An updated version of Graham Greene’s thriller of the same name. The background of mods and rockers might be a little jarring for lovers of the book (or indeed the 1947 film starring Richard Attenborough). Nevertheless, Rowan Joffe’s debut feature as a director (Joffe wrote the screenplay for 28 Weeks Later and The American) is taut and atmospheric and features some exceptional performances from John Hurt and Helen Mirren. Newcomer Andrea Riseborough is exceptionally good as Rose, a vulnerable young woman who becomes a pawn in a turf war, and Sam Riley as Pinkie, the young thug who callously manipulates her, exudes both style and conviction.
The Way Back
A road movie by Australian director Peter Weir that sees a group of escapees from a Russian gulag make a dangerous journey to freedom. Some less than perfect casting, including Colin Farrell as a Russian mobster (doing little more than providing the film with an A-list lead), do the movie no favors, but there are strong supporting performances from the likes of Ed Harris and Saoirse Ronan. Magnificent photography by Russell Boyd makes up for some of the improbabilities of the story (which is “inspired” by actual events), with more attention given to developing the film’s epic and melodramatic impact than to relating the practicalities of the characters’ survival.
Big Mommas: Like Father, Like Son
Martin Lawrence is back in yet another iteration of the Big Momma franchise. The humor deriving from one person in drag wearing a fat suit has worn very thin, so this time Brandon T. Jackson has been brought in as Agent Malcolm Turner’s son Trent. Trent witnesses a murder, and has to get into drag and a fat suit to hide in an upmarket girls’ school.
Life Is Miracle (最愛)
Also released under the title Til Death Do Us Part, this film is directed by Gu Changwei (顧長衛), an accomplished cinematographer with credits for major films such as Farewell My Concubine (霸王別姬, 1993) and Ju Dou (菊豆, 1990). Life Is Miracle deals with the taboo subject of AIDS in rural China, but manages to do so in a manner that is both glossy and maudlin at the same time. Aaron Kwok (郭富城) and Zhang Ziyi (章子怡) are both suffering from the dreaded “fever” and have been deposited by their respective spouses in a colony of patients on the fringe of town. In their slow dance toward death they discover physical passion and true love.
Will You Still Love Me (妳是否依然愛我)
A film by director Yeh Hung-wei (葉鴻偉), Will You Still Love Me follows the tumultuous romance between artist Ming Li and his model girlfriend Ya Chien, who is also being pursued by mobile salesman Tie Min. Megan Lai (賴雅妍), who came to prominence in CTV’s super-successful The Story of Time (光陰的故事), has the leading role. The quality of the acting is uneven, and the whole project feels like a TV soap transferred with little imagination to the big screen.
Kites: Brett Ratner Remix
An Indian film by Bollywood director Anurag Basu about passion and bank robbery, Kites opened in the US as the largest distribution of a Hindi film to date. Includes the genre’s obligatory dance routines. The director’s reputation and the presence of Hrithik Roshan, arguably the hottest man in Indian cinema, gives Kites huge commercial momentum. Roshan plays a man living on the edge, just one step ahead of the police, bounty hunters and others, all of whom want him dead. The only thing keeping him going is his passion for Natasha, played by Japanese-Uruguayan-Mexican model Barbara Mori. In a mix of English, Hindi and Spanish.
Saru Lock: The Movie
An action comedy based on a Japanese TV series. Sarumaru Yataro (Ichihara Hayato) is a regular teenager, but as the son of a locksmith, he has acquired exceptional lock-picking skills. While he uses these skills to check out a variety of beautiful women, he finds himself drawn into a police investigation.
Magic Journey to Africa
The title of this film pretty much says everything you need to know about the plot: A little girl called Jana makes a magic journey to Africa. She meets some magical beasts, including a winged horse, a talking lizard and lots of cute little animals. This is a Spanish production, though spoken in English, and seems to have been made as a kind of enhanced home-video. Acting, dialogue and pretty much everything else about the film are wooden and amateurish, and it is a wonder that local distributors have bothered to put it on the market at all.
The Taiwan of yesteryear was dominated in whole or in part by the Dutch, Spanish, Qing Empire and Japanese. But is the Taiwanese name for a popular edible fish derived from the Portuguese language? Cheng Wei-chung (鄭維中), an associate research fellow at Academia Sinica’s Institute of Taiwan History, says yes. The fish in question is the narrow-barred Spanish mackerel, which was listed in early 18th century Qing local gazetteers as Taiwanese specialities alongside milk fish and mullet, according to Cheng’s paper, “Mullet, narrow-barred Spanish mackerel and milkfish: Multiple contextual developments of three certified seafood specilaities in Taiwan, from the
Aug. 10 to Aug. 16 They called him the “No Problem Doctor” (沒關係醫生) because that’s what he always told his patients when they couldn’t pay up. Operating the only clinic in Changhua County’s Pusin Township (埔心) during the 1950s, Hsu Tsai-chih (許再枝) knew that life was difficult in his remote hometown. “They barely had enough to survive, so it was pointless to chase after them for the money,” an 81-year-old Hsu told the United Daily News in 2002. “I just went with the flow, some offered to pay me back years later but I had already forgotten
I didn’t expect to spend more than three minutes out of my car, yet the sun was so brutal I put on my hat before approaching the seawall. Beimen (北門) is the flattest and most sun-baked part of Tainan. It lacks trees and people. In wintertime, the weather is often delightful. It wasn’t yet mid-morning in the hot season, however, and I felt like a leaf shriveling in the desert. Atop the seawall but facing inland, I could see dozens of the rectangular ponds which account for a significant percentage of Beimen’s “land” area. Some, no doubt, were dug to produce
A widely criticized peer-reviewed study that measured the attractiveness of women with endometriosis has been retracted from the medical journal Fertility and Sterility. The study, “Attractiveness of women with rectovaginal endometriosis: a case-control study,” was first published in 2013 and has been defended by the authors and the journal in the intervening years despite heavy criticism from doctors, other researchers and people with endometriosis for its ethical concerns and dubious justifications, with one advocate calling the study “heartbreaking” and “disgusting.” The study’s conclusion was: “Women with rectovaginal endometriosis were judged to be more attractive than those in the two control groups.