The Frozen Ground
Old-school thriller in which Nicolas Cage and John Cusack do their best work in years. The film itself, directed by Scott Walker, is unambitious, breaking no new ground, though it is good to see High School Musical star Vanessa Hudgens putting in a solid performance. In Frozen Ground, Cage plays veteran cop Jack Holcombe, who is on the path of a serial killer (Cusack), but can find no real evidence until he meets up with Cyndy Paulsen (Hudgens), the one victim who managed to escape. But her trauma has turned her into a junkie with trust issues, and Cage must find a way of working with her. And all the time the killer is still on the loose. There is plenty of adrenaline, but never much of a spark to make this competent thriller anything more than adequate DVD fare.
Song for Marion
Also released under the title Unfinished Song, this is another UK production that draws its main appeal from its aging, though hugely talented, cast. The concept is unmistakably that which drove the success of The Best Exotic Marigold Hotel and Quartet. In Song for Marion, grumpy pensioner Arthur (Terence Stamp) honors his recently deceased wife’s passion for performing by joining an unconventional local choir. He makes new friends and in the process builds bridges with his estranged son, James (Christopher Eccleston). Pacing is a little on the slow side, but Stamp offers a powerful and moving performance, putting the icing on the cake on this touching and often amusing geriatric dramedy.
Passion
Brian De Palma is a master of the sexually charged, violent thriller and with Passion he lets us revisit his heyday of films such as Carrie and Dressed to Kill. In Passion, Rachel McAdams and Noomi Rapace play Christine Stanford and Isabelle James, a manipulative boss of an advertising agency and her talented protegee, respectively, whose rivalry escalates from the usual corporate one-upmanship to murder. McAdams and Rapace are beautiful pawns in De Palma’s own manipulative exercise in which he toys with the audience’s expectations, making uncertainty feel deliciously exciting. Complex, sometimes even a little confusing, De Palma always keeps things under control in this gorgeously orchestrated symphony of jealousy, betrayal and violence.
Oh Boy
Black and white film that follows a young man through a disastrous day in his home city of Berlin. For Niko Fischer (Tom Schilling), even the most mundane events seem to go wrong, but the comedy of his mishaps links up with that central trope of modernist European literature: the existential distress of a young person living on the edge of society. There are hints of Dostoevsky’s Notes From Underground and even Joyce’s Ulysses, but the film, by Jan Ole Gerster, manages to keep the tone light and does not get too literary on his audience. Fine acting, a subtle managing sensibility and a willingness to let the city of Berlin play a major role, echoing its own violent history in its streets and buildings. Long after the laughs at Niko’s misfortunes have fade away, there is still plenty to think about Oh Boy.
Almost Perfect (30拉緊抱)
The second feature film from director Bertha Bay-Sa Pan (潘貝思 ) focuses on dysfunction in an Asian-American home. Vanessa (Kelly Hu, 胡凱麗) is the able daughter who serves as the main emotional and often practical support for her family. They always expect her to be there for them. She hasn’t time for a relationship, but then up pops Dwayne (Ivan Shaw), who seems just too much of a Mr Right to be ignored. The movie starts out as a comedy, but as the demands of her family pile up, it gradually transitions into more serious drama, as the family’s refusal to allow Vanessa the chance to lead her own life becomes less and less amusing. Pan manages the tone well, never allowing it to get too heavy, and keeping a thoughtful and insightful vein that runs through the whole movie.
Dec. 8 to Dec. 14 Chang-Lee Te-ho (張李德和) had her father’s words etched into stone as her personal motto: “Even as a woman, you should master at least one art.” She went on to excel in seven — classical poetry, lyrical poetry, calligraphy, painting, music, chess and embroidery — and was also a respected educator, charity organizer and provincial assemblywoman. Among her many monikers was “Poetry Mother” (詩媽). While her father Lee Chao-yuan’s (李昭元) phrasing reflected the social norms of the 1890s, it was relatively progressive for the time. He personally taught Chang-Lee the Chinese classics until she entered public
Last week writer Wei Lingling (魏玲靈) unloaded a remarkably conventional pro-China column in the Wall Street Journal (“From Bush’s Rebuke to Trump’s Whisper: Navigating a Geopolitical Flashpoint,” Dec 2, 2025). Wei alleged that in a phone call, US President Donald Trump advised Japanese Prime Minister Sanae Takaichi not to provoke the People’s Republic of China (PRC) over Taiwan. Wei’s claim was categorically denied by Japanese government sources. Trump’s call to Takaichi, Wei said, was just like the moment in 2003 when former US president George Bush stood next to former Chinese premier Wen Jia-bao (溫家寶) and criticized former president Chen
Politics throughout most of the world are viewed through a left/right lens. People from outside Taiwan regularly try to understand politics here through that lens, especially those with strong personal identifications with the left or right in their home countries. It is not helpful. It both misleads and distracts. Taiwan’s politics needs to be understood on its own terms. RISE OF THE DEVELOPMENTAL STATE Arguably, both of the main parties originally leaned left-wing. The Chinese Nationalist Party (KMT) brought together radicals, dissidents and revolutionaries devoted to overthrowing their foreign Manchurian Qing overlords to establish a Chinese republic. Their leader, Sun Yat-sen
As I finally slid into the warm embrace of the hot, clifftop pool, it was a serene moment of reflection. The sound of the river reflected off the cave walls, the white of our camping lights reflected off the dark, shimmering surface of the water, and I reflected on how fortunate I was to be here. After all, the beautiful walk through narrow canyons that had brought us here had been inaccessible for five years — and will be again soon. The day had started at the Huisun Forest Area (惠蓀林場), at the end of Nantou County Route 80, north and east
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