A year ago, 28-year-old pianist Aeham al-Ahmad was performing in the ruins of Damascus. However, after Islamic State (IS) group jihadists torched his beloved piano, he fled to Germany where he now sings to audiences of the troubles in his home nation.
“The piano, this is my life. This is in my heart,” said the young musician, dressed in jeans and a keffiyeh scarf.
On a recent day in Berlin, Ahmad threw off his rucksack and rushed to a grand piano in a concert hall where was to perform a few hours later. He played a few arpeggios on the gleaming instrument. In his concerts, he sings in Arabic about water, the mountains near the Syrian capital and the “stolen dreams” of its people.
In Damascus, his piano “was the thing I cherished the most.”
He rolled it out into the streets of the Palestinian camp of Yarmuk, amid the ruins of the city. Children used to stand in a circle around him, singing together about hope in face of war, famine and bombs. However, on April 17 last year, his birthday, IS jihadists reduced the instrument to ashes.
“When the minions of the Islamic State burned my piano, I decided to leave,” he said, speaking of his grueling odyssey in crowded boats before he finally reached Europe’s shores.
The voyage also meant he had to leave his wife and two sons behind in Syria.
Music is in Ahmad’s blood. He started playing piano when he was five and his father — who is blind — is a violinist and musical-instrument maker. The two later performed together, putting on concerts in the ruins of the Yarmouk refugee camp for Palestinians in Damascus.
Ahmad was pursuing formal training on his instrument, studying piano and music for four years at university in Homs, Syria, before his education was interrupted by war.
He arrived in Germany in September last year along with tens of thousands of other Syrians refugees. Since then, he has been living in a refugee home with his uncle in the western town of Wiesbaden near Frankfurt.
“It is not perfect, but we have a room and people give us food and money,” he said, smiling.
He speaks English with a strong Arab accent, but when he talks about Germany, he uses an approximation of the German word, Deutschland.
“I like doing something for Doutchland because it [has done] a lot for me,” he said.
After a short rehearsal for an evening concert, he talked about how he had dreamed of going to Germany even before the war.
“Because it is land of music. All the time we listened. Bechstein, Steinway. It is the land making the piano,” he said.
“[There were] very, very, very good pianists in Doutschland. I thought after my university, I need to go to Doutschland to Cologne University. It is my dream with war or without war,” he added.
Since arriving in Germany, he has sought to bring comfort to the residents of the asylum-seeker center and its many children, performing on a piano donated by German pop singer Herbert Groenemeyer. Ahmad is proud to list the venues where he has already given concerts in Germany. He said he has also had offers from France, Italy and “even America,” but he was not allowed to leave Germany until his asylum application had been approved.
Ahmad said that by playing to German audiences, he hopes to banish their fears.
“Lots of people associate Syria with IS terrorists, but they see a Syrian on the podium who reveres Beethoven and who can play Mozart,” he said.
Ahmad said the halls are full where he performs and he was even awarded a prize in Bonn in December last year for his work. It was the Beethoven Prize given to individuals for their effort on behalf of human rights and freedom.
However, when asked about his newfound fame, the young musician said: “I am not a star. I am a refugee.” He said that when he thinks about the future, he only sees the faces of his wife and his two sons, whom he hopes to take to Germany.
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