The Hwa Kang Museum is up Yangmingshan, Taipei, in a corner of the Chinese Culture University campus. Established in 1971 by the university's founder Zhang Qi-yun (
This four-floor building has approximately 549m2 of
exhibition space.
PHOTO: Courtesy of the Hwa Kang Museum
The first floor gallery is open for exhibitions to both campus artists and members of the public. The third floor is set to display pieces from the museum's
permanent collections of folk arts and Chinese ceramics. The fourth floor exhibition area is designated for large-scale, semester-long thematic presentations of fine arts. The museum's permanent
collection of modern and
contemporary Chinese paintings and calligraphy contains more than 4,000 masterpieces by Chinese artists. Big-name artists include Wang Yang-ming (
In its Chinese ceramics
collection, porcelain and pottery objects are covered through the ages, from the Neolithic Yang-shao culture to the Ming and Qing dynasties.
The folk art and woodblock print collections range from aged furniture, to embroidery, woodblock prints, temple and
monastery art and Aboriginal
cultural artifacts. All these remarkable collections require at least a half-day trip for serious art lovers.
Currently on the fourth floor, curator Margaret Chen (
The late Zhang Shu-qi never set foot in Taiwan in his lifetime and is thus unknown to the general public. Yet, his outstanding skill at drawing pigeons has been lauded by the late Xu Bei-hong (
Born in 1900, Zhang painted the 3m x 3m Hundred Doves in 1941, when China was being attacked by the Japanese. Applying olive trees and azalea flowers as a background, the painting vividly depicts 100 or more doves, each with different expressions. The painting suggests the artist's desire for peace at a time when the clouds of war were gathering.
The painting was subsequently presented to former US president Franklin D. Roosevelt as a gift in commemoration of his third
presidential inauguration. It was displayed in the White House and later became part of the permanent collection of the former president's library.
Zhang was a talented landscape and birds-and-flower painter. One daring approach that Zhang adopted was to use colored Chinese painting papers, instead of normal white ones, for many of his works done in the US.
"He developed a preference for using powdered lead white and red pigment on colored paper. His colors thus became extremely eye-catching," Margaret Chen said. Fang Yi-min
(方亦民), widow of Zhang Shu-qi, donated 40 of her late husband's works to the university in 1969, after Zhang passed away in 1957.
Zhang Shu-qi expresses his desire for peace through painting doves.
In 1990, Amy Chen (陳怡美) was beginning third grade in Calhoun County, Texas, as the youngest of six and the only one in her family of Taiwanese immigrants to be born in the US. She recalls, “my father gave me a stack of typed manuscript pages and a pen and asked me to find typos, missing punctuation, and extra spaces.” The manuscript was for an English-learning book to be sold in Taiwan. “I was copy editing as a child,” she says. Now a 42-year-old freelance writer in Santa Barbara, California, Amy Chen has only recently realized that her father, Chen Po-jung (陳伯榕), who
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When nature calls, Masana Izawa has followed the same routine for more than 50 years: heading out to the woods in Japan, dropping his pants and doing as bears do. “We survive by eating other living things. But you can give faeces back to nature so that organisms in the soil can decompose them,” the 74-year-old said. “This means you are giving life back. What could be a more sublime act?” “Fundo-shi” (“poop-soil master”) Izawa is something of a celebrity in Japan, publishing books, delivering lectures and appearing in a documentary. People flock to his “Poopland” and centuries-old wooden “Fundo-an” (“poop-soil house”) in
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