Purgatory (淨界) is a solo exhibition of oil paintings by Chinese artist Cen Long (岑龍). Cen’s stark representational paintings depict the harsh lives of peasants and minority peoples in China’s desolate regions.
■ Rong Ren Foundation for Arts and Culture (榮仁文化藝術基金會), 4F, 351, Ximen Rd, Sec 2, Tainan City (台南市西門路二段351號4樓). Open Tuesdays to Sundays from 9am to 6pm. Tel: (06) 228-9516
■ Opening reception on Saturday at 3pm. Until Jan. 9
Photo courtesy of Aki Gallery
Elsewhere‧Atmosphere (異境‧意境) is a group exhibit of six contemporary photographers from China.
■ Aki Gallery (也趣藝廊), 141 Minzu W Rd, Taipei City (台北市民族西路141號). Open Tuesdays to Sundays from noon to 6:30pm. Tel: (02) 2599-1171
■ Opening reception on Saturday at 3pm. Until Jan. 2
Photo courtesy of Han Art Space
Brushing aside realism as an artistic trope, Hung Yi-chen (洪藝真) draws on the ideas of theorists such as Roland Barthes to focus the viewer’s attention on the process of creating a painting rather than the painting itself. Transpose (錯‧置) features a number of these “painting is dead” works, with the plasticity of the medium taking center stage.
■ VT Art Salon (非常廟藝文空間), B1, 47 Yitong St, Taipei City (台北市伊通街47號地下一樓). Open Tuesdays through Thursdays from 2pm to 11pm, and Fridays and Saturdays from 2pm to 1am. Tel: (02) 2516-1060
■ Until Jan. 1
Art Supply (氣象萬千) forms part of an urban renewal project in Taipei’s Wanhua (萬華) District. Executed by the Museum of Contemporary Art, Taipei, the outdoor project includes six Taiwanese artists who apply their artistic visions to the area. Works on display range from the murals of Hung Tung-esque (洪通) creatures, installations using found objects such as driftwood and sculptures
of light.
■ 406 Plaza (萬華區406廣場) is located near Exit 1 of the Ximen MRT Station (西門捷運站) at the corner of Zhonghua Road Section 1 (中華路一段) and Changsha Street (長沙街), Taipei City.
■ Until March 28
Everlasting Efforts (努力不懈) presents 100 pieces of pottery and sculpture by Tseng Ming-nan (曾明男). Tseng’s work explores rural sentiments, friendships, family relationships and traditional culture. His creative style begins with ceramics, which he merges with other mediums such as glass, bronze, calligraphy and ink painting.
■ National Museum of History (國立歷史博物館), 49 Nanhai Rd, Taipei City (台北市南海路49號). Open Tuesdays to Sundays from 10am to 6pm. Tel: (02) 2361-0270. Admission: NT$30
■ Until Jan. 23
It is barely 10am and the queue outside Onigiri Bongo already stretches around the block. Some of the 30 or so early-bird diners sit on stools, sipping green tea and poring over laminated menus. Further back it is standing-room only. “It’s always like this,” says Yumiko Ukon, who has run this modest rice ball shop and restaurant in the Otsuka neighbourhood of Tokyo for almost half a century. “But we never run out of rice,” she adds, seated in her office near a wall clock in the shape of a rice ball with a bite taken out. Bongo, opened in 1960 by
Common sense is not that common: a recent study from the University of Pennsylvania concludes the concept is “somewhat illusory.” Researchers collected statements from various sources that had been described as “common sense” and put them to test subjects. The mixed bag of results suggested there was “little evidence that more than a small fraction of beliefs is common to more than a small fraction of people.” It’s no surprise that there are few universally shared notions of what stands to reason. People took a horse worming drug to cure COVID! They think low-traffic neighborhoods are a communist plot and call
Over the years, whole libraries of pro-People’s Republic of China (PRC) texts have been issued by commentators on “the Taiwan problem,” or the PRC’s desire to annex Taiwan. These documents have a number of features in common. They isolate Taiwan from other areas and issues of PRC expansion. They blame Taiwan’s rhetoric or behavior for PRC actions, particularly pro-Taiwan leadership and behavior. They present the brutal authoritarian state across the Taiwan Strait as conciliatory and rational. Even their historical frames are PRC propaganda. All of this, and more, colors the latest “analysis” and recommendations from the International Crisis Group, “The Widening
Sept. 30 to Oct. 6 Chang Hsing-hsien (張星賢) had reached a breaking point after a lifetime of discrimination under Japanese rule. The talented track athlete had just been turned down for Team Japan to compete at the 1930 Far Eastern Championship Games despite a stellar performance at the tryouts. Instead, he found himself working long hours at Taiwan’s Railway Department for less pay than the Japanese employees, leaving him with little time and money to train. “My fighting spirit finally exploded,” Chang writes in his memoir, My Life in Sports (我的體育生活). “I vowed then to defeat all the Japanese in Taiwan