Two dance programs in Taipei this weekend focus on questions of identity, experimentation and creation.
Taiwan Made (台灣製造) by dancer/choreographer Lin Juju’s (林祐如) is at the National Experimental Theater as the third installment in the National Theater Concert Hall’s (NTCH) Ideas Lab series, while at a performance space off Linsen N Road will be the site of White Dance Theater’s (白蹈場) NEWID Vol. 2.
Lin, a Taipei National University of the Arts (TNUA, 國立臺北藝術大學) alumnus and a great dancer herself, has over the past few years been building a portfolio of interesting, often quirky works as a freelance choreographer, both in Taiwan and abroad.
Photo courtesy of Chou Jia-hui
Her latest, which evolved during her stint as an NTCH artist-in-residence last year that included a trip to France to perform at the Rencontres choregraphiques internationales de Seine-Saint-Denis, looks to be just as intriguing.
Lin’s travels and experiences abroad as a performer, a creator and just an ordinary tourist led her to ponder the perceptions of identity, culture and connections: just what is meant by the name “Taiwan.”
Is it the name of an island, a nation, an identity of a people? Is it a collection of different ethnic groups, cultures and memories? What has enabled it to transform and to integrate different elements over the centuries?
Lin recruited five friends, who come from different backgrounds and work in different styles of dance, for the project: Huang Huai-te (黃懷德), Su Ping-wen (蘇品文), Hsiao Dong-yi (蕭東意), Lee Lu (李律) and Wang Chu-hua (王筑樺).
Given that they all have their own choreographic experience, she wanted the five to be more collaborators than just hired performers, mirroring how different elements have come together over the years to interact and influence the shape of Taiwan today, just as it has shaped their bodies and minds.
Lin drew on their ideas about life to create a show that seeks to explain “Taiwan in their eyes.”
RECREATING AN IDENTITY
The other program, the second installment of White Dance Theater’s NEWID sees four artists from different disciplines come together, each presenting a 15-minute solo work designed to challenge themselves and their audiences, who are to be included in the piece.
The question it poses is how does an artist recreate a new identity for themselves?
The idea behind the program was a quote attributed to US Pop art pioneer Andy Warhol that “in the future, everyone will be world-famous for 15 minutes.” It appeared in a brochure for a 1968 exhibition of his work at the Moderna Museet in Stockholm, Sweden, but in the decades since others have claimed to have coined it and Warhol reportedly said in 1980 that he had never actually said it.
Regardless, it is firmly attached to the Warhol brand, and fits neatly into today’s selfie and Instagram-obsessed culture.
The four artists are Chen Chiu-yen (陳秋燁), Shi Yu-che (施豫澤), Lu Yi-chieh (陸伊潔) and Palmer Mathews.
Audience members who purchase the NT$1,000 sponsor ticket will be able to participate in a physical introduction workshop with the artists before the show and also help lead the audience portions of each performance during the show.
Japan is celebrated for its exceptional levels of customer service. But the behavior of a growing number of customers and clients leaves a lot to be desired. The rise of the abusive consumer has prompted authorities in Tokyo to introduce the country’s first ordinance — a locally approved regulation — to protect service industry staff from kasuhara — the Japanese abbreviated form of “customer harassment.” While the Tokyo ordinance, which will go into effect in April, does not carry penalties, experts hope the move will highlight a growing social problem and, perhaps, encourage people to think twice before taking out their frustrations
Two years ago my wife and I went to Orchid Island off Taitung for a few days vacation. We were shocked to realize that for what it cost us, we could have done a bike vacation in Borneo for a week or two, or taken another trip to the Philippines. Indeed, most of the places we could have gone for that vacation in neighboring countries offer a much better experience than Taiwan at a much lower price. Hence, the recent news showing that tourist visits to Pingtung County’s Kenting, long in decline, reached a 27 year low this summer came
From a Brooklyn studio that looks like a cross between a ransacked Toys R Us and a serial killer’s lair, the artist David Henry Nobody Jr is planning the first survey of his career. Held by a headless dummy strung by its heels from the ceiling are a set of photographs from the turn of the century of a then 30-year-old Nobody with the former president of the US. The snapshots are all signed by Donald Trump in gold pen (Nobody supplied the pen). They will be a central piece of the New York artist’s upcoming survey in New York. This
In the tourism desert that is most of Changhua County, at least one place stands out as a remarkable exception: one of Taiwan’s earliest Han Chinese settlements, Lukang. Packed with temples and restored buildings showcasing different eras in Taiwan’s settlement history, the downtown area is best explored on foot. As you make your way through winding narrow alleys where even Taiwanese scooters seldom pass, you are sure to come across surprise after surprise. The old Taisugar railway station is a good jumping-off point for a walking tour of downtown Lukang. Though the interior is not open to the public, the exterior
RSS