It'sbeen a particularly quiet week for Pop Stop as the celebs seem to have held off from their usual romantic shenanigans. Some amusement was provided by Rachel Liang’s (梁文音) efforts to establish herself on the TV soap circuit. Liang, who rose to prominence through the One Million Star (超級星光大道) pop idol competition, has seen her recently released album Poems of Love (愛的詩篇) disappear from the charts with considerable rapidity. Now, Next Magazine reports that she has been proving far from adequate as an actress.
Liang, who has been enrolled in the cast of GTV’s (八大) soap Purple Rose (紫玫瑰), was photographed by Next during the reportedly innumerable retakes for one scene in which she is carried through the rain by the scrawny Tender Huang (黃騰浩), who quickly became exhausted. The budding starlet’s inability to learn her lines or understand director Lin He-long’s (林合隆) instructions was dismissed as nothing more than the usual learning curve of any young actress by Purple Rose producer Yu Hao-wen (余澔雯).
While Liang is working hard to carve a niche for herself in the entertainment industry, the “big-breasted bodacious baby face” (童顏巨乳) Kuo Shu-yao (郭書瑤), better known as Yaoyao (瑤瑤), continues on a trajectory to superstardom, with Next reporting that ever since her success in riding a mechanical horse in a much debated commercial for the online game Kill Online, her appearance fee has risen 20 times over.
Yaoyao is already planning a pictorial album, but told Next she would preserve whatever modesty she has left. “I don’t want to be like Shu Qi (舒淇),” she is quoted as saying. “Not everyone can manage to make the transition as successfully as she did.” Shu, whose early career as a glamour model for girlie magazines and actress in soft-core features such as Chin Man-kei’s (錢文錡) Sex and Zen II (玉蒲團二之玉女心經), moved into the exalted circle of big budget cinema.
In news of the amorous, Alan Luo (羅志祥) was this week left red-faced after Hong Kong model “Fanny” released details of their online liaisons. He was so embarrassed he deleted his Facebook account. This revelation was followed by three other Hong Kong lookers, model Annie G, actress Vonnie Lui (雷凱欣) and TV host Coffee Lam (林婉霞), claiming that they too are among Luo’s online “friends.”
There is some suggestion of hanky-panky, but Annie G said that Luo was just one of over 4,000 “friends” on her Facebook page, so the whole discomfiture over these revelations seems to add up to very little.
Coincidentally, or not, Luo’s album Trendy Man (潮男正傳) clings to the bottom of the Top 20 chart nearly five months after its release.
Is the whole storm in a teacup just a stunt to keep Luo’s CD sales up? This would hardly be unusual. But Luo better watch out as earlier this week Apple Daily reported that China’s State Administration of Radio Film and Television (廣電總局) had put a number of artists, including Annie Yi (伊能靜), Cecilia Cheung (張柏芝) and Edison Chen (陳冠希), all of whom have been involved in romantic or sexual revelations, onto a blacklist of celebs who are said to be corrupting public morals.
A subsequent Wenweipo (文匯報) report quotes officials as saying that the blacklist is directed against media organizations rather than a direct attempt to label the
A-listers personae non gratae.
Returning to Ciliwa (唭哩瓦) a couple of weeks ago, it took me a few minutes to get my bearings. This time, I’d approached by a different route. It bypassed the village’s so-called “new community” (新社) and brought me direct to the “old community” (舊社). Outsiders won’t notice many differences between these two settlements in an inland and ruggedly hilly corner of Tainan. Both are a mix of traditional single-story homes and more recent reinforced concrete structures. In the “newer” part of the village as in the “older,” several houses are empty, and it’s obvious nobody is trying to maintain them. The “old
With no way to make money during the outbreak and a developmentally delayed third-grader to raise alone, the only thing Mr Lin (林) can do is pray for vaccines. “I just hope that people can get vaccinated and life can go back to usual soon,” Lin says during a Line interview. “It’s unfortunate that Taiwan’s awkward international status prevents us from getting vaccines.” A foot masseuse catering to tourists in Taipei, Lin’s income already took a hit when the COVID-19 pandemic hit last year. With the latest outbreak shuttering massage parlors across the nation, he is now out of a
Harboring an unrequited love for someone is one thing; following them, secretly taking pictures of them and visiting them at work every day is stalking. Chasing down and confronting their new boyfriend (even though he is a horrible person) in the name of justice, is stalking. There’s not really an excuse, no matter how well-intentioned one is. Such behavior features heavily in My Missing Valentine (消失的情人節), which is available on Netflix after bagging five trophies during last year’s Golden Horse awards, including best feature and best director. It’s a skillfully edited and philosophical tale with a sweet and endearing protagonist
David Eagleman, 50, is an American neuroscientist, bestselling author and presenter of the BBC series The Brain, as well as co-founder and chief executive officer of Neosensory, which develops devices for sensory substitution. His area of specialty is brain plasticity, and that is the subject of his new book, Livewired, which examines how experience refashions the brain, and shows that it is a much more adaptable organ than previously thought. Andrew Anthony: For the past half-century or more the brain has been spoken of in terms of a computer. What are the biggest flaws with that particular model? David Eagleman: It’s a