Money and memorabilia from Johnny Cash’s family and friends have helped historians restore a significant part of the Historic Dyess Colony, a government collective built to pull depression-era families out of poverty.
The country music icon’s boyhood home, along with the colony’s former headquarters, opened yesterday to reflect everyday life in a northeast Arkansas community built on once-sunken land.
“Restoring the Dyess Colony Administration Building, and even saving at least one of the typical colony houses, would have been a worthwhile project, even without the Johnny Cash connection,” said Ruth Hawkins, executive director of the Heritage Sites program at Arkansas State University (ASU). “But the project would not have gotten anywhere near the public support that it has, and it would not be a major tourism draw.”
Before he was the Man in Black, he was J.R. Cash, a son of Arkansas farmers who successfully applied to take part in a 1930s US Works Progress Administration experiment. The US federal government brought in 487 families and gave them land and a mule.
Under selection criteria, families were rewarded for their rugged independence, but on arrival had to share their excess with the community. Their contributions qualified them for “doodlum,” a paper currency not unlike scrip offered in company towns.
Members of the Cash family were “representative colonists,” Hawkins said, so it was appropriate to incorporate their former home into the preservation effort. It also helps that countless Cash fans will pay US$10 for a tour.
A restored five-room house northwest of town holds items that belonged to the singer’s parents — a shaving mug in the bathroom and an upright piano. J.R. shared a bedroom with three siblings. The home never had running water. Electrical service arrived in 1945.
At the museum back in town, Cash’s 1950 Dyess High School yearbook, given to his daughter Rosanne, rests in a special wing.
“It’s been one of my most prized possessions. It’s yours. Merry Christmas,” Cash wrote to Rosanne on personal stationery with “Johnny Cash” scratched out and “Dad” written in.
Without Cash’s fame, it’d be a lot tougher to save places like the Dyess Colony, one of nearly 100 proposed resettlement sites nationwide.
“We would lose a place like Dyess, and we have lost many other such places of historic significance because of a lack of funds, disinterest or ignorance,” Rosanne Cash wrote in an e-mail. “I am so happy ASU stepped in when they did. There were only around 35 cottages left and my dad’s, though dilapidated, was one of those.”
The Dyess Colony, named for a state government administrator, covered 6,475.11 hectares reclaimed from a swamp and carved into 8.09 or 16.19 hectare homesteads.
The government cleared 0.81 hectares to put up a house, barn, chicken coop and outhouse, then it was up to residents to clear the rest of the land, grow a crop and begin paying on a mortgage. Cash’s father Ray signed his contract in February 1938 — for US$2,183.60.
Stories about hard times here landed in some of Cash’s songs and also Rosanne Cash’s The Sunken Lands.
“I particularly had my grandmother Carrie Cash in mind all through the restoration process, and while writing The Sunken Lands, about her and this very area,” Rosanne Cash wrote. “I wanted my children to know their lineage and that their great-grandparents worked harder to make a good life for their children and all their descendants than anyone could possibly imagine.”
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