With a collaborative remix electronica album available for free download, virtual weekly gigs on the Second Life Web site and a live set with hip-hop acts Kou Chou-ching (拷秋勤) , Chang Jui-Chuan (張睿銓) and Andre van Rensburg tomorrow, the Vinyl Word caught up with Taichung-based Moshang via e-mail to get the scoop on a very busy man.
Using traditional Chinese wind and string instruments such as the erhu (二胡), dizi (笛子, Chinese transverse flute), and pipa (琵琶), Moshang, 35, arranges his own street-sound recordings - which can be anything from conversations to processions - with music he records at home and other musicians' songs to produce his own special sound, which he calls "Chinese Chill."
"Turning found sounds, samples and loops into musical elements often requires painstaking editing ... similar to a jeweler cutting and polishing rough gemstones to fit a piece of jewelry," says Moshang.
PHOTO: COURTESY OF MOSHANG
Occasionally Moshang will create his own musical diamond. "By randomly connecting dots from ancient to present," he said. "I can sometimes cause a spark to fly between them and for the briefest transcendental moment the beats and notes align exactly right for something magical to be revealed."
Moshang's training began in South Africa as a choir boy. After that, he took up the saxophone and then finally broke into producing with an old Commodore Vic 20 computer. "Creating music is my greatest pleasure," he says, "so you'll mostly find me in my PC-based home-studio banging away at tunes ... working in a bit of a gray-area between downtempo electronica, jazz and world music."
Moshang's latest creation is Asian Variations. A remix "Chinese Chill" album featuring artists from all over the world such as Fort Minor, Viba, Chang, Kou and Van Rensburgthe. "I stripped away the drum tracks and replaced them with loops from my collection," Moshang said. "I also replaced most existing bass parts with ones I made myself."
Most of the artists on the album are unsigned. The Internet, although perceived by many as a great tool for putting out new music to a mass audience, also means that "with so many free singles, by so many artists, it is not necessarily easier to get heard," Moshang said. "Releasing an album makes it stand out from the crowd and provide a larger target for lightning to strike."
Moshang anticipates that playing with Kou and Chang tomorrow will be a real pleasure. They "are pretty unique in that they are rapping about socially relevant issues. Their style reminds me of some really old stuff ... like A Tribe Called Quest. Jui-Chuan is a true original. The only genuine scholar-rapper I know of [doing] hard-hitting, edgy hip-hop on Taiwanese and world political issues in Mandarin."
Moshang will make a presentation on his remixes and collaborations in Taipei on Jan. 19th at the Creative Commons workshop (see meeting.creativecommons.org.tw for more details) and will be playing at the Riverside Cafe (河岸留言) located at B1, 2, Ln 244, Roosevelt Rd, Sec 3, Taipei City (台北市羅斯福路三段244巷2號B1) in the evening. For more information, see www.riverside.com.tw
To download Asian Variations or request a free CD, visit www.asianvariations.com and to find out more about Moshang's other work visit moshang.net.
Taiwan has next to no political engagement in Myanmar, either with the ruling military junta nor the dozens of armed groups who’ve in the last five years taken over around two-thirds of the nation’s territory in a sprawling, patchwork civil war. But early last month, the leader of one relatively minor Burmese revolutionary faction, General Nerdah Bomya, who is also an alleged war criminal, made a low key visit to Taipei, where he met with a member of President William Lai’s (賴清德) staff, a retired Taiwanese military official and several academics. “I feel like Taiwan is a good example of
March 2 to March 8 Gunfire rang out along the shore of the frontline island of Lieyu (烈嶼) on a foggy afternoon on March 7, 1987. By the time it was over, about 20 unarmed Vietnamese refugees — men, women, elderly and children — were dead. They were hastily buried, followed by decades of silence. Months later, opposition politicians and journalists tried to uncover what had happened, but conflicting accounts only deepened the confusion. One version suggested that government troops had mistakenly killed their own operatives attempting to return home from Vietnam. The military maintained that the
“M yeolgong jajangmyeon (anti-communism zhajiangmian, 滅共炸醬麵), let’s all shout together — myeolgong!” a chef at a Chinese restaurant in Dongtan, located about 35km south of Seoul, South Korea, calls out before serving a bowl of Korean-style zhajiangmian —black bean noodles. Diners repeat the phrase before tucking in. This political-themed restaurant, named Myeolgong Banjeom (滅共飯館, “anti-communism restaurant”), is operated by a single person and does not take reservations; therefore long queues form regularly outside, and most customers appear sympathetic to its political theme. Photos of conservative public figures hang on the walls, alongside political slogans and poems written in Chinese characters; South
Taipei Mayor Chiang Wan-an (蔣萬安) announced last week a city policy to get businesses to reduce working hours to seven hours per day for employees with children 12 and under at home. The city promised to subsidize 80 percent of the employees’ wage loss. Taipei can do this, since the Celestial Dragon Kingdom (天龍國), as it is sardonically known to the denizens of Taiwan’s less fortunate regions, has an outsize grip on the government budget. Like most subsidies, this will likely have little effect on Taiwan’s catastrophic birth rates, though it may be a relief to the shrinking number of
RSS