out of the running for committee chair of the DPP’s New Taipei City chapter, paving the way for DPP legislator Su
It’s hard to know where to begin with Mark Tovell’s Taiwan: Roads Above the Clouds. Having published a travelogue myself, as well as having contributed to several guidebooks, at first glance Tovell’s book appears to inhabit a middle ground — the kind of hard-to-sell nowheresville publishers detest. Leaf through the pages and you’ll find them suffuse with the purple prose best associated with travel literature: “When the sun is low on a warm, clear morning, and with the heat already rising, we stand at the riverside bike path leading south from Sanxia’s old cobble streets.” Hardly the stuff of your
Located down a sideroad in old Wanhua District (萬華區), Waley Art (水谷藝術) has an established reputation for curating some of the more provocative indie art exhibitions in Taipei. And this month is no exception. Beyond the innocuous facade of a shophouse, the full three stories of the gallery space (including the basement) have been taken over by photographs, installation videos and abstract images courtesy of two creatives who hail from the opposite ends of the earth, Taiwan’s Hsu Yi-ting (許懿婷) and Germany’s Benjamin Janzen. “In 2019, I had an art residency in Europe,” Hsu says. “I met Benjamin in the lobby