For men with a penchant for gold jewelry, heavily gelled hair and lightly razored beards, the long wait is finally over. Ever since Honda announced at the beginning of last year that they'd be updating their best-selling hot hatch, denim-clad speed boys have been biting their knuckles in anticipation. And now, after a seemingly endless run of "concepts," the Type R is finally here - a full-on, flame snorting, Red Bull slurping motor that boasts the ground clearance of a Hoover and handles like an adult-sized Scalextric car. I've also been waiting - though for not quite as long. A few days before the Type R was due to be delivered to me, I received an apologetic call from Honda's press office. "Um, very sorry, but the journalist who was testing it last week, er, slightly over-cooked it on a tricky bend and, well, the car will be in the body shop for longer than we were expecting"
When it did arrive, all glinting alloys, flouncing side skirts and a high-revving 235kph 2-liter i-VTEC engine, I quickly realized how easy it would be to "over-cook" a Type R. This isn't to say it's not a safe car. It's just that it appeals to your less cautious side. Which, considering it is a humdrum Honda Civic, is quite a turnaround.
The Civic has been in continuous production for 35 years - the second longest from a Japanese manufacturer (Toyota's Corolla has been going for four years longer). And in that time it has gained a reputation as a quietly chivalrous and reliable mode of transport. But then along came the latest Civic make-over - the eighth in total. And where once there was sense, there was now sensation. The new car featured the kind of extreme styling that had angina patients reaching for their pills. Swollen with plastic bulges and weird angular shapes, it looked like a car-sized espresso machine designed by someone with a deep aversion to curves. Everything from the triangular exhaust pipes and isosceles lamps, to the honeycomb grille and arrow-point door handles were sharp and pointy. Now, with the arrival of the high-performance Type R variant, Honda has given its futuristic car the kind of out-there performance its looks deserve.
PHOTOS: AP
Inside, it's all about the driving experience. The seats are black racing-style buckets with red stitching. The steering wheel and gear stick also feature the same sexy stitching. It's clearly been styled by a Betty Page fetishist. The dashboard is built on two tiers, and flashes at you frantically from both banks; even the center of the steering wheel is an information point. It all makes you feel like you're driving an episode of 24 rather than a hatchback.
Hit the engine start button and you begin to see what all the fuss is about. With its extraordinarily direct steering, stiff ride and limitless power, the Type R handles like a macho fairground ride - leaving you feeling exhilarated, scared, dizzy and slightly queasy.
Last week, it was announced that the only country outside Europe where you'll be able to buy the car is Australia. Which probably says all you need to know about the Type R.
A white horse stark against a black beach. A family pushes a car through floodwaters in Chiayi County. People play on a beach in Pingtung County, as a nuclear power plant looms in the background. These are just some of the powerful images on display as part of Shen Chao-liang’s (沈昭良) Drifting (Overture) exhibition, currently on display at AKI Gallery in Taipei. For the first time in Shen’s decorated career, his photography seeks to speak to broader, multi-layered issues within the fabric of Taiwanese society. The photographs look towards history, national identity, ecological changes and more to create a collection of images
A series of dramatic news items dropped last month that shed light on Chinese Communist Party (CCP) attitudes towards three candidates for last year’s presidential election: Taiwan People’s Party (TPP) founder Ko Wen-je (柯文哲), Terry Gou (郭台銘), founder of Hon Hai Precision Industry Co (鴻海精密), also known as Foxconn Technology Group (富士康科技集團), and New Taipei City Mayor Hou You-yi (侯友宜) of the Chinese Nationalist Party (KMT). It also revealed deep blue support for Ko and Gou from inside the KMT, how they interacted with the CCP and alleged election interference involving NT$100 million (US$3.05 million) or more raised by the
In 2020, a labor attache from the Philippines in Taipei sent a letter to the Ministry of Foreign Affairs demanding that a Filipina worker accused of “cyber-libel” against then-president Rodrigo Duterte be deported. A press release from the Philippines office from the attache accused the woman of “using several social media accounts” to “discredit and malign the President and destabilize the government.” The attache also claimed that the woman had broken Taiwan’s laws. The government responded that she had broken no laws, and that all foreign workers were treated the same as Taiwan citizens and that “their rights are protected,
At a funeral in rural Changhua County, musicians wearing pleated mini-skirts and go-go boots march around a coffin to the beat of the 1980s hit I Hate Myself for Loving You. The performance in a rural farming community is a modern mash-up of ancient Chinese funeral rites and folk traditions, with saxophones, rock music and daring outfits. Da Zhong (大眾) women’s group is part of a long tradition of funeral marching bands performing in mostly rural areas of Taiwan for families wanting to give their loved ones an upbeat send-off. The band was composed mainly of men when it started 50