In the months preceding March 20, the international arts community was much concerned about the possible destruction of irreplaceable structures and works of art as a result of the US-Iraq conflict. During the Gulf War 3,000 antiques are thought to have gone missing from nine museums, apparently plundered by Iraqi civilians.
Now that war in Iraq has become a reality, the displacement of artifacts becomes all the more alarming. A large portion of the plunder will be in the form of Islamic artifacts, typically decorated with elaborate Arabic calligraphy.
A visit to the Understanding Islam Through the Art of Calligraphy (認識伊斯蘭--書法藝術展) exhibition currently on show at the Museum of World Religions (世界宗教博物館), will give you an idea of what is at stake.
Although the museum said the timing of the show is coincidental, it may inspire people to think about the inextricable relationship between art, religion and life for the people of the Islamic world.
Intended as an educational exhibition, this calligraphy show is not particularly large, and to underline the focus on religion, presents only artifacts that use the calligraphic styles used in copying the Koran.
The 13 items on show occupy a space so small that viewers can walk around all the exhibits in just 10 steps, and inattentive viewers may finish the whole show in five minutes. But this would be a pity as this is a rare chance to see such elaborate calligraphic works from the Islamic world in Taiwan.
The exhibits range from decorative plates, rugs and oil lamps to manuscripts of the Koran. Some of them are on loan from the Taipei Mosque. Chinese translations of the text are placed next to the exhibits. A brief introduction to the styles used is also included.
Also on show is a 1/50 model of the Dome of the Rock in Jerusalem, which marks the site from where the Prophet Muhammad made his journey to heaven. Words from the Koran decorate its walls.
"The exhibition tries to show how a common language -- Arabic -- powerfully units worshippers from 58 Islamic countries around the world, and also how Islamic religion contributes to the preservation of Arabic calligraphy," said Ching Yu-chuan (
"Compared with Chinese calligraphy, which considers a unique individual style a high achievement, Islamic calligraphy is more universal. The difference between a master calligrapher and one less talented may not seem obvious. It's the careful composition and ingenious connecting of letters that's the test of a good calligrapher," Ching said.
Although the essence of the calligraphic art is not easily revealed in this small show, these delicate fonts integrating abstract birds and fruits are very beautiful to look at.
Accompanying the exhibition, the museum will screen Promises, a documentary on children living on the Israel-Palestinian divide by American directors Justine Shapiro and B.Z. Goldberg.
More Information: Understanding Islam Through the Art of Calligraphy will run until May 4 at the Museum of World Religions, 7F., 236 Chungshan Rd., Sec. 1, Yungho City, Taipei County (
In the March 9 edition of the Taipei Times a piece by Ninon Godefroy ran with the headine “The quiet, gentle rhythm of Taiwan.” It started with the line “Taiwan is a small, humble place. There is no Eiffel Tower, no pyramids — no singular attraction that draws the world’s attention.” I laughed out loud at that. This was out of no disrespect for the author or the piece, which made some interesting analogies and good points about how both Din Tai Fung’s and Taiwan Semiconductor Manufacturing Co’s (TSMC, 台積電) meticulous attention to detail and quality are not quite up to
Chinese Nationalist Party (KMT) Chairman Eric Chu (朱立倫) hatched a bold plan to charge forward and seize the initiative when he held a protest in front of the Taipei City Prosecutors’ Office. Though risky, because illegal, its success would help tackle at least six problems facing both himself and the KMT. What he did not see coming was Taipei Mayor Chiang Wan-an (將萬安) tripping him up out of the gate. In spite of Chu being the most consequential and successful KMT chairman since the early 2010s — arguably saving the party from financial ruin and restoring its electoral viability —
It is one of the more remarkable facts of Taiwan history that it was never occupied or claimed by any of the numerous kingdoms of southern China — Han or otherwise — that lay just across the water from it. None of their brilliant ministers ever discovered that Taiwan was a “core interest” of the state whose annexation was “inevitable.” As Paul Kua notes in an excellent monograph laying out how the Portuguese gave Taiwan the name “Formosa,” the first Europeans to express an interest in occupying Taiwan were the Spanish. Tonio Andrade in his seminal work, How Taiwan Became Chinese,
April 28 to May 4 During the Japanese colonial era, a city’s “first” high school typically served Japanese students, while Taiwanese attended the “second” high school. Only in Taichung was this reversed. That’s because when Taichung First High School opened its doors on May 1, 1915 to serve Taiwanese students who were previously barred from secondary education, it was the only high school in town. Former principal Hideo Azukisawa threatened to quit when the government in 1922 attempted to transfer the “first” designation to a new local high school for Japanese students, leading to this unusual situation. Prior to the Taichung First