Pianists throughout the world are being encouraged to participate in the first Taiwan-sponsored international piano competition. The Leschetizky International Piano Competition, to be held from Dec. 9 to Dec. 20 at Taichung's Chungshan Hall, will accept applications until the end of this month.
Leschetizky (1830-1915), an Austrian pianist, was a legendary figure, often dubbed the greatest pianist of the 20th century. His student, pianist Peter Ritzen, will chair of the jury panel for the competition.
Three main prizes worth NT$300,000, NT$240,000 and NT$150,000 will be awarded to the three best laureates, who will also win a piano recital in Vienna. The first prize recipient will also be invited to launch a CD on Naxos, a leading classical music label. Other special prizes will be given to semifinalists and finalists, such as the Best Public Performer's prize and the Best Leschetizky Performer's prize.
The sponsor of the competition -- the Renaissance Music Society (文藝復興音樂聯盟) -- has invited musicians from Taiwan and abroad to serve as the jury for the competition. Local pianists Rolf-Peter Wille, Constance Lee, Zhu Da-ming and Francis Wu will be joined by overseas musicians, including the former dean of the Moscow State Conservatory, Sergei Dorensky; Juilliard School professor Jacob Lateiner; French pianist Bernard Ringeissen; and Polish pianist Andrzej Jasinski.
For more information, visit the society's Web site at http://www.rms.com.tw, or contact the society at 886-2-2809-1733.
In the March 9 edition of the Taipei Times a piece by Ninon Godefroy ran with the headine “The quiet, gentle rhythm of Taiwan.” It started with the line “Taiwan is a small, humble place. There is no Eiffel Tower, no pyramids — no singular attraction that draws the world’s attention.” I laughed out loud at that. This was out of no disrespect for the author or the piece, which made some interesting analogies and good points about how both Din Tai Fung’s and Taiwan Semiconductor Manufacturing Co’s (TSMC, 台積電) meticulous attention to detail and quality are not quite up to
It is one of the more remarkable facts of Taiwan history that it was never occupied or claimed by any of the numerous kingdoms of southern China — Han or otherwise — that lay just across the water from it. None of their brilliant ministers ever discovered that Taiwan was a “core interest” of the state whose annexation was “inevitable.” As Paul Kua notes in an excellent monograph laying out how the Portuguese gave Taiwan the name “Formosa,” the first Europeans to express an interest in occupying Taiwan were the Spanish. Tonio Andrade in his seminal work, How Taiwan Became Chinese,
April 21 to April 27 Hsieh Er’s (謝娥) political fortunes were rising fast after she got out of jail and joined the Chinese Nationalist Party (KMT) in December 1945. Not only did she hold key positions in various committees, she was elected the only woman on the Taipei City Council and headed to Nanjing in 1946 as the sole Taiwanese female representative to the National Constituent Assembly. With the support of first lady Soong May-ling (宋美齡), she started the Taipei Women’s Association and Taiwan Provincial Women’s Association, where she
Mongolian influencer Anudari Daarya looks effortlessly glamorous and carefree in her social media posts — but the classically trained pianist’s road to acceptance as a transgender artist has been anything but easy. She is one of a growing number of Mongolian LGBTQ youth challenging stereotypes and fighting for acceptance through media representation in the socially conservative country. LGBTQ Mongolians often hide their identities from their employers and colleagues for fear of discrimination, with a survey by the non-profit LGBT Centre Mongolia showing that only 20 percent of people felt comfortable coming out at work. Daarya, 25, said she has faced discrimination since she