Cloud Gate 2’s (雲門2) annual spring show has long been a chance for the company to showcase several works by up and coming young choreographers as well as its resident artists. Many of those who have created works for the troupe over the years have gone on to create their own troupes, such as Bulareyaung Pagarlava and Huang Yi (黃翊), while Cheng Tsung-lung (鄭宗龍) became artistic director of the troupe — and will become artistic director of the Cloud Gate Dance Theatre (雲門舞集) in January 2020.
However, for this year’s show, Cheng decided to shake things up a bit, by asking just two men, who have already made names for themselves in their respective fields, to create pieces for the troupe. Neither are a conventional choice.
“I really want to see if there is another possibility for dance,” Cheng told a news conference at the Cloud Gate Theater on Jan. 18.
Photos courtesy Cloud Gate 2
Choreographer Liu Kuan-hsiang (劉冠詳), who is not yet 30, is a four-time Taishin Arts Award Performing Arts nominee, and won last year for his 2016 work Kids (我知道的太多了). He was commissioned by Cloud Gate Dance Foundation to create a new work, which premiered in July last year, Karma (棄者).
However, his works have been deeply autobiographical and therefore intensely personal, and for the most part, created for himself and one or two other dancers. So working with a mid-sized troupe is a first for him.
Cheng said that while Liu’s choreography can appear crazy and disjointed, the sincerity in the works has always moved him.
Photo courtesy Cloud Gate 2
Cheng’s second choice was Tainaner Ensemble (台南人劇團) co-artistic director Tsai Pao-chang (蔡柏璋), who is a bit of a renaissance man: He is an accomplished playwright, director, actor and singer, but not a choreographer.
However, Cheng drafted Tsai in to help with vocal training for his 2016 work, 13 Tongues (十三聲), so he was no stranger to the company.
Liu told the news conference at Cloud Gate Theater that choreographing a piece for Cloud Gate 2’s Spring Riot series had been an idea since he saw one of the performances when he was in high school.
While there were many challenges, not the least of which is that he has always choreographed for himself, not a group, he had been excited to explore new structures and he appreciated the dancers’ willingness to give themselves over to him.
“Choreography is similar to falling in love. It does not last forever, but you can go and care about what you once had,” he said.
He described his work, Superbeing (變態), as his first science fiction story.
Tsai said his experience working on 13 Tongues got him interested in choreography, and as he was planning to take a break from his theatrical work to do some traveling, creating something for the company appealed to him.
He said he created his piece, Aller Simple, which is French for “single ticket,” through a question-and-answer process with the dancers.
The creative team for the show have as varied careers as Liu and Tsai themselves.
Costumes for the show are by Chen Shao-yen (陳劭彥), the Yilan County-born, London-based designer who has become famous for his eight-year-old unorthodox knitware and women’s wear line Shao Yen. The Central St Martins College of Art & Design graduate has also created designs for singers as varied as Bjork, Jessie J and Jolin Tsai (蔡依林).
Lighting is by German freelance designer Jurgen Kolb, who splits his time between Germany and Taiwan and worked with the Tainaner Ensemble on The Book of Fate (天書第一部) trilogy and Chang Chien-hao’s (張堅豪) Hide and Seek (你看看我).
Music for Tsai’s piece is by multimedia artist and musician Blaire Ko (柯智豪), while Liu worked with Chung Bo-hsun (鍾柏勳) and MAD.
Spring Riot 2018 runs about 100 minutes, with intermission. Despite Chen’s costume work, the show comes with a warning that there will be some nudity.
Performance notes
WHAT: Spring Riot 2018
WHEN: April 13 and April 20 at 8pm, April 14, 15, 21 and 22 at 3pm
WHERE: Cloud Gate Theater (淡水雲門劇場), 36, Ln 6, Zhongzheng Rd Sec 1, Tamsui District, New Taipei City (新北市淡水區中正路一段6巷36號)
ADMISSION: The only seats left are for April 20 at NT$700; available at NTCH box offices and bookstore ticketing outlets, online at www.artsticket.com.tw or www.service@cloudgate.org.tw and at convenience store kiosks nationwide. For more information, call (02) 2692-8711
For your information
Cloud Gate organizes free shuttle buses for ticket holders from the Tamsui MRT Station, leaving about an hour before each performance. However, ticket holders must register online on Cloud Gate’s Web site by the Monday prior to the show they are attending.
May 11 to May 18 The original Taichung Railway Station was long thought to have been completely razed. Opening on May 15, 1905, the one-story wooden structure soon outgrew its purpose and was replaced in 1917 by a grandiose, Western-style station. During construction on the third-generation station in 2017, workers discovered the service pit for the original station’s locomotive depot. A year later, a small wooden building on site was determined by historians to be the first stationmaster’s office, built around 1908. With these findings, the Taichung Railway Station Cultural Park now boasts that it has
Wooden houses wedged between concrete, crumbling brick facades with roofs gaping to the sky, and tiled art deco buildings down narrow alleyways: Taichung Central District’s (中區) aging architecture reveals both the allure and reality of the old downtown. From Indigenous settlement to capital under Qing Dynasty rule through to Japanese colonization, Taichung’s Central District holds a long and layered history. The bygone beauty of its streets once earned it the nickname “Little Kyoto.” Since the late eighties, however, the shifting of economic and government centers westward signaled a gradual decline in the area’s evolving fortunes. With the regeneration of the once
The latest Formosa poll released at the end of last month shows confidence in President William Lai (賴清德) plunged 8.1 percent, while satisfaction with the Lai administration fared worse with a drop of 8.5 percent. Those lacking confidence in Lai jumped by 6 percent and dissatisfaction in his administration spiked up 6.7 percent. Confidence in Lai is still strong at 48.6 percent, compared to 43 percent lacking confidence — but this is his worst result overall since he took office. For the first time, dissatisfaction with his administration surpassed satisfaction, 47.3 to 47.1 percent. Though statistically a tie, for most
In February of this year the Taipei Times reported on the visit of Lienchiang County Commissioner Wang Chung-ming (王忠銘) of the Chinese Nationalist Party (KMT) and a delegation to a lantern festival in Fuzhou’s Mawei District in Fujian Province. “Today, Mawei and Matsu jointly marked the lantern festival,” Wang was quoted as saying, adding that both sides “being of one people,” is a cause for joy. Wang was passing around a common claim of officials of the People’s Republic of China (PRC) and the PRC’s allies and supporters in Taiwan — KMT and the Taiwan People’s Party — and elsewhere: Taiwan and
RSS