Three Lilies, by Cy DeCosse, is a photograph of a single stem with three blooms, each beguilingly detailed and luminous on the paper. On the leaves below, there is a depth of grays and blacks difficult to achieve with any other photographic process.
It’s one of about 60 platinum-palladium prints that go on display Thursday at Taiwan Photo, the only fair in Taiwan for fine art photography.
This year, Taiwan Photo is showcasing a range of historic processing methods to mark the 175th anniversary of the invention of photography.
Photo Courtesy of Taiwan Photo Fair Committee
Its marquee feature is the platinum-palladium print, which is highly prized by collectors for its wide tonal range, soft look and durability. One print can last over 500 years, says event organizer Edward Chiu (邱奕堅), also the art director of Taipei-based 1839 Contemporary Gallery (1839當代藝廊).
Dating back to the 19th century, platinum-palladium processing is expensive and uncommon in the industry today.
DeCosse, from the US, and Japanese American Kenro Izu are two critically acclaimed photographers who continue to use the method, and at Taiwan Photo they are offering prints from the Flowers and Still Life series, respectively.
Photo Courtesy of Taiwan Photo Fair Committee
Other historic prints include the daguerreotype, the ambrotype, the dry plate and the albumen print, brought in from galleries and photographers around the world.
The fair will also give photography lovers a chance to see contemporary pieces by global heavyweights.
This year, photographers include Tom Chambers, recipient of the Worldwide Photography Gala Awards; conceptual underwater photographer Elena Kalis from Moscow; Brigitte Carnochan, famous for poetic interpretations of flowers and nudes; and Daniela Edburg, who crochets and knits props for her surreal still lifes.
Photo Courtesy of Taiwan Photo Fair Committee
Gao Yuan (高媛), a world-leading photographer from Greater Kaohsiung, will be at Taiwan Photo with Woman with Building, a nude woman who reclines on a blue blanket with her back against the camera. Her face, turned slightly, is exquisite and disaffected, as if she has caught the viewer mid-stare. The background is a hazy industrial landscape expertly balanced with her body so that it appears to be a natural extension, and so her face becomes an oblique comment on what the onlooker has done to the earth.
First held in 2011, Taiwan Photo is Taiwan’s only fair that specializes in museum-quality prints for private collectors. The prints are run in limited edition and typically retail between NT$20,000 to NT$300,000.
Nothing like the spectacular, dramatic unraveling of a political party in Taiwan has unfolded before as has hit the Taiwan People’s Party (TPP) over recent weeks. The meltdown of the New Power Party (NPP) and the self-implosion of the New Party (NP) were nothing compared to the drama playing out now involving the TPP. This ongoing saga is so interesting, this is the fifth straight column on the subject. To catch up on this train wreck of a story up to Aug. 20, search for “Donovan’s Deep Dives Ko Wen-je” in a search engine. ANN KAO SENTENCED TO PRISON YET AGAIN,
When the Dutch began interacting with the indigenous people of Taiwan, they found that their hunters classified deer hide quality for trade using the Portuguese terms for “head,” “belly,” and “foot.” The Portuguese must have stopped here more than once to trade, but those visits have all been lost to history. They already had a colony on Macao, and did not need Taiwan to gain access to southern China or to the trade corridor that connected Japan with Manila. They were, however, the last to look at Taiwan that way. The geostrategic relationship between Taiwan and the Philippines was established
Sept. 9 to Sept. 15 The upgrading of sugarcane processing equipment at Ciaozaitou Sugar Factory (橋仔頭) in 1904 had an unintended but long-lasting impact on Taiwan’s transportation and rural development. The newly imported press machine more than doubled production, leading to an expansion of the factory’s fields beyond what its original handcarts and oxcarts could handle. In 1905, factory manager Tejiro Yamamoto headed to Hawaii to observe how sugarcane transportation was handled there. They had trouble finding something suitable for Taiwan until they discovered a 762mm-gauge “miniature” railroad at a small refinery in the island of Maui. On
When Sara (names in this story are changed to protect the sources’ identities) takes her daughter April out anywhere in Taiwan, she’s frequently asked the same question: “Is your husband Taiwanese?” Sara is white, and April has unmistakably Asian features. “My wife is Taiwanese,” she replies. If asked, she may then clarify that April is her biological child, Taiwanese by blood, and has two moms. This often creates more confusion, but it is a difficult reality for Sara, her wife Dana and April. While Dana has adopted April, the child does not have Taiwanese (Republic of China) nationality despite both of her