Wed, Jan 13, 2016 - Page 6 News List

Dances with monks at Tibet’s Gedong Festival


A lama performs the Cham dance during the Gedong festival on Tuesday last week at the Ganden Sumtsenling Monastery in Shangri-La, in Diqing Tibetan Autonomous Prefecture of China’s Yunnan Province.

Photo: AFP

Thousands of meters above sea level, high on the Tibetan plateau, hundreds of Tibetan Buddhist devotees dressed in brilliant hues of pink and blue gathered for the Gedong Festival.

Lamas young and old mixed with festival-goers wearing traditional garb to watch the religious Cham dances at the Ganden Sumtseling Monastery in Shangri-La.

Masked, costumed monks portrayed a host of ghosts and deities from the pantheon of Tibetan Buddhist mythology, to the sounds of lamas playing traditional instruments — crashing cymbals, drums and deep, vibrating ceremonial horns.

Tsering Choetso, a 52-year-old farmer, said the true meaning of the festival was hard to explain in a language other than Tibetan, but described it as a chance to “pay our respects to our deities as well as our departed ancestors.”

“A ghost is a lesser deity in a world that resembles hell,” he said. “We believe that if we come here and watch and dance, we won’t be afraid of them if we encounter them in our afterlife.”

Although Buddhism is one of China’s five officially sanctioned religions, the Chinese Communist Party accuses exiled Tibetan spiritual leader the Dalai Lama of trying to split the country, calling him a “wolf in sheep’s clothing.”

China, which has ruled Tibet since the 1950s, has been accused of trying to eradicate the region’s Buddhist-based culture through political and religious repression and large-scale immigration by Han Chinese.

However, Beijing insists that Tibetans enjoy extensive freedoms and that it has brought economic growth to the region.

During the Cultural Revolution, expressions of ethnic identity — such as religious activity or local festivals — were brutally suppressed.

The 17th century Ganden Sumtseling Monastery — often called “Little Potala” for its resemblance to Lhasa’s iconic palace — was itself heavily damaged.

Now it has been extensively renovated, rebuilt and developed into a commercial tourist attraction, complete with hefty entrance fees, with the festival promoted as a key opportunity to visit.

Chinese security forces, which have sometimes put on huge shows of strength at temple events, appeared to be entirely absent from the festival.

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