Although its a party/arts event at Huashan organized by lao-wai, this is a far cry from the "foreigner head-shaking party" that tabloids enjoy getting steamed up about. It is, in fact, the Urban Nomad Film Festival (城市游牧影展), now back at Huashan for the second year.
This time round, a more complete selection of films will be shown, and these will be more focused on a single theme. In total, there will be 25 films (experimental, shorts, documentaries and mockumentaries) screening over two days.
PHOTO COURTESY OF URBAN NOMAD
The Friday event begins with three experimental shorts. Tony Wu (吳俊輝), from Taiwan, a frequent participant in international short film or experimental film festivals, will present his latest work Making Maps (製造地圖). Wu's experimental style makes use of found footage, animated images and optical printing.
In Making Maps, he uses these methods to talk about pornography, specifically blood and semen. For Wu, the pornographic images he weaves through this 21-minutes is a way of creating a physical and psychological map of human beings.
Another Taiwan entry is Lin Hongjohnn's (林宏璋) film about Taiwan's UFO cult. Lin, as the nephew of UFO cult leader, Chen Heng-ming, has unique access to the true believers.
The main event on Saturday is the Taiwan premiere of an underground film Redneck Vampire, a mockumentary by Mike Anderson. In the film, Anderson tracks down a man in central Alabama, who claims to be a redneck vampire, and explores his life of drugs, sex and immortality. The film proved a big hit on the Internet with its hilarious play on racial and class stereotypes. Even Ann Rice, the author of Interview with the Vampire, has signed on at the film's Web site.
The mockumentary is followed by the rockumentary session of three film. Dark Funeral, a film documenting the Taiwan performance of a Swedish black metal band. It explores their views on satanic cults and church burning. The film was previously selected for the 2002 New York Underground Film Festival.
For film-loving people, Urban Nomad will be an event to spot some innovative or odd creations of independent filmmaking. And for those who just want to chill out, there will be live music today and tomorrow nights, accompanied by film footage of surfing, punk rock concerts and a remix of Hitchcock's classic film Psycho.
The Urban Nomad Film Festival will run tonight and tomorrow at the Huashan Arts District (華山藝文特區) starting at 8pm. Huashan is located at 1 Pateh Rd., Sec. 1,Taipei (台北市八德路一段1號). Tickets are NT$200 for one day or NT$300 for both days. Tickets available at the door.
May 11 to May 18 The original Taichung Railway Station was long thought to have been completely razed. Opening on May 15, 1905, the one-story wooden structure soon outgrew its purpose and was replaced in 1917 by a grandiose, Western-style station. During construction on the third-generation station in 2017, workers discovered the service pit for the original station’s locomotive depot. A year later, a small wooden building on site was determined by historians to be the first stationmaster’s office, built around 1908. With these findings, the Taichung Railway Station Cultural Park now boasts that it has
Wooden houses wedged between concrete, crumbling brick facades with roofs gaping to the sky, and tiled art deco buildings down narrow alleyways: Taichung Central District’s (中區) aging architecture reveals both the allure and reality of the old downtown. From Indigenous settlement to capital under Qing Dynasty rule through to Japanese colonization, Taichung’s Central District holds a long and layered history. The bygone beauty of its streets once earned it the nickname “Little Kyoto.” Since the late eighties, however, the shifting of economic and government centers westward signaled a gradual decline in the area’s evolving fortunes. With the regeneration of the once
In February of this year the Taipei Times reported on the visit of Lienchiang County Commissioner Wang Chung-ming (王忠銘) of the Chinese Nationalist Party (KMT) and a delegation to a lantern festival in Fuzhou’s Mawei District in Fujian Province. “Today, Mawei and Matsu jointly marked the lantern festival,” Wang was quoted as saying, adding that both sides “being of one people,” is a cause for joy. Wang was passing around a common claim of officials of the People’s Republic of China (PRC) and the PRC’s allies and supporters in Taiwan — KMT and the Taiwan People’s Party — and elsewhere: Taiwan and
Perched on Thailand’s border with Myanmar, Arunothai is a dusty crossroads town, a nowheresville that could be the setting of some Southeast Asian spaghetti Western. Its main street is the final, dead-end section of the two-lane highway from Chiang Mai, Thailand’s second largest city 120kms south, and the heart of the kingdom’s mountainous north. At the town boundary, a Chinese-style arch capped with dragons also bears Thai script declaring fealty to Bangkok’s royal family: “Long live the King!” Further on, Chinese lanterns line the main street, and on the hillsides, courtyard homes sit among warrens of narrow, winding alleyways and