You never forget your first time. My first encounter with Riverbed Theatre (河床劇團) was at the Eslite Bookstore (誠品書店) on Dunhua South Road (敦化南路) in October 2006 when they were performing The Man Who Became a Cloud, a piece about Belgian surrealist Rene Magritte.
For more than a decade, artistic director Craig Quintero and his team have put together some of the most visually stunning — and disturbing — productions seen in Taipei’s smaller venues. Some have examined the lives of famous people — Magritte, US theater director Robert Wilson, Albert Einstein — while others have been harder to contextualize.
Quintero, who used to teach at Shih Chien University, moved back to the US in 2008 to become an associate professor at Grinnell College in Iowa, but he remains closely connected to Taiwan. He arrived in Taipei on Dec. 12 to mount his company’s newest production, Electric X! at the Taipei Artists Village (台北國際藝術村) last weekend and this weekend.
He held auditions on Dec. 13 and several dozen people turned up.
“Jan Heui-ling (詹慧玲) — I knew her from all her work in the late 80s, she came with props, costumes, all ready to audition and I was amazed. The French guy [Valentin Lechat] came with balloons, props and juggled,” he said in a telephone interview on Tuesday. “They gave us a breath of fresh air, new possibilities.”
New possibilities are key to Quintero and Riverbed’s work, because “we don’t know where we are going ... We don’t start with a set script ... We don’t have a final scene when we start, sometimes we only have it the day before the show starts.” What they do have is images.
“Riverbed Theatre is primarily interested in the intersection of image and performance art ... We’re trying to find a language that goes beyond spoken language,” he said.
The fact that there is usually very little dialogue in the plays means there’s no language barrier. This doesn’t translate, however, into an easier time for the audiences, because the shows tap into your subconscious.
“Forgoing language allows you to go deeper,” Quintero said.
“You don’t leave the show thinking ‘great actors,’ you leave with images of yourself,” he said.
Quintero admits that the images can sometimes be disturbing — “I see these images and wonder ‘what is this’” — but he then quoted Wilson: ‘I don’t give answers, I ask questions.’”
I can’t give answers either. I saw Electric X! last Saturday, but I can’t tell you what’s it about, I can only tell you what I saw — a woman’s head in plastic box, a voiceless man speaking as water pours from his head, huge flowers — and (spoiler alert) a very, very big rabbit. Some things you just have to see for yourself.
Common sense is not that common: a recent study from the University of Pennsylvania concludes the concept is “somewhat illusory.” Researchers collected statements from various sources that had been described as “common sense” and put them to test subjects. The mixed bag of results suggested there was “little evidence that more than a small fraction of beliefs is common to more than a small fraction of people.” It’s no surprise that there are few universally shared notions of what stands to reason. People took a horse worming drug to cure COVID! They think low-traffic neighborhoods are a communist plot and call
Taiwan, once relegated to the backwaters of international news media and viewed as a subset topic of “greater China,” is now a hot topic. Words associated with Taiwan include “invasion,” “contingency” and, on the more cheerful side, “semiconductors” and “tourism.” It is worth noting that while Taiwanese companies play important roles in the semiconductor industry, there is no such thing as a “Taiwan semiconductor” or a “Taiwan chip.” If crucial suppliers are included, the supply chain is in the thousands and spans the globe. Both of the variants of the so-called “silicon shield” are pure fantasy. There are four primary drivers
The sprawling port city of Kaohsiung seldom wins plaudits for its beauty or architectural history. That said, like any other metropolis of its size, it does have a number of strange or striking buildings. This article describes a few such curiosities, all but one of which I stumbled across by accident. BOMBPROOF HANGARS Just north of Kaohsiung International Airport, hidden among houses and small apartment buildings that look as though they were built between 15 and 30 years ago, are two mysterious bunker-like structures that date from the airport’s establishment as a Japanese base during World War II. Each is just about
The female body is a horror movie waiting to happen. From puberty and the grisly onset of menstruation, in pictures such as Brian De Palma’s Carrie and John Fawcett’s Ginger Snaps, to pregnancy and childbirth — Rosemary’s Baby is the obvious example — women have provided a rich seam of inspiration for genre film-makers over the past half century. But look a little closer and two trends become apparent: the vast majority of female body-based horror deals with various aspects of the reproductive system, and it has largely been made by men (Titane and The First Omen, two recent examples