Living in Kaohsiung, where haphazard zoning and general disregard of environmental-protection regulations is the norm, Huang Cheng-jen (洪政任) is keenly aware of the environmental problems facing Taiwan and has made them the subject of his art.
In a solo exhibition titled The Cosmic Garden II, that opened yesterday at Taipei Fine Arts Museum, Huang approaches the issues of environmental degradation and conservation through four installations that are as simple as they are arresting in their visual impact.
About five years ago, Huang wandered through an abandoned lot in Kaohsiung that was a field of discarded logs and other accumulated detritus that tends to pile up over time in unattended urban spaces. The bleak landscape of wasted trees and trash made him think of a dead forest and the sight inspired the pieces currently on exhibit, he said on Friday while setting up his installations.
PHOTOS COURTESY OF TFAM
Three photos he took that day of the abandoned lot, reproduced over 5,000 times, have been cut up and arranged in concentric circles on transparent plastic boards or on plywood. Three of the installations are a series of these montages hung in rows, while the fourth is a collection of the montages mounted on the exhibition space's far wall.
Hanging the two-dimensional montages in rows evokes the three-dimensional shape of a log that has been cut in many places and infers the destruction of forests, which are visible in each of the mounted photos. The motif of concentric circles extends beyond the representation of the rings inside the trunk of a tree to encompass the broader, philosophical themes associated with circles -- eternity, nothingness, the sun, Mother Nature, etc.
"The circles are contained within a frame because I want to show there are limits to the amount of space in the planets represented by the circles," he said.
On the far wall of the space, the two-dimensionality of the fourth installation appears like a giant map of the solar system with the montages representing planets, sun, stars or galaxies. Huang uses this effect to emphasize the relative unimportance of humans at the cosmic level, while the photos used in the montages provide testament to the damage we are still capable of inflicting on our planet.
The Cosmic Garden II will be on exhibit until Dec. 7. The Taipei Fine Arts Museum is located at 181 Zhongshan N Rd, Sec 3, Taipei (
It’s always a pleasure to see something one has long advocated slowly become reality. The late August visit of a delegation to the Philippines led by Deputy Minister of Agriculture Huang Chao-ching (黃昭欽), Chair of Chinese International Economic Cooperation Association Joseph Lyu (呂桔誠) and US-Taiwan Business Council vice president, Lotta Danielsson, was yet another example of how the two nations are drawing closer together. The security threat from the People’s Republic of China (PRC), along with their complementary economies, is finally fostering growth in ties. Interestingly, officials from both sides often refer to a shared Austronesian heritage when arguing for
The Nuremberg trials have inspired filmmakers before, from Stanley Kramer’s 1961 drama to the 2000 television miniseries with Alec Baldwin and Brian Cox. But for the latest take, Nuremberg, writer-director James Vanderbilt focuses on a lesser-known figure: The US Army psychiatrist Douglas Kelley, who after the war was assigned to supervise and evaluate captured Nazi leaders to ensure they were fit for trial (and also keep them alive). But his is a name that had been largely forgotten: He wasn’t even a character in the miniseries. Kelley, portrayed in the film by Rami Malek, was an ambitious sort who saw in
Nov.10 to Nov.16 As he moved a large stone that had fallen from a truck near his field, 65-year-old Lin Yuan (林淵) felt a sudden urge. He fetched his tools and began to carve. The recently retired farmer had been feeling restless after a lifetime of hard labor in Yuchi Township (魚池), Nantou County. His first piece, Stone Fairy Maiden (石仙姑), completed in 1977, was reportedly a representation of his late wife. This version of how Lin began his late-life art career is recorded in Nantou County historian Teng Hsiang-yang’s (鄧相揚) 2009 biography of him. His expressive work eventually caught the attention
Late last month the Executive Yuan approved a proposal from the Ministry of Labor to allow the hospitality industry to recruit mid-level migrant workers. The industry, surveys said, was short 6,600 laborers. In reality, it is already heavily using illegal foreign workers — foreign wives of foreign residents who cannot work, runaways and illegally moonlighting factory workers. The proposal thus merely legalizes what already exists. The government could generate a similar legal labor supply simply by legalizing moonlighting and permitting spouses of legal residents to work legally on their current visa. But after 30 years of advocating for that reform,