Race to Witch Mountain
The always magnetic Dwayne Johnson stars in an updating of the fondly remembered 1975 Disney film Escape to Witch Mountain. Two aliens in the guise of children appear in
ex-con Johnson’s cab and ask for help to locate their spaceship, which the puzzled cabbie is shortly compelled to provide as government goons close in. More action-
oriented than the original, but harmless and fun for the kids and undemanding oldies. Fans of the original will be delighted to hear that child actors Ike Eisenmann and Kim Richards have cameos in the 2009 version.
Last Chance Harvey
Dustin Hoffman is Harvey, a man whose professional and personal life is at low ebb. Visiting London to attend his daughter’s wedding, he receives news that he has been fired and, worse, his daughter would rather someone else give her away at the ceremony. But then he meets Emma Thompson in a pub, and everything changes. Fans of the stars might enjoy this serio-romantic comedy, though critics were lukewarm and box office in the US was hardly better.
My Bloody Valentine
The Hollywood horror movie remake machine grinds out another retread of the late 1970s/early 1980s, a time when horror films were served straight and with precious few Freddy Kreuger-style one-liners. Augmented by gruesome effects (and full female nudity) in 3D, the story has the owner of a disused mine return to the nearby town to sell it; inconveniently, he’s back on Valentine’s Day, the 10th anniversary of a killing spree, and the bodies are set to pile up again. Director Patrick Lussier was editor for most of horror icon Wes Craven’s later films, so he has real pedigree. But the remake of Craven’s most infamous and brutal film, Last House on the Left, was offered to someone else; expect that in theaters later this year.
Tokyo Sonata
A salaryman hides the fact that he is unemployed from his wife and two sons, and things only get worse as family tensions accumulate. In a Lonely Guy-style development, our anti-hero meets a friend in similarly dire circumstances — and who has become something of a specialist in keeping the illusion of dignity intact — before fate deals a series of low blows. Veteran director Kiyoshi Kurosawa’s comeback movie was praised by the Japan Times and was a triumphant winner of the Jury Prize at last year’s Cannes film festival.
252: Signal of Life
Apocalyptic special effects are the star of this show as Tokyo once again succumbs to an overwhelming disaster — a storm system this time, with a tsunami thrown in for good measure. The human side of the plot is like Sylvester Stallone’s Daylight: a bunch of survivors are in subterranean peril and need rescuing, but in this case the hero of the day is on the outside looking for a way in — and needing to tell lies to do so.
7 Days to Leave My Wife
This Thai comedy expects audiences to believe that a dull and unattractive (and married) salesman would be incredibly attractive to a femme fatale-type colleague who dresses to kill. Naturally, his wife soon catches on and the hijinks start. Imagine The Woman in Red with infantile sight gags and without the charm of Gene Wilder and Gilda Radner (or the ultimate come hither look from Kelly LeBrock) and you’re on your way. Starts tomorrow at the Baixue theater in Ximending.
A few weeks ago I found myself at a Family Mart talking with the morning shift worker there, who has become my coffee guy. Both of us were in a funk over the “unseasonable” warm weather, a state of mind known as “solastalgia” — distress produced by environmental change. In fact, the weather was not that out of the ordinary in boiling Central Taiwan, and likely cooler than the temperatures we will experience in the near-future. According to the Taiwan Adaptation Platform, between 1957 and 2006, summer lengthened by 27.8 days, while winter shrunk by 29.7 days. Winter is not
Taiwan’s post-World War II architecture, “practical, cheap and temporary,” not to mention “rather forgettable.” This was a characterization recently given by Taiwan-based historian John Ross on his Formosa Files podcast. Yet the 1960s and 1970s were, in fact, the period of Taiwan’s foundational building boom, which, to a great extent, defined the look of Taiwan’s cities, determining the way denizens live today. During this period, functionalist concrete blocks and Chinese nostalgia gave way to new interpretations of modernism, large planned communities and high-rise skyscrapers. It is currently the subject of a new exhibition at the Taipei Fine Arts Museum, Modern
March 25 to March 31 A 56-year-old Wu Li Yu-ke (吳李玉哥) was straightening out her artist son’s piles of drawings when she inadvertently flipped one over, revealing the blank backside of the paper. Absent-mindedly, she picked up a pencil and recalled how she used to sketch embroidery designs for her clothing business. Without clients and budget or labor constraints to worry about, Wu Li drew freely whatever image came to her mind. With much more free time now that her son had found a job, she found herself missing her home village in China, where she
In recent years, Slovakia has been seen as a highly democratic and Western-oriented Central European country. This image was reinforced by the election of the country’s first female president in 2019, efforts to provide extensive assistance to Ukraine and the strengthening of relations with Taiwan, all of which strengthened Slovakia’s position within the European Union. However, the latest developments in the country suggest that the situation is changing rapidly. As such, the presidential elections to be held on March 23 will be an indicator of whether Slovakia remains in the Western sphere of influence or moves eastward, notably towards Russia and