This week and next are packed with dance performances all over the city as part of the 15th Taipei Arts Festival and Fringe Festival. Even the most dedicated of dance lovers would find it difficult to see all of them, even if some were not already sold out.
The performers range from Taipei’s second professional modern troupe (after Cloud Gate Dance Theatre, 雲門舞集), Dance Forum Taipei (舞蹈空間), to three university seniors. The venues are equally varied.
Dance Forum Taipei is performing at the Taipei City Shuiyuan Theater on Roosevelt Road in the Gongguan area — also known as the Wellspring Theater — a fairly large space even if it is on the 10th floor of an otherwise unprepossessing building.
Photo Courtesy of Dance Forum Taipei
Spanish choreographer Marina Mascarell first worked with the troupe three years ago, after she was recommended to Dance Forum Taipei founder and director Ping Heng (平珩) by a Dutch promoter. The result was Like an Olive Tree, which was one of the best dance pieces seen in Taipei in 2010. That experience was obviously rewarding enough for both sides that the company was eager to team up with Mascarell again.
The 33-year-old Mascarell danced with the Nederlands Dans Theater I and II, as well as the Cedar Lake Contemporary Ballet, before going out on her own as a freelance choreographer two years ago, often working under the auspices of the Korzo Theater in the Hague, which is one of the largest production houses for dance in the Netherlands.
Her new piece is the intriguingly titled The Unreality of Times (時境), on which she collaborated with New York composer and cellist Chris Lancaster, who will be playing onstage with the troupe. The piece is a coproduction with the Korzo.
Photo Courtesy of Dance Forum Taipei
Time is something we all think a lot about — mostly that we do not seem to have enough of it. When we are young, time seems to drag out forever — witness the agonizingly slow progress of hands of a clock toward the magic hour that ends a school day. When we are older, the years seem to speed past us. Mascarell was intrigued about how people perceive time, and how we manipulate it.
With Lancaster’s help, she has created a parallel world, where time can be accelerated, slowed or stretched out almost to the breaking point, helped along by his use of samplers and sound effects as well as his electro-cello. The piece is dynamic and very intense.
Lancaster is no stranger to the world of dance. He has worked as music director and composer for the Bill T. Jones/Arnie Zane Dance Company in New York as well as the Stacato Contemporary Dance Company in Rio di Janeiro, Brazil.
Photo Courtesy of Dance Forum Taipei
The Unreality of Times runs 60 minutes, with no intermission. The only tickets left are for the Sunday matinee.
The dance pieces offered by the Taipei Fringe Festival this week are a mixed bag both in terms of size and scope, and perhaps aspirations.
The Mending Dance Theater (曼丁身體劇場) has taken over the Guling St Avant-Garde Theater for their production, Melting (灶‧心). Choreographed by Zhu Wei-ting (朱蔚庭) — who created Fixed 2 for the Fringe Festival two years ago, Melting, performed by four dancers, examines time, as well as the impact of technology on modern society.
Photo Courtesy of Dance Forum Taipei
The Treasure Hill Artist Village is the location for Shivanii Chang’s (張心柔) solo show, Ophelia (奧菲莉亞). Friday night’s show is already sold out.
Inspired by the tragic character of William Shakespeare’s Ophelia, this piece is Chang’s maiden choreographic work. She studied ballet, modern dance and flamenco, but has concentrated in recent years on her music and poetry. Now a student at Taiwan Normal University’s music department, Chang won the Rising Star Award at the 2011 Fringe Festival for her music performance, and released her first album, of folk songs, last year.
On Saturday and Sunday, the Nanhai Gallery is playing host to Travel Through (穿梭) by Macaroon Dance Theater, which sounds very formal, but is actually made up of three seniors at universities in Taipei who all have backgrounds in dance, though not all are studying it now. They say that their piece is a collection of stories from the past, present and future.
PERFORMANCE NOTES:
WHAT: The Unreality of Time (時境) by Dance Forum Taipei Friday and Saturday at 7:30pm, Sunday at 2:30pm
WHERE: Taipei City Shuiyuan Theater (台北市水源劇場), 10F, 92, Roosevelt Rd Sec 4, Taipei City (台北市羅斯福路四段92號10樓)
ADMISSION: NT$600, only tickets left are for Sunday; tickets available at NTCH box offices, online at www.artsticket.com.tw or at 7-Eleven ibon kiosks
TAIPEI FRINGE:
■ Melting (灶‧心) by Mending Dance Theater; Thursday and Friday at 7pm; Guling St. Avant-Garde Theater (牯嶺街小劇場) at 2, Ln 5, Guling St, Taipei (北市牯嶺街5巷2號); NT$450.
■ Travel Through (穿梭) by Macaroon Dance Theater, Saturday at 2pm and 7pm, Sunday at 2pm; Nanhai Gallery (南海藝廊), 3, Ln 19, Chongqing S Rd Sec 2, Taipei City (台北市重慶南路二段19巷3號); NT$250.
■ Ophelia (奧菲莉亞) by Shivanii Chang (張心柔); Friday (sold out), Saturday and Sunday at 8pm; Treasure Hill Artist Village (寶藏巖國際藝術村), 2, Alley 37, Ln 230, Dingzhou Rd Sec 3, Taipei City (台北市汀州路三段230巷37弄2號); NT$300
■ Tickets available at NTCH box offices, online at www.artsticket.com.tw or at 7-Eleven ibon kiosks
Common sense is not that common: a recent study from the University of Pennsylvania concludes the concept is “somewhat illusory.” Researchers collected statements from various sources that had been described as “common sense” and put them to test subjects. The mixed bag of results suggested there was “little evidence that more than a small fraction of beliefs is common to more than a small fraction of people.” It’s no surprise that there are few universally shared notions of what stands to reason. People took a horse worming drug to cure COVID! They think low-traffic neighborhoods are a communist plot and call
It is barely 10am and the queue outside Onigiri Bongo already stretches around the block. Some of the 30 or so early-bird diners sit on stools, sipping green tea and poring over laminated menus. Further back it is standing-room only. “It’s always like this,” says Yumiko Ukon, who has run this modest rice ball shop and restaurant in the Otsuka neighbourhood of Tokyo for almost half a century. “But we never run out of rice,” she adds, seated in her office near a wall clock in the shape of a rice ball with a bite taken out. Bongo, opened in 1960 by
Over the years, whole libraries of pro-People’s Republic of China (PRC) texts have been issued by commentators on “the Taiwan problem,” or the PRC’s desire to annex Taiwan. These documents have a number of features in common. They isolate Taiwan from other areas and issues of PRC expansion. They blame Taiwan’s rhetoric or behavior for PRC actions, particularly pro-Taiwan leadership and behavior. They present the brutal authoritarian state across the Taiwan Strait as conciliatory and rational. Even their historical frames are PRC propaganda. All of this, and more, colors the latest “analysis” and recommendations from the International Crisis Group, “The Widening
From a nadir following the 2020 national elections, two successive chairs of the Chinese Nationalist Party (KMT), Johnny Chiang (江啟臣) and Eric Chu (朱立倫), tried to reform and reinvigorate the old-fashioned Leninist-structured party to revive their fortunes electorally. As examined in “Donovan’s Deep Dives: How Eric Chu revived the KMT,” Chu in particular made some savvy moves that made the party viable electorally again, if not to their full powerhouse status prior to the 2014 Sunflower movement. However, while Chu has made some progress, there remain two truly enormous problems facing the KMT: the party is in financial ruin and
RSS