Saw VI
Jigsaw is back — and he’s still dead. Never mind; there are plenty of flashbacks to keep the ghostly Tobin Bell cast as the moralist from hell for another year. This time he or his acolytes are after a deserving chap who deals in health insurance, and assorted other victims. Reliable reviewers thought this one stacked up pretty well given that the series is running out of scope and room for plot twists. Even so, it was ambushed at the US box office by a long-delayed, Blair Witch-style horror movie called Paranormal Activity. That film is due for release on Dec. 11.
The Devil’s Tomb
Cuba Gooding Jr, Ron Perlman and Ray Winstone head the cast of this underground action movie in which Cuba and badass military mercenary colleagues set out to rescue a group of archeologists from a most sinister location — and begin suffering hallucinations, Event Horizon-style, when they run into something not of this Earth. Not for the discerning film buff, perhaps, but it does star Henry Rollins as a priest and Bill Moseley (The Texas Chainsaw Massacre 2, The Devil’s Rejects) as an oddball professor. This directorial debut of actor Jason Connery (son of Sean) went straight to DVD in the US.
Old Fish (千鈞一髮)
An unusual Chinese police drama, to say the least. A Harbin cop is forced — and able — to defuse a time bomb thanks to his engineering background, only to find that more and more explosives are being planted in the area, and his superiors want him to keep doing the dirty work. Is Dennis Hopper on the loose? Ma Guowei (馬國偉) plays “Old Fish,” the put-upon policeman, in an award-winning turn. Directed by Gao Qunshu (高群書), who co-directed The Message (風聲), which is currently on release.
Plastic City (蕩寇)
A Chinese crook (Anthony Wong, 黃秋生) and his cooler-than-cool adopted Japanese son struggle to keep their enterprise afloat in Sao Paulo, Brazil, when rivals and the authorities turn on them, including a Taiwanese entrepreneur. Critics said the fascinating idea behind the film and its visual distinctiveness were undercut by avoidable technical problems (dubbing, for starters) and a stereotypically art house divergence from coherent narrative — not to mention stylistic lapses that verge on the silly.
Vengeance (復仇)
Johnnie To (杜琪峰) is a Hong Kong director who has kept pumping out solid action flicks over the years. He probably doesn’t have as much international exposure as he should, but this film may help to change that. The lead actor is legendary French singer Johnny Hallyday, who arrives in Macau after his daughter is nearly killed in a triad hit (the rest of her family is wiped out). Hallyday, now a chef, must draw on his unsavory past to accomplish his vengeful mission — but that past is disappearing as an old injury accelerates his amnesia. Co-stars include the formidable Anthony Wong (黃秋生) as a criminal (again) and Simon Yam (任達華) as a triad boss.
Chef’s Special
Chef’s Special throws together a bunch of funny characters centered around a restaurant in Spain whose chef is struggling to cope with life’s challenges, though vengeance plays no role this time. It’s a comedy, so things can only get more chaotic; in this case, the chef finds himself in a relationship with his new neighbor despite the fact that one of his female employees wants the man for herself — and that’s only one plot line. Vibrant and amusing, this is a crowd-pleaser that stands out in a busy week of releases.
The Song of Sparrows
Iranian filmmakers regularly deliver outstanding product, and while this award-winning drama from last year may not be in the top tier, it should please fans of Middle East cinema. A worker at an ostrich farm loses his job and travels to Tehran, where he struggles to maintain his sense of self as the urban environment closes in around him, leading to a tragedy — or so it seems. Salon.com called this visually handsome film “leisurely and lovely.” Directed by Majid Majidi, who has built a solid reputation over the years.
Where Are We Going?
The Japan Times praised this unusual romantic drama in which a taciturn, mistreated young gay man falls in love with a transsexual. Murder is the result, but the film violates any number of moralistic film conventions by being firmly on the side of the protagonists. Starts tomorrow at the Baixue theater in Ximending as part of a promotion for its DVD release.
Angels on a Pin (針尖上的天使)
Finally, a quick mention for a short (17-minute) film by Taiwanese director Wu Mi-sen (吳米森) at the Spot theater in Taipei. The three screenings have been changed from the original calendar to late tonight and early tomorrow and Sunday evening. Entry is free; tickets will be available on a first-come, first-served basis an hour before each session.
March 24 to March 30 When Yang Bing-yi (楊秉彝) needed a name for his new cooking oil shop in 1958, he first thought of honoring his previous employer, Heng Tai Fung (恆泰豐). The owner, Wang Yi-fu (王伊夫), had taken care of him over the previous 10 years, shortly after the native of Shanxi Province arrived in Taiwan in 1948 as a penniless 21 year old. His oil supplier was called Din Mei (鼎美), so he simply combined the names. Over the next decade, Yang and his wife Lai Pen-mei (賴盆妹) built up a booming business delivering oil to shops and
Indigenous Truku doctor Yuci (Bokeh Kosang), who resents his father for forcing him to learn their traditional way of life, clashes head to head in this film with his younger brother Siring (Umin Boya), who just wants to live off the land like his ancestors did. Hunter Brothers (獵人兄弟) opens with Yuci as the man of the hour as the village celebrates him getting into medical school, but then his father (Nolay Piho) wakes the brothers up in the middle of the night to go hunting. Siring is eager, but Yuci isn’t. Their mother (Ibix Buyang) begs her husband to let
The Taipei Times last week reported that the Control Yuan said it had been “left with no choice” but to ask the Constitutional Court to rule on the constitutionality of the central government budget, which left it without a budget. Lost in the outrage over the cuts to defense and to the Constitutional Court were the cuts to the Control Yuan, whose operating budget was slashed by 96 percent. It is unable even to pay its utility bills, and in the press conference it convened on the issue, said that its department directors were paying out of pocket for gasoline
On March 13 President William Lai (賴清德) gave a national security speech noting the 20th year since the passing of China’s Anti-Secession Law (反分裂國家法) in March 2005 that laid the legal groundwork for an invasion of Taiwan. That law, and other subsequent ones, are merely political theater created by the Chinese Communist Party (CCP) to have something to point to so they can claim “we have to do it, it is the law.” The president’s speech was somber and said: “By its actions, China already satisfies the definition of a ‘foreign hostile force’ as provided in the Anti-Infiltration Act, which unlike
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